Today I’ve reviewed the fourteenth story in my series on the science fictional media landscape of the future. Walter F. Moudy relays the coverage of the 2050 Olympic War Games between the United States and Russia with harrowing effect.
Previously: Barry N. Malzberg’s “The Idea” in In the Pocket and Other S-F Stories (1971) (as K. M. O’Donnell).
Up Next: Theodore Sturgeon’s “And Now the News…” in The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher (December 1956). You can read it online here.
Walter F. Moudy’s “The Survivor” first appeared in the May 1965 issue of Amazing Stories, ed. Cele Lalli (Goldsmith). You can read it online here.
Recently James Harris highlighted the truncated writing career of Walter F. Moudy (1929-1973) with a focus on No Man on Earth (1964), his only science fiction novel. Inspired by his comments on “The Survivor” (1965) and relentlessly intrigued by authors who have fallen from contemporary memory, I placed the slick future televised Cold War conflict tale at the top of my media landscapes of the future review list. For those expecting a masterful Henry Kuttner tale, stay tuned! In the meantime, let’s plunge into Moudy’s coverage of the 2050 Olympic War Games between the US and Russia.
Today I’ve reviewed the thirteenth story in my series on the science fictional media landscape of the future. Here, I finally return to the nightmarish embrace of Barry N. Malzberg.
Previously: Pat Cadigan’s “Rock On” in Light Years and Dark: Science Fiction and Fantasy of and for Our Time, ed. Michael Bishop (1984). You can read it online here.
Up Next: Walter F. Moudy’s “The Survivor” in the May 1965 issue of Amazing Stories, ed. Cele Lalli (Goldsmith). You can read it online here.
Barry N. Malzberg’s “The Idea” first appeared in In the Pocket and Other S-F Stories (1971) (as K. M. O’Donnell). I cannot find the story online. Please contact me if you do not own a copy and want a PDF of the story. I recommend you procure the fantastic anthology TV: 2000, ed. Isaac Asimov, Martin H. Greenberg, Charles G. Waugh (1982) which “The Idea” also appears in. I’ll be returning to this volume in coming weeks for this series.
Reading a Barry N. Malzberg story is like returning to a familiar embrace–an embrace of the blackest satire conveyed via terrifying existential traps. Ever since I read his masterpiece Beyond Apollo(1972), a metafictional destruction of America’s obsession with space exploration, Malzberg joined the pantheon of my favorite authors.
2021 was the best year in the history of my site for visits and unique viewers! I suspect this increasingly has to do with my twitter account where I actively promote my site vs. a growing interest in vintage SF. I also hit my 1000th post–on Melisa Michaels’ first three published SF short stories–in December.
As I mention year after year, I find reading and writing for the site—and participating in all the SF discussions it’s generated over the year—a necessary and greatly appreciated salve. Thank you everyone!
I read very few novels this year. Instead, I devoted my attention to various science short story reviews series and anthologies. Without further ado, here are my favorite novels and short stories I read in 2021 (with bonus categories).
Tempted to track any of them down?
And feel free to list your favorite vintage (or non-vintage) SF reads of the year. I look forward to reading your comments.
My Top 7 Science Fiction Novels of 2021 (click titles for my review)
1. Where Time Winds Blow (1981), Robert Holdstock, 5/5 (Masterpiece): Holdstock’s vision is a well-wrought cavalcade of my favorite SF themes–the shifting sands of time, the pernicious maw of trauma that threatens to bite down, unreliable narrators trying to trek their own paths, a profoundly alien planet that compels humanity to construct an entirely distinct society… It’s a slow novel that initially masquerades as something entirely different. Just like the planet itself.
Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents are a way to get through the stack before my memory and will fades. Stay tuned for more detailed and analytical reviews.
1. The Languages of Pao, Jack Vance (1958)
3.25/5 (Vaguely Good)
Since I started my site in 2011, I’ve soured a bit on Jack Vance’s brand of planetary adventure in richly realized and exotic worlds. I doubt I’d currently rate novels like Showboat World(1975) or The Blue World (1966) as highly as I did back then. One of more appealing elements of having a single project for so long is my ability to track my evolving views on genre. That said, I’d classify Wyst: Alastor 1716(1978) and The Languages of Pao (1958) amongst his most conceptually ambitious novels I’ve read so far and worth tracking down. For a full list consult my index. Note: I read but never reviewed Dying Earth (1950).
Every morning for the last few years, I post on Twitter the birthdays (pre-1955) of artists, authors, and editors involved in some way with science fiction. In the last year, a singular compulsion has hit and I’ve started to include even more obscure figures like Gabriel Jan (1946-) and Daniel Drode (1932-1984). On May 31st, while perusing the indispensable list on The Internet Speculative Fiction Database, I came across an author unknown to me–Melisa Michaels (1946-2019) (bibliography). She’s best known for the five-volume Skyrider sequence (1985-1988) of space operas “depicting the growth into maturity of its eponymous female Starship-pilot protagonist” (SF Encyclopedia).
As I’m always willing to explore the work of authors new to me, I decided to review the first three of her six published SF short stories. Two of the three stories deal with my favorite SF topics–trauma and memory.
“In the Country of the Blind, No One Can See” (1979), 3.5/5 (Good): First appeared in Isaac Asimov’s Marvels of Science Fiction (1979). It was reprinted in Isaac Asimov’s Science Fiction Magazine (January 1979). You can read it online here.
On a terraformed Mars, Allyson Hunter and her two clone sisters, Rebecca and Kim, are societal outcasts. They spent their lives trying to be “real people” yet were “reminded, every day in a dozen little ways, that they weren’t real people” (87). Clones retain their first usage as replacement body parts. Permitted to live only due to indications of telepathic potential (needed to guide spaceships), the sisters attempt to live meaningful lives and develop useful skills. The sisters charter two identical twins, Frank and Todd, to convey them across the Martian landscape. A horrific crash kills Kim and forces the survivors to work together and move past the deep resentment and hatred the brothers hold.
Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Barefoot In the Head, Brian W. Adliss (1969)
From the back cover: “AFTER THE ACID WAR…. Rising from the dust and ashes of a Europe still reeling from the effects of the great Acid War comes Colin Charteris, a futuristic Don Quixote riding the mechanized brontosaurus of the times.
Charteris tries desperately to make sense of the drugged, chaotic world he lives in, and finds himself hailed as the new Messiah. Stranger still, Charteris himself comes to believe this.
His adventures as he tries to save the world from its insanity are brilliantly told, a satiric science fiction comment on the future of mankind.”
This is the 10th post in my newly resurrected series of vintage generation ship short fiction reviews. I’ve returned to an author, Frank M. Robinson (1926-2014), that I promised to read more of after the wonderful “The Wreck of the Ship John B.” (1967).
As a reminder for anyone stopping by, all of the stories I’ll review in the series are available online via the link below in the review.
You are welcome to read and discuss along with me as I explore humanity’s visions of generational voyage. And thanks go out to all who have joined already. I also have compiled an extensive index of generation ship SF if you wish to track down my earlier reviews on the topic and any that you might want to read on your own.
Previously: Leigh Brackett’s “The Ark of Mars” in Planet Stories (September 1953), ed. Jack O’Sullivan. You can read it online here.
Next Up: Arthur Sellings’ “A Start in Life” in Galaxy Science Fiction (September 1954), ed. H. L. Gold. You can read it online here.
Frank M. Robinson’s “The Oceans Are Wide” first appeared in Science Stories (April 1954), ed. Bea Mahaffey and Ray Palmer. 3.75/5 (Good). You can read it online here. Note: I read the story in Starships, ed. Isaac Asimov, Martin Harry Greenberg, Charles G. Waugh (1983).
A Boy Comes of Age, or How Do You Make a Machiavellian Tyrant
Before Philip K. Dick’s “We Can Remember It for You Wholesale” (1966), Raymond F. Jones wrote the far lesser known “The Memory of Mars” (1961)–his own paranoid thriller about a vacation to Mars that might not have happened exactly as remembered. This is a plot-driven story. There are multiple twists and delusional layers that unfold at lightning speed–some more satisfying than others. You might want to read the story in the December 1961 issue of Amazing Stories, ed. Cele Goldsmith first.
“The Memory of Mars” has all the pieces of a paranoid masterpiece. A journalist named Mel Hastings, trained to be objective, waits for his wife Alice to be released from surgery. As he waits anxiously for news knowing that something has gone wrong, he recalls his wife’s persistent claim that they had gone on a vacation to Mars the first year of their marriage. The simmering terror of his own phobia of space and recurrent nightmares of being chased across the black void suggest there’s more than he remembers. Mel’s called into the surgery room with disturbing news. His wife is dead and something is terribly wrong with her viscera. Vigil Finlay’s top-notch interior art (above) hints at the terror that unfolds as Alice’s inhuman interior is laid bare….