My series on 1950s stories on sex and sexuality finds itself relentlessly drawn back to the well-trodden post-apocalyptic wasteland. New moralities are inscribed and ritualized in the wreckage. As Paul Brians points out in Nuclear Holocaust: Atomic War in Fiction, 1895-1984 (1987), authors in the 1950s and 60s demonstrate an obsession with the sex in the post-holocaust landscape as if they are “feverishly battling atomic thanatos with eros” [note 1]. Here I have paired two moments that dance around either side of the nuclear nightmare. Langdon Jones’ “I Remember, Anita…” (1964), the most controversial story from the early issues of Michael Moorcock’s New Worlds, explores an intense love affair in the moments before and after impact. Ward Moore’s shocker “Lot” (1953) charts the moments after impact as the masses flee from the city.

Here are the earlier installments in the series:

1. Philip José Farmer’s “The Lovers” (1952)
2. Sherwood Springer’s “No Land of Nod” (1952)
3. Wallace West’s “Eddie For Short” (1953)
4. Fritz Leiber’s “The Ship Sails at Midnight” (1950)
5. Theodore Sturgeon’s “The Sex Opposite” (1952)

If any stories on 1950s stories on sex and sexuality come to mind that I haven’t read yet let me know in the comments. I have a substantial list waiting to be covered but I suspect it’s far from comprehensive.

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4.5/5 (Very Good)

Ward Moore’s “Lot” first appeared in The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher and J. Francis McComas (May 1953). You can read it online here.

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