Updates: Recent Science Fiction Acquisitions No. LXXV (Heinlein + Sheckley + Anderson + Zebrowski)

A fun bunch of thrift store finds and gifts….  I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).

I know very little about George Zebrowski’s novels.  So, I’ll approach The Omega Point (1972) with a tad bit trepidation.  Has anyone read him?  If so, what do you think?

I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.

And another Anderson classic….

1. Immortality, Inc., Robert Sheckley (1958) (MY REVIEW)

(Uncredited — brilliant — cover for the 1959 edition) Continue reading

Adventures in Science Fiction Cover Art: The City as Canvas, Part I

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(Richard Powers’ cover for the 1969 edition of Cosmic Engineers (1939), Clifford D. Simak)

The theme of this post is the future metropolis as canvas where the entire surface of the cover is arrayed and ordered by the forms and forces of the city.    The city as a matrix that holds the scene unfolding amongst its spires…  Richard Powers’ masterful cover for the 1969 edition of Cosmic Engineers is the perfect example.  The mass of the buildings arch, indistinct, upward — causeways and platforms amongst the cityscape hold faceless humanoid forms that “look” Continue reading

Book Review: The Human Angle, William Tenn (1956)

(Richard Powers’ cover for the 1964 edition)

3.75/5 (collated rating: Good)

I’ve been in a 50s SF short story craze of late, devouring collections by Robert Silverberg (Godling, Go Home!), Walter M. Miller, Jr. (The View From the Stars), Fritz Leiber (A Pail of Air), Lester Del Rey (Mortals and Monsters), and a few Robert Sheckley volumes a few months before. Fresh off of William Tenn’s solid novel Of Men and Monsters (1968) I went into The Human Angle (1956) (containing three novelettes and five short stories predominately from the 50s) with high expectations.  Despite the handful of duds — “The Human Angle” (1948), “Project Hush” (1954) and “The Discovery of Morniel Mathaway” (1955) —  that tend to creep into most collections of shorts, the majority were characterized by sardonic brilliance.

Although not as biting as his august contemporaries Robert Sheckley and C. M. Kornbluth, Tenn’s visions are delightfully humorous and ironic.  It’s worth getting your Continue reading

Adventures in Science Fiction Cover Art: The Vaguely Defined Looming Man Shape

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(John Richards’ cover for the 1961 edition of Earth Abides (1949), George R. Stewart)

Note: if anyone can identify the artist for the first three downright spectacular covers I’d be very very happy.  I’m positive that they match stylistically (the vague human shape, the cityscape, the brush strokes, the textures).  Two of the three covers were made for Signet press and all three are from the early 1960s.  I suspect if I perused the covers from the Signet catalogue from that era I’d find even more….  Perhaps it’s the work of Sanford Kossin?  He was producing covers for Signet around the same time.  Solved: The cover artist is John Richard.

And now The Vaguely Defined Looming Man Shape Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXIV (Malzberg + Geston + Anthony + Barjavel)

Part 5 of 5 acquisitions posts covering my haul from Dawn Treader Books in Ann Arbor, Michigan.  I’ve saved some good ones for the end — namely, Mark S. Geston’s Out of the Mouth of the Dragon (1969).  I’ve previously reviewed his first novel — Lords of the Starship (1967) — which was a relentlessly dark vision that showed great promise.  Besides the work of Stanislaw Lem, I know very little about non-English language SF so I snatched up a copy of Rene Barjavel’s Future Times Three (1944).  According to some critics, his treatment of time travel proved profoundly influential.

The other two novels are somewhat bigger risks.  Brian N. Malzberg’s The Empty People (1969), written under his pseudonym K. M. O’Donnell, is one of his first SF novels and supposedly quite average.  And, Piers Anthony’s Macroscope (1969) strikes me as a rather bloated, pseudo-spiritual, New Wave extravaganza (but not in a good way) — we’ll just have to see.

Thoughts?

1. Out of the Mouth of the Dragon, Mark S. Geston (1969)

(John Schoenherr’s cover for the 1969 edition) Continue reading

Book Review: The View from the Stars, Walter M. Miller, Jr. (1965)

(Richard Powers’ cover for the 1965 edition)

3.75/5 (Collated rating: Good)

Almost all SF fans have read Walter M. Miller, Jr.’s masterpiece A Canticle for Leibowitz (1959) but few indulge in his shorter works.  By 1957 Miller had virtually quit publishing new SF (A Canticle is comprised of novellas published between 1955-1957).  His only work published later was Saint Leibowitz and the Wild Horse Woman (1997) completed by Terry Bisson and released posthumously.

The View From the Stars (1965) — containing five short stories, two novelettes, and one novella — is a cross section of his most productive decade.  Although I found that none of the works included should be considered masterpieces, “I, Dreamer” (1953), “Dumb Waiter” (1952),  “Big Joe and the Nth Generation” (1952), and “The Big Hunger” (1952) were wonderful.  All the others are readable Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXII (Sturgeon, Harness, Sheckley, Duke)

Part 3 of 5 acquisition posts covering my haul from Dawn Treader books in Ann Arbor, Michigan…. The only Sturgeon novel I’ve read was the masterpiece (and rightly so) More Than Human (1953) so I was thrilled when I found not one but three copies of Venus Plus X (1960).  Unfortunately, I was not able to scour the shelves closely enough to find a first edition and thus am stuck with Gray Marrow’s cover for the 1968 Pyramid Science Fiction edition.  But, I went ahead and posted the first edition art instead because it’s without doubt Victor Kalin’s best cover…..

Sheckley is brilliant so I snatched up another collection of his short stories without hesitation.

The two other authors are ones I have heard about but never read — Charles L. Harness and Madelaine Duke.  Duke’s novel was a complete risk due to the ridiculous sounding premise but I love reading works by unknown authors.  Harness is claimed by some to be one of the great authors whose neglect, in the words of John Clute in the SF encyclopedia entry on Harness, “is difficult to understand.”  His work sounds like my cup of tea….

Thoughts?  Has anyone read Charles L. Harness?

1. Venus Plus X, Theodore Sturgeon (1960) (MY REVIEW)

(Victor Kalin’s cover for the 1960 edition) Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXI (Malzberg, Bishop, Mano, Runyon)

Part 2 of 5 acquisition posts covering my massive haul from Dawn Treader Books in Ann Arbor Michigan….  I suspect that if I lived nearby I’d slowly migrate their entire SF collection to my shelves.  Two books below are by unknown authors (or at least to me) — Charles Runyon and D. Keith Mano.  Runyon is supposedly average to bad (one of my risk buys) while Mano polarizes readers — he tends to be rather right wing in his views so it’ll be intriguing to see what he does with the dystopic future in The Bridge (1973).  But, as with Runyon my expectations are low.

On the other hand, Malzberg’s The Men Inside (1971) seems to be one of his stranger works — I look forward to it.  And despite how well-known Michael Bishop is I’ve yet to read any of his works so I’ll be reading Beneath the Shattered Moons (1976) soon.

Thoughts?

1. The Men Inside, Barry N. Malzberg (1971)

(Ron Walotsky’s cover for the 1971 edition) Continue reading

Book Review: A Pail of Air, Fritz Leiber (1964)

(Richard Powers’ cover for the 1964 edition)

4/5 (Collated rating: Good)

My only previous exposure to Fritz Leiber was his enjoyable and highly experimental Hugo-winning novel The Big Time (1958) — an unusual story (evoking a one-act play) whose characters are soldiers recruited from all eras of history relaxing in between missions during a vast temporal war.  The same sort of invention and incisive wit abounds in the collection A Pail of Air (1964).  Against a post-apocalyptical backdrop that runs throughout most of the stories, Leiber’s stories are chimeric (and satirical) parables on a vast spectrum of themes — the mechanization of the future, gender relations, endless war, media saturation…  The stories shift between whimsical delight and gut-wrenching despair.

This collection of eleven stories from the early 50s to the early 60s is highly recommended for all SF fans — especially the title story  “A Pail of Air” (1951),  “The Foxholes of Mars” (1952), Continue reading