(Richard Powers’ cover for the 1967 edition)
Leonard Daventry’s A Man of Double Deed (1965) is an dark and grungy tale of polyamory, telepathy, and apocalyptical violence. Swinging between philosophical and emotional introspection and awkwardly explained action sequences based on the flimsiest of plots, Daventry’s novel succeeds as a noirish character study but fails as a compelling unity of parts. Continue reading Book Review: A Man of Double Deed, Leonard Daventry (1965)
(Vincent Di Fate’s cover for the 1976 edition)
Marta Randall’s A City in the North (1976), is a work of anthropological SF that focuses on “authentic” relationships between its human and alien characters (see note). A commentary on the societal effects and cultural disconnects between natives, explorers, and colonizers, A City in the North refuses to provide easy answers. Although retreating into an occasional stock evil character to jolt the plot forward, on the whole Randall’s novel intrigues and provokes due to the underlying mysteries of native culture and ritual. Continue reading Book Review: A City in the North, Marta Randall (1976)
Monday Maps and Diagrams 1/14/19
A tantalizing title—Voyage to the City of the Dead (1984)–made all the more mysterious by two wonderful maps by Shelly Shapiro. The first charts a lengthy winding river stretching from the north pole past the equator. The second, a cross section illustrating the elevation of the river’s vast canyon….
I’m almost compelled to pick up the book! Although I’ve had little luck with Alan Dean Foster’s SF in the past. Thoughts?
The Maps (click to enlarge):
Continue reading Fragment(s): Monday Maps and Diagrams (Science Fiction) 1/14/19 — Alan Dean Foster’s Voyage to the City of the Dead (1984)
(Yves Tanguy’s cover for the 1963 edition of Mission of Gravity (1954), Hal Clement)
On the birthday of French-American surrealist Yves Tanguy (1900-1955) (January 5th), I always take a minute to browse his art online. I faintly recalled seeing his art on various 1960s Penguin edition covers…. And lo and behold, J. G. Ballard’s New Wave masterpiece The Drowned World (1962) and Hal Clement’s pioneering work of hard SF, Mission of Gravity (1954) were both graced with Tanguy’s canvases. Penguin regularly used the work of famous mainstream artists–for example, Max Ernst (I identified ten covers). China Miéville’s novella “The Last Days of New Paris” (2018) also uses a Tanguy/Lamba/Breton exquisite corpse collage (I’m focusing primarily on earlier covers in this post). Continue reading Adventures in Science Fiction Cover Art: Yves Tanguy and Penguin SF Cover Art
Monday Maps and Diagrams 12/24/18
Sometimes a map tells a story…. Sometimes a series of maps reveal the evolution of a story. C. J. Cherryh’s sequence of six maps of the same location in Forty Thousand in Gehenna (1983) tracks the evolving relationship between settlers, azi clones, and native caliban lizard creatures.
A careful eye might be able to discern the general trajectory of the novel’s plot — if you haven’t read it yet, than perhaps (if you can tear your eyes off of MAPS) proceed no further….
Continue reading Fragment(s): Monday Maps and Diagrams (Science Fiction) 12/24/18 — C. J. Cherryh’s Forty Thousand in Gehenna (1983)
(Kelly Freas’ cover for the 1974 edition)
“The only truth is what happens, in plain and simple reality. I’ve seen the inside of too many minds to think any man’s intentions can be good. We’re evil inside ourselves Kilgarin. We’re sick and foul and filthy. The only ones who come close to being pure are those too stupid to be anything else” (72).
Back in 2016 I read Universe 1, ed. Terry Carr (1971) and was pleasantly surprised by Gerard F. Conway’s short story “Mindship” (1971) about telepathic (“sensitive”) “corks” who calm the minds of the spaceship crews whose psychic powers run interstellar “engines.” This story forms the prologue of Conway’s novel continuation. In an odd way, the novel reinterprets the original short story and adds an additional level of mystery (it wasn’t an accidental death, it was a murder!) to its straightforward plot.
Continue reading Book Review: Mindship, Gerard F. Conway (1974)
(Gino D’Achille’s cover for the 1979 edition)
Jack Vance’s Emphyrio (1969) is a story about how a story can create change and heighten our own yearning for escape. Although a pulp coming-of-age adventure at heart, Vance reigns in his baroque descriptive tendencies to spin a narrative that tries (successfully) to say something meaningful about the impact of storytelling.
Continue reading Book Review: Emphyrio, Jack Vance (1969)