
(William George’s cover for the 1963 edition)
2.75/5 (Vaguely Average)
Margaret St. Clair was one of a handful of prolific women SF authors who started publishing short fiction in the late 40s—her first SF story was “Rocket to Limbo” for the November 1946 issue of Fantastic Adventures. From the late 50s to the early 70s she published eight slim novels, mostly Ace Doubles (paired with authors such as Philip K. Dick and Kenneth Blulmer). Regardless of her earlier publishing prowess—by the publication date of Sign of the Labrys (1963) she had four novels in print and somewhere around 125 short stories—Bantam Books felt the need to include the following back cover:
“WOMEN ARE WRITING SCIENCE-FICTION!
ORIGINAL! BRILLIANT!! DAZZLING!!!
Women are closer to the primitive than men. They are conscious of the moon-pulls, the earth-tides. They possess a buried memory of humankind’s obscure and ancient past which can emerge to uniquely color and flavor a novel. Such a woman is Margaret St. Clair, author of this novel. Such a novel is this, SIGN OF THE LABRYS, the story of a doomed world of the future, saved by recourse to ageless, immemorial rites…
FRESH! IMAGINATIVE!! INVENTIVE!!!”
Unfortunately, Sign of the Labrys is a disappointing read. The post-plague world is dark and creepy and for the first half an uncanny (palpable) tension permeates. But, ultimately the fantastic setting, revisionist stance on the normal pulp gender dynamics, are weakened by a disjointed (verging on amateur) narrative filled with Wiccan “craft” practices and references. As other reviewers have pointed out, one could easily substitute the Wicca magic with the pulp SF staple “psi-power” and I agree Continue reading









