Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.
Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.
…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).
Scans are from my collection.
1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)
(John Schoenherr’s cover for the 1972 edition) Read More
(Jack Gaughan’s cover for the 1970 edition)
3.75/5 (collated rating: Good)
Philip K. Dick. Roger Zelazny. Bob Shaw. Michael Moorcock. R. A. Lafferty. Seldom do I say that a “best of” anthology includes a large number of the best stories of the year. From PKD’s artificial memories to Bob Shaw’s slow glass, World’s Best Science Fiction: 1967 (1967) contains both fascinating technological marvels and serious character-centered storytelling. While not all the stories are successful, I highly recommend this collection for fans of 60s SF.
Note: I reviewed both Roger Zelazny stories elsewhere—I have linked and quoted my original reviews.
Brief Analysis/Plot Summary
“We Can Remember It for You Wholesale” (1966) Read More
Below are a group of uncredited covers whose artists I have not been able to firmly identify. Some were brought to my attention by Adam who runs a collectible SF store (link). I’d love to hear your input — make sure to read the guidelines.
Guidelines: If you think a cover is the work of a particular artist, please please please provide some evidence for your claim: for example, a comparison cover, a citation from a book/resource, or, perhaps a link to a canvas or artist webpage. This makes identifying the artist more authoritative than a vague claim and readers can follow along more easily. If you think you’ve identified the author, I recommend peeking at their other credited covers at The Internet Speculative Fiction Database.
Pocket Books was notoriously bad at citing their artists. If we are able to identify a few of those below (Margaret and I and Journey), we might be able to nail down tens more covers missing citations in their catalogue.
The three covers below for Fred Saberhagen’s Empire in the East sequence are clearly by the same artist—the style seems so familiar! And, the 1974 Signet edition of Cage a Man (1973), F. M. Busby is credited as FMA only. I wonder if it’s possible to identify who FMA was.
In some cases, I have a pretty good idea who the artist might be but don’t have enough evidence…. I am convinced that Stanislaw Fernandes created the 1974 Signet edition of New Dimensions IV (1974) , ed. Robert Silverberg. Although, it would be very early in his career and love to have some firm evidence.
I look forward to your ideas!
EDIT: I’ve gone ahead and indicated which ones have been solved by inserting the artist into the citation.
For more Adventures in SF Cover Art consult the INDEX
(Bob Haberfield’s cover for the 1971 Tandem edition of The Man in the Maze (1968), Robert Silverberg) Read More
It’s been too long since I’ve read anything by Delany. I polished off Triton (1976), Nova (1968), The Einstein Intersection (1967), and Babel-17 (1966) long before I started my site. For a SF reading group I reread Nova a few years back but never wrote a review. One of the few SF novels I’ve reread. And yes, I do not own a copy nor have I tackled the behemoth that is Dhalgren (1975).
As a teen I was obsessed with Delany’s first collection Driftglass (1971), although I probably did not understand the important of the stories. It is hard to forget the images in “Aye, and Gomorrah…” (1967) or “We, in Some Strange Power’s Employ, Move on a Rigorous Line” (1968) even if the message was lost on my younger self. Now I have an excuse to reread one of Delany’s best known stories, originally collected in Driftglass (1971) — “Time Considered as a Helix of Semi-Precious Stones” (1968) — in a fascinating anthology with other luminaries of the field, Disch, Sladek, and Zelazny.
I confess, I was seduced by Powers’ gorgeous cover for G. C. Edmondson’s novel despite the terrifying back cover blurb: “Good, Old-fashioned Science Fiction Adventure at its best!”
A few months ago I read and reviewed Somtow Sucharitkul’s Starship and Haiku (1981). Although I did not care for the novel, I need more strikes against before I give up on an author completely. And, why not a fix-up comprised of his best known stories?
Same thing with Edward Bryant… His attempts at channeling extreme decadence, fascinating cityscapes, and odd hybrids come off as inarticulate and forced. Albeit I have only read “Jade Blue” (1971) and “The Human Side of the Village Monster” (1971). As with Somtow Sucharitkul, I need to read more of his stories to come to a firm stance on his abilities.
As always, thoughts and comments are welcome.
- The Shores Beneath, ed. James Sallis (1971)
(Ron Walotsky’s cover for the 1971 edition) Read More
(Paul Lehr’s cover for the 1969 edition)
3.75/5 (Collated rating: Good)
As New Worlds issues tend to be expensive and hard to find (especially in the US), Michael Moorcock’s anthology series provides satiating morsels from the magazine’s best period. New Worlds was instrumental in the so-called New Wave movement. I am at home in eclectic and genre-challenging/subversive madness.
New Worlds combined SF stories/poems with experimental art and layout that is, unfortunately, lost in the anthologies. One of my favorite examples is Vivienne Young’s collage (below) illustrating James Sallis’ “Kazoo” (1967) Read More
(Cover for the 1972 edition of Recalled to Life (1958), Robert Silverberg)
“I think the 60s and 70s were probably one the most creatively interesting periods for everyone. Art, music, film all pushing the envelope. New York City was affordable and fun, fertile in its influences. Book cover art, book jacket art was fun concept art, a bit more free than other illustration work” — Emanuel Schongut
Back on May 19th, I showcased Emanuel Schongut’s 1960s SF covers [link]. His nephew found my post and put me in touch. Over the last few weeks I have had a wonderful discussion via email about his time creating covers for Doubleday under the direction of Margo Herr (art director + cover illustrator/artist). Emanuel graciously agreed to a short interview. He gives a behind-the-scenes look at SF cover illustrating in the 60s/70s, reflects on his own career, and discusses his artistic process. If you have any questions, I will be more than happy to relay them to the artist.
Also included after the interview is a delightful selection of his 1970s covers–a double post! I also recommend visiting his online portfolio for his more recent non-SF work.
As always, thoughts and comments are welcome.
Note: I have made only minor edits for clarity and inserted publication dates where necessary.
Thank you so much for agreeing to do an interview on your 60s/70s science fiction covers. Over more than two decades of producing SF covers for Doubleday, you put together an impressive body of work. They graced novels by some of the most esteemed authors of the genre, including Kate Wilhelm, John Brunner, Clifford D. Simak, Robert Silverberg, Keith Laumer, among others.
1) First, can you say a little about yourself.
Thank you for your interest Joachim.
A nice range of 60s/70s SF….
A wonderful Richard Powers cover and another by Don Punchatz which grows on me ever day (hauntingly surreal in its illustration of the book’s plot)….
Bob Shaw is Mr. Perpetually Average–see my reviews of Ground Zero Man (1971) and One Million Tomorrow (1971)—but MPorcius claims Night Walk (1968) is worth the read [here]—I took a peek at the first few pages and it shows promise. But SF Potpourri’s lengthy rundown of his other work casts a shadow [here]!
Who can pass up Lafferty? I have to admit, the premise of this particular novel does not appeal to me in the slightest. But, I purchased the book for less than $2 and it’s a $25+ (with shipping) paperback online!
Another Ted Thomas and Kate Wilhelm collaboration—one of my Kate Wilhelm’s SF guest posts [here], by Mike White, argues convincingly that it is not one of her better novels…. alas.
And an anthology edited by Robert Hoskins.
Some great covers!
1. The Reefs of Earth, R. A. Lafferty (1968)
(Richard Powers’ cover for the 1968 edition) Read More
(Paul Lehr’s cover for the 1968 edition)
4/5 (collated rating: Good)
Fresh off of Langdon Jones’ wonderful New Wave collection The Eye of the Lens (1972) I decided to see if any of my unread anthologies contained his work—queue The Best SF Stories From New Worlds (1967). Unfortunately, Jones’ contribution is far from the best in this absolutely stellar collection.
This 1967 volume was the first in a series of eight Best Of New Worlds anthologies edited by Michael Moorcock between 1967-1974. I reviewed The Best SF Stories From New Worlds 3 (1968)—i.e. the one with Pamela Zoline’s must-read “The Heat Death of the Universe” (1967)—a while back.
The takeaway: The majority of stories in are required reading for fans of New Wave SF and New Worlds magazine. Find a copy of the anthology with its fantastic Paul Lehr cover or track down Read More
An eclectic range of books from my annual pilgrimage to Ann Arbor, MI. Unfortunately, the anthology series I was most excited about—Best of New Worlds and Orbit—were lacking from the shelves of Dawn Treader Books….
World’s Best Science Fiction: 1967 (1967) contains stories famous stories by Philip K. Dick, Roger Zelazny (2xs), R.A. Lafferty, Michael Moorcock, Frederick Pohl, Brian W. Aldiss, and lesser known stories by Dannie Plachta, Paul Ash, Bob Shaw, A. A. Walde….
Also, I also procured a 1967 Nebula-nominated novel by Hayden Howard, more Richard Holdstock, and a collection containing the famous short story “Beyond Bedlam” (1951). Over the next few weeks I’ll post the rest of my acquisitions.
1. The Eskimo Invasion, Hayden Howard (1967)
(Stephen Miller’s (?) cover for the 1967 edition) Read More