Book Review: To Open the Sky, Robert Silverberg (1967)

(Richard Powers’ cover for the 1967 edition)

3.5/5 (Good)

“And there is light, before and beyond our vision, for which we give thanks.  And there is heat, for which we are humble.  And there is power, for which we count ourselves blessed.  Blessed be Balmer, who gave us wavelengths.  Blessed be Bohr, who brought us understanding.  Blessed be Lyman, who saw beyond sight.  Tell us now the stations of the spectrum […]” (3).

Robert Silverberg’s To Open the Sky (1967) is an enjoyable pulp future history with a somewhat “different” premise–religion will be the main force that facilitates mankind’s exploration of the stars.  In his intro of 1978 edition he discusses how the project came about.  In the early 60s Frederik Pohl became his editor and allowed him to published, for the first time, SF “for love rather than money” (II).  Up to this point Silverberg had never attempted, other than in the briefest sketch form,  to extrapolate an entire future history à la Olaf Stapleton or Isaac Asimov.  Silverberg’s vision is nowhere as complex Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXXIII (Randall + Brunner + Shaw + Jones)

Dallas Half Price Book Store Part III (Part I, Part II)!

A short story collection by an author I have termed Mr. Perpetually Average But Readable, Bob Shaw.  I am interested in whether or not his visions are more concise/poignant in short story form.  I suspect a book like One Million Tomorrows (1971) would have been amazing in short form, especially the disturbing portions that take place in Africa (the UN forcefully administering immortality treatment on people who do not want them)….

A Nebula award nominated novel by Marta Randall, Islands (1976)—immortality themed, seems (at first glance) to be on the allegorical side = I have high hopes.

More Brunner! (Despite his warning, I was influenced by a review over at Speculiction…. here)  But then again, I am a Brunner completest…. And finally, a relatively unknown British SF novel, Implosion (1967) about a decreasing population.  Despite words of warning from reviews like Ian Sales’ (here) I couldn’t resist the Vincent Di Fate cover.

Thoughts?

1. Tomorrow Lies in Ambush, Bob Shaw (1973)

(Uncredited cover for the 1975 edition) Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXXI (Vinge + Gerrold + Zelazny + White)

Part 1 of many: Half Price Books in Dallas, TX (the second best bookstore, after Dawn Treader Books in Ann Arbor, MI for SF I have ever come across).  Gift card courtesy of fiancé’s mother = LOTS OF SCIENCE FICTION.  There could not be a better gift….

Everyone reads Robert Zelazny’s This Immortal (1966) and Lord of Light (1967), but who has read Isle of the Dead (1969)?  Thematically it seems similar to Lord of Light…  I have high hopes.  James White’s SF is always above average — and a fund cover from Dean Ellis makes that an auto-buy.  Although I disliked David Gerrold’s Space Skimmer (1972) my father swears Yesterday’s Children (1972) is somewhat readable.

I enjoyed Joan D. Vinge’s The Summer Queen (1980), tolerated her first novel The Outcasts of Heaven Belt (1978), so I suspect her two novella collection Fireship (1978) will be worthwhile…

Thoughts?

1. Isle of the Dead, Robert Zelazny (1969)

(Leo and Dianne Dillon’s cover for the 1969 edition) Continue reading

Updates: Recent Science Fiction Acquisitions N. LXXX (Bishop + Herbert + Malzberg + Offutt)

Stopped briefly in St. Louis to peruse a used book store and came across these…  Another work by one of my new favorite SF authors, Michael Bishop.  Short stories by Frank Herbert, and an intriguing post-apocalyptical vision by Andrew J. Offutt (with a fantastic Powers cover).

Unfortunately, Malzberg’s lesser novel Tactics of Conquest (1974) — according to later admission expanded from a short story in only four days! — tempted me, but it was only one dollar…

Thoughts?

1. Stolen Faces, Michael Bishop (1977)

(Steve Hickman’s cover for the 1978 edition) Continue reading

Adventures in Science Fiction Cover Art: Fractured Bodies (unraveling, decaying, [de]constructing)

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(Paul Lehr’s cover for the 1979 edition of Crompton Divided (variant title: The Alchemical Marriage of Alistair Crompton) (1978), Robert Sheckley)

Paul Lehr’s cover for the 1979 edition of Robert Sheckley’s Crompton Divided (1978) was the inspiration for this post.  I found the cover many years ago while looking through Lehr’s entire (mostly brilliant catalogue) and was intrigued.  The man, comprised of puzzle-like pieces that slowly morph into the swirls of his clothes, stares at us with hybridized eyes — a planet, a pupil — while one missing puzzle piece allows the viewer a glimpse of a barren landscape.  His brain, entirely a puzzle, is complete, but are his senses crumbling?

 Dean Ellis’ cover for the 1971 edition of Larry Niven’s collection All the Myriad Ways (1971) is even more fantastic — the puzzle pieces (bones, faces, limbs) dangle in the air Continue reading

Book Review: Xenogenesis, Miriam Allen deFord (1969)

(Richard Powers’ cover for the 1969 edition — there is some speculation that it might be a collaboration with Leo and Diane Dillon)

3.5/5 (Collated rating: Good)

Miriam Allen deFord—one of the more prolific SF short story authors of the 50s-70s whose works appeared in The Magazine of Fantasy and Science Fiction, If, Fantastic Universe, Galaxy, Worlds of Tomorrow, etc—deserves a Gollancz Masterworks volume.  But, as Ian Sales has pointed out so forcefully in his recent article (here), despite the number of prolific women SF authors in the 50s-70s they were rarely republished and are perhaps the least read group of SF authors for modern audiences.  There are some exceptions but few readers can name a women author pre-Ursula Le Guin.  deFord’s shorts were collected in only two volumes, Xenogenesis (1969) and Elsewhere, Elsewhen, Elsehow (1971) and both print runs were limited to the first year of publication.

Informed by her feminist activism (she was an important campaigner for birth control) and her earlier career in the newspapers, deFord’s stories tackle themes such as overpopulation, racism, colonialism, gender issues, sexism, and alienation.  Her works range from deceptively simple allegories to future histories vast in scope and complexity (for short stories).  Her female characters are almost all individualistic, resourceful, and highly educated–they often struggle against increasingly regimented/mechanized/homogenized societies in order to raise families in addition to their careers.  In short, deFord advocates forcefully the right to self-determination Continue reading

Updates (New Resource): List of Immortality Themed SF (a call to contribute!)

This post is a call for readers to submit their favorite immortality themed science fiction NOT included on my list below (and even examples they did not care for so I can make this a more substantial resource).  I’ll make a page with all the information I receive for easy consultation soon (INDEX of similar pages/articles).

A while back I started gathering a list of titles — via SF Encyclopedia, other online resources, and my own shelves — on immortality themed SF.  I have always been intrigued by the social space (one plagued by violence and despair or buoyed by the hope of a better future) that the possibility of immortality might generate.

I would argue that the single best example of social effects that the possibility of immortality might create is Clifford D. Simak’s Why Call Them Back From Heaven? (1967).  In similar fashion, James Gunn’s The Immortals (1962) takes place in a world where immortals do exist, they skirt Continue reading

Book Review: A Way Home, Theodore Sturgeon (1956)

(Mel Hunter’s cover for the 1956 edition)

3/5 (collated rating: Average)

Although Theodore Sturgeon is generally considered a master of the SF short form, his collection A Way Home (1956) contains only two worthwhile stories — “Thunder and Roses” (1947) and “Bulkhead” (1955).  The rest I was either unable to finish or struggled to muddle through over the course of the last two or so weeks.  Fortunately,  the near masterpiece “Bulkhead” was almost worth the pain induced by the intelligent dog related subgenre of SF manifest in “Tiny and the Monster” (1947) or the cute accidentally destructive hurkle kittens of “The Hurkle Is a Happy Beast” (1949).

At this stage in my recent endeavor to brush up on the best of the 50s short story wordsmiths, I place Sturgeon below Robert Sheckley, Brian Aldiss, Philip K. Dick, Fritz Leiber, Miriam Allen deFord, Lester del Rey, Walter M. Miller, Jr., C. M. Kornbluth, and Frederik Pohl. (shocking to some, I know!).

However, before I make a more definitive conclusion I call on my readers to list what you consider his best short work Continue reading

Adventures in Science Fiction Cover Art: Diagrammatic Wonders (alien sand art + planning invasions + and other more mysterious formulations), Part I

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(Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe, ed. Hans Stefan Santesson)

At first glance this is a miscellaneous collection of covers on diagrammatic wonders — the aliens (or “advanced” humans) on Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe conjure an image of earth with colored sand, generals plot invasions via maps and other diagrams depicting troop movements….

While some of the covers are themselves diagrams (Christopher Zacharow’s cover for the 1985 edition of Ancient of Days (1985), Michael Bishop) others place their characters in opposition to each other as pieces Continue reading