What pre-1985 science fiction are you reading? + Update No. XXV

What pre-1985 science fiction are you reading or planning to read next month? Here’s the July installment of this column.

One of my favorite forms of SF scholarship is careful identification of a intellectual genealogy–tracing what an author read and engaged in dialogue with. Authors are readers. They also can’t escape references and textual traces of what they’ve consumed (or, of course, engagement with the world in which they lived).

I’ve read two interesting examples recently. The first, Carol McGuirk’s “J. G. Ballard and American Science Fiction” in Science Fiction Studies, vol. 49 (2022), is the perfect example of this type of scholarship. She traces Ballard’s engagement with SF, his earliest stories, and the various parallels an interactions between his work and American SF that he read (Galaxy Magazine, Theodore Sturgeon, Fritz Leiber, Robert Heinlein, Frederik Pohl, C. M. Kornbluth, Ray Bradbury, Judith Merril, Federic Brown, Henry Kuttner, C. L. Moore, etc.). She argues that Ballard engaged in “retelling with a twist” (476). She writes that “early Ballard stories rework prior sf in moods ranging from measured homage to barbed repose to parodic photo-bomb” (483).

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Adventures in Science Fiction Cover Art: The Futuristic Cities of Lima de Freitas, Part I

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(Cover for the 1967 edition of vol. 1 of The Moon is a Harsh Mistress (1965), Robert A. Heinlein)

The Portuguese painter and illustrator Lima de Freitas (1927-1998) created a vast number of covers for the Portuguese press Livros do Brasil.  For more on the range of art he produced in his career consult his wikipedia page [here].

A while back I reviewed Mordecai Roshwald’s Level 7 (1959) and discovered de Freitas’ amazing cover (below).  More than any of the US editions, it evokes the claustrophobic tone of the novel (and even some of the surreal elements).

As the son of two architects, architecturally inclined SF covers always fascinate. Thus, as an introduction to his art (if you do not know it already) I have collected a handful of his cityscapes.  They are surreal masterpieces.  Lima de Freitas’ covers emphasize the city as a canvas, the textures of human Continue reading