(Jack Gaughan’s cover for the 1964 edition)
3/5 (collated rating: Average)
Margaret St. Clair (1911-1995) was a mainstay of the major pulp magazines and maintained a prolific career from 1946 to the late 60s (between the 70s and early 80s she produced only one novel and a handful of stories). Previously, I found myself disenchanted with her work as I struggled through the Wicca-inspired ramblings of Sign of the Labrys (1963). However, I thought I would give her short fiction a try and snagged a copy of the 1964 Ace Double #M-105 that contained her collection Three Worlds of Futurity (1964) and her best known novel Message from the Eocene (1964) (which I might read sometime in the future).
Three Worlds of Futurity contains five stories from her most prolific period—the late 40s-early 60s. Although the majority do not rise above their fellow pulp ilk, “The Rages” (variant title “The Rations of Tantalus” 1954, revised 1964) shows a measured and incisive feminist inspired vision and the unusual subject matter of “Roberta” (1962) suggests St. Clair’s willingness to tackle controversial subjects. Most of the stories contain evocative imagery although the delivery rarely transfixes. Also, although most of the main characters in St. Clair’s stories are men, women scientists and pilots (etc) populate the pages. I suspect one could make a case that her characters do not fit neatly into the pulp mode.
Somewhat recommended for fans of pulp (of which I am obviously not).
Brief Plot Summary/Analysis
“The Everlasting Food” (1950), novelette 2.5/5 (Bad): Published originally in Thrilling Wonder Stories, “The Everlasting Food” is a mostly forgettable story with some intriguing, and turbulent imagery. Richard Dekker, Earth-born, employed as a oceanographer on Venus chooses a controversial surgery to save his native Venusian (an “almost-mytheical Sanedrin”) wife Pamir Dekker. The result is catastrophic for Pamir loses her “Seeing” (6) ability. Of course, as is often the case with telepathy in pulp SF/F, the ability to the non-telepathic is beyond basic comprehension (7). Initially all seems well, Pamir smiles (an empty smile) but claims she no longer needs to eat. Soon Pamir runs away with their half-Venusian son. The story soon devolves into a chaotic quest to find the boy. Standard pulp fair with little to distinguish it from its dime-a-dozen Thrilling Wonder Stories brethren.
(Uncredited cover for the December 1950 issue, ed. Sam Merwin, Jr.)
“Idris’ Pig” (variant title: “The Sacred Martian Pig”) (1949), novella, 3/5 (Average): Published originally in Startling Stories, “Idris’ Pig” tells a comical story of a mostly immobile unusual pig-like creature with a rank smell… George, on his friend’s death bed, is bequeathed the object and the mission of its original courier: “he was greeted by a fishy smell and a feeble oink. Inside was a small blue animal, some twenty centimeters long, regarded him comatosely” (43). This creature with its comatose gaze soon embroils George in an elaborate plot involving Martian cults and general mayhem. Silly and outrageous, “Idris’ Pig” is very much what you’d expect from a late 40s pulp story.
(Earle Bergey’s cover for the July 1949 issue, ed. Sam Merwin, Jr.)
“The Rages” (variant title: “The Rations of Tantalus”) (1954) novelette, 4/5 (Good): First published in Fantastic Universe, “The Rages” is by far the best story in the collection. Although the premise is a standard one—future over-medicated world—St. Clair’s measured way telling, paranoid undercurrents, and human-centered vision make it worthwhile. Harvy and his wife Mara lead a chaste life—i.e. “they had lain side by side for nearly a thousand nights and, except for a handful of times in the first years of their marriage, nothing had ever happened” (76)—controlled by drugs. Harvy, addicted completely to euphoria pills, finds himself excited by his wife, not for her attractiveness, but as her “tunic was the exact shade” of his pills (79).
The state claims the euphoria pills are completely safe and necessary to prevent rages. However, lab experiments on rats and the mental state of city’s hostels occupants indicate the devastating damage caused by the “final rage.” Harvy spends his time fantasizing about increased allotments of pills however a sequence of events cause him to question their effects. Does he have the willpower to overcome his addiction or will he too turn into a twitching wreck on the hostel floor…
There’s more to “The Rages” than the ubiquitous drugs are dangerous message. Drugs do not only create non-sexual states of pleasure that detached society from the importance of sex but are also used to prevent menstruation (and odor and sweat). Drugs are powerful means to control women. However, St. Clair is quick to point out that Harvy himself is the one who must be controlled, his eventual lusts almost cause him to rape another woman. “The Rages” is the most trenchant of St. Clair’s pulp stories I have encountered. Recommended.
(Alex Schomburg’s cover for the July 1954 issue, ed. Leo Margulies)
“Roberta” (1962) short story, 3.25/5 (Vaguely Good): First published in Galaxy Magazine, “Roberta” is a disturbing story of a man from Vega named Mr. Dlag who comes to Earth collect “imitation things” (116).
That was what interested me most, you know, when I came to Earth—realizing how many Earth things were imitations. Insects that imitate other insects. Plants that imitate other plants. Plants that imitate plants. Plants that imitate rocks. And half your your artifacts imitate other things. It’s amazing. There are almost no imitation things on Needr, my home.” (116)
And the “imitation thing” in this case is Roberta, who used to be Robert. Mr. Dlag paid for Robert’s sex change so he could have her in his collection. And Roberta, who constantly talks her to her “male” predecessor, is compelled to kill the collector. Remember, this is the 1960s treatment of transgender topics… I am not sure whether this is a positive, or negative portrayal, or somewhere in-between. For example the above passage seems to indicate that such “imitations” (obviously not the word we would use today), although occurring in life do not replace the original state. But then again, St. Clair puts those words in the mouth of an alien. And, the story follows this format as Roberta talks constantly with Robert. As a story, the idea of a collector looking for a transgendered individual disturbs. I do not know what to make of it.
Recommended for scholars studying gender and transgender topics in SF.
(Virgil Finlay’s cover for the October 1962 issue, ed. Frederik Pohl)
“The Island of the Hands” (variant title: “Island of the Hands”) (1952) short story, 3/5 (Average): First published in Weird Tales, “The Island of the Hands” is a story of obsession. Dirk compulsively searches for his wife, who disappeared while talking to him on the radio on her solo flight across an ocean. The search and rescue expedition encounters an island where a simulacrum of Dirk’s wife, with subtle differences, resides. Rather, the simulacrum is his projection of what he wished his wife looked like… All the characters are soon transfixed by the Island of Hands and its miraculous powers. But, will Dirk still be able to find his wife? A fun story, with some cool images, that moves in all the right directions.
(Virgil Finlay’s cover for the September 1952 edition, ed. Dorothy Mcllwraith)
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