As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Empire, H. Beam Piper (1981)
From the back cover: “”H. BEAM PIPER beloved author of LITTLE FUZZY, SPACE VIKING, and other classics, has left behind a veritable treasure trove of short fiction in his passing. Collected here for the first time anywhere are four of the best stories by one of the Grand Old Masters of science fiction.”
Contents: “The Edge of the Knife” (1957), “A Slave is a Slave” (1962), “Ministry of Disturbance” (1958), “The Return” (1954) with John J. McGuire, “The Keeper” (1957).
Initial Thoughts: Years back I read, but never reviewed, H. Beam Piper’s pulp extravagance Space Viking (1963) and detested it. I get the sense Space Viking might not be representative of his work? Piper has a devoted following and I want to know why.
In the early days of my site, I reviewed Daniel F. Galouye’s best-known novel Dark Universe (1961) and A Scourge of Screamers(1966). Since then I’ve attempted to read Simulacron-3 (1964), adapted into a fantastic German mini-series World on a Wire (1973) and The Thirteenth Floor (1999), three times without success. What can I say, I’m a reader of whim and in each instance I wasn’t in the mood. Maybe it was Bill Botton’s compelling/bizarre psychedelic cover for Project Barrier (1968) or perhaps Rich Horton’s comments on twitter about the title story but I decided to give Galouye’s short fiction a go.
Project Barrier (1968) contains four uneven tales with one notable standout–“Rub-a-Dub” (variant title: “Descent Into the Maestrom”) (1961)–which I highly recommend if disturbing psychological SF is up your alley. The others in the collection exude a more run-of-the-mill feel. I found it refreshing that Galouye, a veteran greatly impacted by war injuries, tends to eschew violent conflict for peaceful resolution.
The following review is the 8th post in my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. And that is okay! I relish the act of literary archaeology.
Today: Philip K. Dick’s “A Little Something For Us Tempunauts” in Final Stage: The Ultimate Science Fiction Anthology, ed. Barry N. Mazlberg and Edward L. Ferman (1974) [You can borrow this anthology online in one-hour increments]
Previously: Kris Neville’s “Cold War” (1949) in the October 1949 issue of Astounding Science Fiction, ed. John W. Campbell, Jr. You can read it online here.
Up next: TBD
Philip K. Dick wrote “A Little Something For Us Tempunauts” (1974) after a two-year hiatus. He explains that a friend brought by a copy of John T. Sladek’s brilliant “The Poets of Millgrove, Iowa” (1966) that spurred him to write again: “the first sf story in years that galvanized me into new life—like Kant reading Hume.” He further explains that Sladek’s satirical deconstruction of the cult of the astronaut “can stand in the ranks of the all-time great short stories in the English language” and that it “changed in a flash my entire conception of what a good sf story is” (source). I, too, adore Sladek’s story. Along with Barry N. Malzberg’s general characterization of astronauts and the space agency, it inspired this series.
As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Low-Flying Aircraft and Other Stories, J. G. Ballard (1976)
There’s not a back cover or inside cover blurb on my edition
Contents: “The Ultimate City” (1976), “Low-Flying Aircraft” (1975), “The Dead Astronaut” (1968), “My Dream of Flying to Wake Island” (1974), “The Life and Death of God” (1976), “The Greatest Television Show on Earth” (1972), “A Place and a Time to Die” (1969), “The Comsat Angels” (1968), “The Beach Murders” (1966)
Initial Thoughts: I’ve been on a weird (for me) music kick as of late. I’ve been listening to a lot of 80s post-punk/new wave/goth music (Bauhaus, The Cure, Echo & the Bunnymen, The Psychedelic Furs, The Sisters of Mercy, Siouxsie and the Banshees, etc.) and I came across the British band The Comsat Angels. And they’re named after a J. G. Ballard story! If you don’t know of the band but enjoy any of the bands in the above list, check out Sleep No More(1981) (cold, paranoid, hypnotic). This led me back to Ballard’s catalog to track down the remaining anthologies of his I don’t own.
Ever since I read Judith Merril’s “Daughters of Earth” (1952), I’ve been fascinating with her subversive takes 1950s-60s gender roles and classic SF tropes. Survival Ship and Other Stories (1974) contains twelve short stories and a never-before-published poem selected by the author.
In addition to the merits of the tales within, I found Merril’s brief reflections on her early work fascinating. For example, she ruminates on the failure of her planned novel based on the generation ship launched by The Matriarchy in “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). She also describes a magazine “cover story” commission. The author would be provided with the cover art and asked to write a story containing its elements! The following three in this Continue reading →
Detail from Darrel K. Sweet’s cover for the 1st paperback edition of The Best from Cordwainer Smith (1975)
Today’s installment of my occasional Monday Maps and Diagrams series is a self-reminder that I must get over the poor taste left in my mouth by two forgettable Cordwainer Smith short stories and dive into the meat of his Instrumentality of Mankind sequence. Which should I have read?
I’m a sucker for future history timelines (Olaf Stapledon, Robert A. Heinlein, and Isaac Asimov come to mind). They add a sense of time and scope to what, at first glance, might seem like disparate pieces. I often wonder how much an author plans out a timeline. This one, scanned from The Best of Cordwainer Smith (1975), places each of the Instrumentality of Mankind stories into a functional timeline. I’m assuming it adds to the series’ sense of historical development and societal evolution?
Let me know what you think of the series and the timeline in the comments!
John J. Pierce’s timeline (he wrote the intro article) in the 1975 Ballantine Paperback edition
Isfdb.org note on the timeline’s publication history: “There are (at least) 2 variants of this timeline. A table version titled The Instrumentality of Mankind appears in the original July 1975 Nelson Doubleday hardcover. A reformatted graphical version titled Timeline from THE INSTRUMENTALITY OF MANKIND appears in Continue reading →
The following review of Theodore L. Thomas’ “Broken Tool” (1959) is the 6th post in my series on “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” I have gone ahead and added two additional stories, including one that explores similar territory with a more positivist conclusion, by the same author.
Thank you Jennifer Jodell, “Friend of the Site,” for bringing it to my attention.
Today: Theodore L. Thomas’ “Broken Tool” (1959) in the July 1959 issue of Astounding Science Fiction, ed. John W. Campbell, Jr. You can read the story online here.
Previously: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959), 5/5 (Masterpiece). First appeared in the October 1959 issue of The Magazine of Fantasy and Science Fiction, ed. Robert P. Mills. You can read the story online here.
Up next: Kris Neville’s “Cold War” (1949) in the October 1949 issue of Astounding Science Fiction, ed. John W. Campbell, Jr. You can read it online here.
Martinez’s interior art for Theodore L. Thomas’ “Broken Tool” (1959)
“Broken Tool” (1959), 3.5/5 (Good): You can read the story online here.
Theodore L. Thomas speculates on an unintended consequence of training cadets for deep space exploration—the creation of a radical, unmoored from earth, who only looks outward. Our Continue reading →
The following review was originally conceived as the fifth post in my series on “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” However, it does not fit. It is a spectacular evocation of memory and triumph and worth the read.
Thank you Mark Pontin, “Friend of the Site,” for bringing it to my attention.
Today: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959), 5/5 (Masterpiece). First appeared in the October 1959 issue of The Magazine of Fantasy and Science Fiction, ed. Robert P. Mills. You can read the story online here.
Previously: Katherine MacLean’s “Echo,” in Infinity One 3.75/5 (Good). Available online here.
Up next: Theodore L. Thomas’ “Broken Tool” (1959) in the July 1959 issue of Astounding Science Fiction, ed. John W. Campbell, Jr. You can read the story online here.
Uncredited cover for the 1st edition of Alpha 8 (1977)
Theodore Sturgeon’s “The Man Who Lost the Sea” (1959), nominated for the 1960 Hugo Award for Best Short Story, thrusts the reader into a seemingly delusional landscape, generated by extreme trauma, of narrative fragments. One thread follows a child as he presents increasingly complex toy Continue reading →
My first purchases of 2021! As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Helliconia Spring, Brian W. Aldiss (1982)
Kinuko Y. Craft’s cover for the 1983 edition
From the back cover: “Imagine a world in a system of twin suns, where Winter is 6000 ice-locked years and every Spring is the first remembered. Imagine a People finding ruined cities beneath the melting snows. Never dreaming they had built them. And would again… Imagine Helliconia. And begin the most magnificent peice since DUNE…”
Initial Thoughts: I love Brian W. Aldiss’ SF–from his iconic generation ship novel Non-Stop(variant title: Starship) (1958) to bizarre experimental works short stories like “Judas Danced” (1958) [which I need to reread!]. I have yet to explore any of of his early 80s SF. I’ve reviewed the following Aldiss works: Continue reading →