(Darrell K. Sweet’s cover for the 1974 edition)
4.5/5 (Very Good)
“No city, no town, no community of more than one thousand people or two hundred buildings to the square mile shall be built or permitted to exist anywhere in the United States of America” (Thirtieth Amendment of the United States Constitution) (1)
Leigh Brackett’s The Long Tomorrow (1955) not only clocks in as the best of her work I’ve read so far but also joins my pantheon of favorite 50s SF visions (*). At first glance Brackett’s novel appears to traverse standard SF juvenile territory where a teenage boy, in a religiously and socially oppressive society, encounters an object and memories of the past that opens up a path to self-discovery. But memories are memories. And dreams are Continue reading Book Review: The Long Tomorrow, Leigh Brackett (1955)
(Cover for the 1973 edition of The City in the Sea (1951), Wilson Tucker)
Mariella Anderlini, under the pseudonym Allison, produced a vast number of surreal and masterful SF covers (between 1969-1988) primarily for the Italian SF publisher Libra Editrice. Apparently, she went under the pseudonym to avoid damaging her professional painting career. She was the wife of Ugo Malaguti, editor and author, who founded Libra Editrice and edited Galassia.
As I celebrate the birthdays of a range of SF authors/illustrators/editors from multiple language traditions on twitter (@SFRuminations), I came across Allison’s work while researching her husband’s untranslated SF output. However, only through the diligent research of a twitter follower, whose Italian is far better than mine, were we able to come across her real name.
A reader on twitter sent me two Italian articles for more details (they are scanty) about her life and SF art: “Libra Editrice: ascess e caduta di un impero” and “Nova SF.”
And her art is absolutely gorgeous…. Her work enters the pantheon of my favorite SF cover Continue reading Adventures in Science Fiction Art: Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini
More Christmas gifts + Winter break used bookstore finds….
Two more Richard Powers covers from the 50s…
A non-Dune Frank Herbert find with a wonderful Vincent Di Fate cover… I’ve been somewhat ambivalent with Herbert’s non-Dune corpus in the last few years. A 50s Poul Anderson adventure, a later Leigh Brackett novel, and another scathing satire from the delightful pen of C. M. Kornbluth…
1. The God Makers, Frank Herbert (1972) (MY REVIEW)
(Vincent Di Fate’s cover for the 1973 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. XLVV (Herbert + Anderson + Brackett + Kornbluth)
A mixture of a few clearance section novels from Austin bookstores (Chandler and Siodmak) and three recent purchases from a nice used bookstore (for science fiction) in my current town… I can’t wait to read another Leigh Brackett novel (one of the most renowned pulp sci-fi writers of the 50s) — I’ve only read her novels, The Big Jump (1955) and was pleasantly surprised.
One can never have too many Brunner novels (I have 21 at the moment and I’ve read a majority of them) — even average works from the early 80s….
And Wilson Tucker’s The Year of the Quiet Sun (1970) — yes, I generally dislike time travel, but I’ve yet to read one of his works so I might as well start with what is generally considered his best novel.
(*note: I include images of what I consider the best cover for the novel if it has multiple editions because I enjoy good examples of sci-fi art. I own perhaps half of the exact editions shown. A few readers have expressed confusion.)
1. The Long Tomorrow, Leigh Brackett (1955)
(Ed Emshwiller’s cover for Continue reading Updates: Recent Science Fiction Acquisitions No. XXXIV (Brunner + Tucker + Brackett + et al.)