What pre-1985 science fiction are you reading? + Update No. XXVI

What pre-1985 science fiction are you reading or planning to read next month? Here’s the August installment of this column.

The Power of the List. I adore lists. I’ve compiled lists of science fiction stories on my site about generation ship stories, immortality (abandoned), overpopulation (abandoned), and sports and games (abandoned). I religiously update my SF Novel and Short Story Review index and the Best SF Novels I’ve reviewed index. In your exploration of genre, I imagine you’ve encountered a “Best Of” list that horrified you — they tend to generate controversy, argument, and all sorts of impulsive takes. Lists can be dangerous. Lists can suggest canon. Lists exclude. Lists can be incomplete. Lists can motivate. Ian Sales, a long-time critic, author, and visitor to my site, created the SF Mistressworks (unfortunately, also abandoned) website in response to an egregious list that demonstrate utter ignorance about the wonderful SF written by women.

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What pre-1985 science fiction are you reading? + Update No. XXV

What pre-1985 science fiction are you reading or planning to read next month? Here’s the July installment of this column.

One of my favorite forms of SF scholarship is careful identification of a intellectual genealogy–tracing what an author read and engaged in dialogue with. Authors are readers. They also can’t escape references and textual traces of what they’ve consumed (or, of course, engagement with the world in which they lived).

I’ve read two interesting examples recently. The first, Carol McGuirk’s “J. G. Ballard and American Science Fiction” in Science Fiction Studies, vol. 49 (2022), is the perfect example of this type of scholarship. She traces Ballard’s engagement with SF, his earliest stories, and the various parallels an interactions between his work and American SF that he read (Galaxy Magazine, Theodore Sturgeon, Fritz Leiber, Robert Heinlein, Frederik Pohl, C. M. Kornbluth, Ray Bradbury, Judith Merril, Federic Brown, Henry Kuttner, C. L. Moore, etc.). She argues that Ballard engaged in “retelling with a twist” (476). She writes that “early Ballard stories rework prior sf in moods ranging from measured homage to barbed repose to parodic photo-bomb” (483).

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What pre-1985 science fiction are you reading? + Update No. XXIV

What pre-1985 science fiction are you reading or planning to read next month? Here’s the June installment of this column.

I adore teaching American History for college credit. Every summer I ponder what to change and improve. And this year, I want to integrate a few science fiction stories!

My 1950s unit in the spring semester could be modified with a few science fiction short stories. Considering my ongoing fascination with media landscapes of the future, I want to integrate one story on fears over television and one on nuclear horror (which would fit nicely with a group of assignments I have using song lyrics about atomic panic). Feel free to suggest a story that you would include or wish was included in your own US college course (or advanced high school course). No novels unfortunately. I have access to a range of syllabi and a TON of ideas but I always love to hear your selections.

Before we get to the photograph above and the curated birthdays, let me know what pre-1985 SF you’re currently reading or planning to read! 

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Adventures in Science Fiction Cover Art: The Flowering Bodies of Attilio Uzzo

If you’ve ever browsed through an Italian SF catalogue, the name that springs out immediately is the fantastic Dutch painter Karel Thole (1914-2000). Thole’s surreal (and often stunning) covers dominated the Italian visual SF landscape for years and even appeared on a handful of American editions. However, the main Italian SF press Casa Editrice La Tribuna (with its Galassia series) frequently commissioned new artists, often fresh out of art school, for short runs of covers.

Galassia played an instrumental role in introducing Italian audiences to the New Wave movement. Issues often contained both translations of English-language authors and original Italian short stories and novels. Italian covers were often on the experimental side of the SF art spectrum. The styles changed on a dime. Cover art produced in Italy might be my second favorite after the United States for the 60s/70s.

Milan-based Italian artist, sculptor, and jeweler, Attilio Uzzo (unknown dates) created five covers for the Italian SF magazine Galassia (issues between #159-#176) in 1972. According to The Internet Speculative Fiction Database‘s (potentially incomplete) credits, Uzzo created two additional covers for Casa Editrice La Tribuna‘s Science Fiction Book Club series and one for Dall’Oglio’s SF Andromeda imprint. I’ve included all eight in this post. I could find little about him online. He has an old, and not very helpful, website with a few low-resolution examples of his art and jewelry. And here is a short video about a 1964 gallery exhibit in Milan with Uzzo’s work. In 1992, a book of his art title Attilio Uzzo: Pittore della Lealtà hit print. If anyone can find more information about him, let me know!

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Recent Science Fiction Purchases No. CCCXLIV (Margaret St. Clair, Edgar Pangborn, Keith Laumer, and Edmund Cooper)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

It’s the summer Joachim Boaz. Where are the reviews? I’m currently on a much needed vacation (Iceland). I will be back soon! In the meantime here are four recent purchases.

1. The Dancers of Noyo, Margaret St. Clair (1973)

From the back cover: “Like so many others before him, reluctant Sam MacGregor was sent on a pilgrimage for the Frail Vision by the Dancers: androids grown from the cells of one man, with the powers of hypnotism and illusion–androids who held the tribes of the Republic of California in thrall.

But soon Sam began to doubt his own identity, for he experienced, in close succession, extra-lives in different corridors of time and space.

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Recent Science Fiction Purchases No. CCCXLIII (Philip K. Dick, Roger Zelazny, Chuck Rothman, Philip José Farmer, and an anthology on Future Love)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Deus Irae, Philip K. Dick and Roger Zelazny (1976)

From the back cover: “One their own, they have written landmarks works that have added whole new dimensions of wonder to the field of science fiction. Now, in Deus Irae, they have created what ALA Booklist calls “the most successful collaboration in years!”–set in in bizarre world where you will encounter…

A bunch of backwoods farmers who happen to be lizards…

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What pre-1985 science fiction are you reading? + Update No. XXI

What pre-1985 science fiction are you reading or planning to read this month? Here’s the March installment of this column.

Recently I came across John Boston and Damien Broderick’s three-volume series examining each and every story and non-fiction article in the pre-Michael Moorcock New Worlds and Science Fantasy/SF Impulse magazines in the UK. John Boston is a valued member of my site’s community — frequently stopping by in the comment sections. I thought for this mini-editorial I’d list a handful of active community members with websites, books, and worthwhile SF-related fanzine articles. I, of course, could be missing a few. Community matters more than you might think. I enjoy the discussion. I enjoy reading reviews that others write — even if it’s on science fiction that might not be within my more narrow focus (the historian in me). I always want to learn and share what’s worth reading and/or historically interesting. Thank you one and all.

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What pre-1985 science fiction are you reading? + Update No. XX

What pre-1985 science fiction are you reading or planning to read this month? Here’s the January installment of this column (sorry I missed a month).

Before John W. Campbell, Jr. (1910-1971) attempted to raise the “standards and thinking in magazine SF,” David Lasser (1902-1996) attempted his own brief (1929-1933) program to improve science fiction as managing editor of Hugo Gernsback’s Science Wonder Stories, Wonder Stories, and Wonder Stories Quarterly. According to Mike Ashley’s The Time Machine: The Story of the Science-Fiction Pulp Magazine from the Beginning to 1950 (2000), Lasser is a “much neglected revolutionary in science fiction” and through his efforts the genre “started to mature” (66).

Ashley highlights Lasser’s letter of instruction mailed to his regular contributors on the 11th of May, 1931, in which he “exhorted them to bring some realism to their fiction” (72). He also outlawed common tropes like the giant insect story and space opera (73). He emphasized the need to focus on characters that “should really be human” — not everything needs to be a “world-sweeping epic” (73). Stories in this vein, according to Ashley, include Clifford D. Simak’s religiously themed “The Voice in the Void” (1932), P. Schuyler Miller and Walter Dennis’ “The Red Spot on Jupiter” (1931) and “The Duel on the Asteroid” (1934), which featured a grim realism and character development (74).

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Updates: Recent Science Fiction Purchases No. CCCXLI (Pamela Sargent, Lan Wright, Burt Cole, and an Anthology on Post-Apocalyptic Fiction)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Subi: The Volcano, Burt Cole (1957)

From the inside flap: “This is a forceful war story with a different. There is the Far Eastern background, the convincing solders’ talk, the military politics, the sex, disablement, disease, death, violence, stoicism, sadism, and so on, which combine to stress once again war’s futility and stupidity and man’s inhumanity to man: but there are also deeper implications which make this novel so strikingly unusual.

Judson, a persistent deserter from an army camp, has made a rough shelter for his native girl in the nearby ramshackle, bombed city, when he hears of a guerrilla attack on the camp. He goes to the base of the volcano (where the mob has gathered) to persuade them that if they kill Americans they will only die of disease for want of medical treatment. For his pains he is set upon and torn to pieces.

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