Adventures in Science Fiction Cover Art: Max Ernst and his landscapes of decay (on SF/F covers)

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Max Ernst’s Barbarians Marching to the West

Max Ernst (1891-1976) has long been one of my favorite artists.  I had no idea, until browsing through the Penguin SF cover images from the 60s, that his art appeared on a variety of SF/F novels and related literature/nonfiction….  Yes, I had seen the memorable cover for J. G. Ballard’s The Crystal World (1966) [below] but I had not put the two together.

My favorite is without a doubt the use of Ernst’s awe-inspiring Europe After the Rain II (1940-42) for J. G. Ballard’s collection of stories, Memories of the Space Age (1988).  The malaise generated by his landscapes of decay combined with the sheer power of Ballard’s visions evoke are almost palpable shudders of joy…

There are a handful more but I have included most of the 50s to early 80s examples.

And today, April 2nd, is Max Ernst’s birthday!  So, share, if you are so inclined, your favorite of his works of art.  And, feel free to identify any that might appear on the covers below…  Too bad more publishers don’t latch onto the joy that are his collages (do a google search and you will understand).

Enjoy!

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(Max Ernst, Europe After the Rain, cover for the 1988 edition of J. G. Ballard’s Memories of the Space Age, 1988) Continue reading

Updates: Recent Science Fiction Acquisitions No. CXLIV (Farmer + Anderson + Two Anthologies including Aldiss, Wilhelm, Priest, Disch, etc.)

I have been on a short story kick as of late! Three of the following volumes are short story collections (two anthologies).  I want to complete the Orbit series, ed. Damon Knight….

And, well, I have a soft spot for Philip José Farmer’s 50s/60s SF after Strange Relations (1960).

Thoughts? Comments?

  1. Orbit 12, ed. Damon Knight (1973)

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(Paul Lehr’s cover for the 1973 edition) Continue reading

Book Review: Orbit 3, ed. Damon Knight (1968)

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(Paul Lehr’s cover for the 1968 edition)

3.5/5 (collated rating: Good)

Orbit 3 contains both masterpieces (by Gene Wolfe and Kate Wilhelm) and complete duds (by Doris Pitkin Buck and Philip José Farmer).  Damon Knight’s willingness to select a range of known and lesser known authors creates an enjoyable and unpredictable reading experience—but, most of the greats are on their game in this collection, other than Farmer who puts in a lazy shift…  Contains two Nebula award winners: Wilson’s problematic “Mother to the World” (novelette) and Kate Wilhem’s “The Planners” (short story).  The former was also nominated for a Hugo.

Recommended for fans of 60s SF of the experimental bent.  Do not let the collated rating sway you—there are some great stories behind the Paul Lehr Continue reading

Updates: Recent Science Fiction Acquisitions No. CXLIII (Two themed anthologies: Election Day 2084 and TV: 2000 + Harrison + Gary)

Two themed anthologies—one in “honor” of the election [*cough* I mean, well, I won’t go all political] year cycle…  Another on one of my favorite SF themes, television of the future!

That said, both Asimov edited collections (from the 80s but with stories from only earlier decades) have a serious fault: out of the combined 35 stories there is not a single story by a woman author.  I’ve read a vast number of 60s/70s collections which do not fall into this trap…. Orbit 1 (1966) almost manages gender parity!  I can think of numerous stories by women authors that fit both themes.  For example, Kit Reed’s wonderful “At Central” (1967) fits the TV anthology!

A hard to find for cheap early M. John Harrison novel…. Unfortunately I only found a much uglier edition that the one I show below as the rest were out of my price range….

And, a complete shot in the dark—a SF novel by the mainstream French/Lithuanian novelist/screenwriter Romain Gary, the author of White Dog (1970)..

As always, I’d love to hear your thoughts + comments.

1. The Committed Men, M. John Harrison (1971)

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(Chris Yates’ cover for the 1971 edition) Continue reading

Book Review: Three Worlds of Futurity, Margaret St. Clair (1964)

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(Jack Gaughan’s cover for the 1964 edition)

3/5 (collated rating: Average)

Margaret St. Clair (1911-1995) was a mainstay of the major pulp magazines and maintained a prolific career from 1946 to the late 60s (between the 70s and early 80s she  produced only one novel and a handful of stories).  Previously, I found myself disenchanted with her work as I struggled through the Wicca-inspired ramblings of Sign of the Labrys (1963).  However, I thought I would give her short fiction a try and snagged a copy of the 1964 Ace Double #M-105 that contained her collection Three Worlds of Futurity (1964) and her best known novel Message from the Eocene (1964) (which I might read sometime in the future).

Three Worlds of Futurity contains five stories from her most prolific period—the late 40s-early 60s.  Although the majority do not rise above their fellow pulp ilk, “The Rages” (variant title “The Rations of Tantalus” 1954, revised 1964) shows a measured and incisive feminist inspired vision and the unusual subject matter of “Roberta” (1962) suggests St. Clair’s willingness to tackle controversial subjects.  Most of the stories contain evocative imagery although the delivery rarely transfixes.  Also, although most of the main characters in St. Clair’s stories are men, women scientists and pilots (etc) populate the pages.  I suspect Continue reading

Updates: Recent Science Fiction Acquisitions No. CXLI (Lessing + Zelazny + Engh + Priest)

Fresh off reading Christopher Priest’s An Infinite Summer (1979) and his even more amazing novel The Affirmation (1981) (which I’ve been unable to review for a variety of reasons), I acquired yet another one of his challenging gems….

And M.J. Engh’s Arslan (1975), which appears to polarize audiences—for example, Ian Sales’ negative review of her novel [here].  One of the odder and lesser known Golancz SF Masterwork inclusions for sure….  I.e. normally my cup of tea.  Seriously problematic seems to be Arslan‘s operating word.

And more Zelazny novels! I’m close to owning everything he wrote, other than the Amber sequence, up to the 1980s.

And there’s nothing wrong with more Lessing! (I wish MPorcius would stop writing such intriguing reviews of her work—haha.  Here’s his review of Briefing for a Descent Into Hell).

As always, thoughts?

1. Arslan, M. J. Engh (1975)

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(Vincent Di Fate’s cover for the 1975 edition) Continue reading

Book Review: Code Three, Rick Raphael (fix-up 1967)

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(John Schoenherr’s cover for the 1963 magazine version)

3.25/5 (Above Average)

A discussion first about taglines…  The 1967 Berkley Medallion edition (with its murky Jerome Podwil cover: photo) reads: “A future world of gigantic expressways—and the men who patrol them.”  The 1985 Panther edition with its ubiquitous Chris Foss Textured Mass (CFTM for short) police car reads: “Before MAD MAX there was CODE THREE.”  Both are in error.  I proffer two edits.  “A future world of gigantic expressways—and the people who patrol them.”  And the latter should be rendered: ” Continue reading

Updates: Recent Science Fiction Acquisitions No. CXL (Vance + Pournelle + Sucharitkul + Crowley)

A more disparate series of SF novels would be hard to come by…. John Crowley has long impressed—The Deep (1975) and Beasts (1976) are highly recommended works of literary SF.  And finally, I have the last one of his 70s novels!

A new author in Somtow Sucharitkul (sometimes known by S. P. Somtow)…

Vance’s most famous work and one of only a handful of supposedly top-tier “classics” I have yet to read…

Pournelle anyone? First work by him as well… Baen book picked up a number of his novels so I don’t have high hopes.

Thoughts?

1. Engine Summer, John Crowley (1979)

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(Gary Friedman’s cover for the 1979 edition) Continue reading

Book Review: Universe 1, ed. Terry Carr (1971)

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(Davis Meltzer’s cover for the 1971 edition)

3.75/5 (Collated rating: Good)

Won the Locus 1972 Award for Best Original Anthology.

The Universe series of anthologies contained original SF that had not yet appeared in print.  And, the inaugural volume Universe 1 (1971) ed. by Terry Carr certainly hit critical pay dirt: Robert Silverberg’s minimalist the first robotic pope tale won the Nebula for Best Short Story, George Alec Effinger’s anti-war black comedy was nominated for the Hugo Award for Best Short Story, Joanna Russ’ alt-history (sort of) fable was nominated for the Nebula Award for Best Novelette, and Edgar Pangborn’s sentient “alien” animals look for a caretaker mood piece was nominated for the Nebula Award for Best Novelette.

On the whole the quality is fairly Continue reading