Tag Archives: Richard E. Peck

Updates: Recent Science Fiction Acquisitions No. CXCI (Bob Shaw + James Morrow + Richard E. Peck + Anthology of French SF)

1. An anthology of (primarily) 70s French SF? Yes! New authors (at least to me). New adventures. New perspectives.

2. I’ve never read James Morrow… I might as well start with his first SF novel.

3. Bob Shaw’s “Light of Other Days” (1966) is a brilliant piece of short fiction. And I finally have the novel version. After the relentlessly average Shaw novels I’ve read, I look forward to his acknowledged best.

My other Bob Shaw reviews:

Ground Zero Man (variant title: The Peace Machine) (1971)

One Million Tomorrows (variant title:1 Million Tomorrows) (1971)

The Two-Timers (1968)

4. I bought this virtually unknown Doubleday edition due to the art. First class art. Check out my  exploration of her work: Collage and Mechanism: Anita Siegel’s Art for Doubleday Science Fiction.

Wait, there’s one other reason–I’m slowly collating titles for an “academia in SF” list and I might as well read a few of them.

Thoughts and comments are always welcome!

Note: Hi-res scans are of my personal copies.

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1. Travelling Towards Epsilon, ed. Maxim Jakubowksi (1977)

(Christos Kondeatis’ cover for the 1977 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXCI (Bob Shaw + James Morrow + Richard E. Peck + Anthology of French SF)

Adventures in SF Cover Art: Collage and Mechanism: Anita Siegel’s Art for Doubleday Science Fiction

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(Cover for the 1975 edition of The Hellhound (1975), Ron Goulart)

Over the past year or so I’ve explored the artists behind Doubleday Science Fiction—from the early art of The Brothers Quay, who later became well-known directors of experimental short film, to an interview with artist Emanuel Schongut. I’ve included the links to other posts in the loose series below.

Anita Siegel (1939-2011) was a Brooklyn based artist best known for her “sardonic collages seamlessly combining pictures into biting satires” (from her obituary). Her work also featured in the New York Times Op-Ed page (especially during Continue reading Adventures in SF Cover Art: Collage and Mechanism: Anita Siegel’s Art for Doubleday Science Fiction