(Ed Valigursky’s cover for the 1957 edition of Eye in the Sky (1957), Philip K. Dick)
As the mapmaker in Russell Hoban’s The Lion of Boaz-Jachin and Jachin-Boaz (1973) who creates a map that shows the places of inspiration, I too like to guide people towards voices that are worth the listen. I encountered the writings of Evan Lampe (@EvanLampe1) while perusing various SF articles on WordPress—his site gave an encyclopedic look at the stories and thought of Philip K. Dick. And now he’s following up with a podcast read-through (mostly chronological) of PKD’s fiction.
Evan described the podcast to me as follows:
“My main podcast is based on the idea of looking at American writers. I just wanted to podcast. I would have done it on Youtube but I do not really have the video editing skills to pull that off. Mostly, in that series I am driven to make a full-throated defense of America in these bizarre times. Perhaps its therapy. I guess you are more interested in my Philip Dick series. I think I talk about my motivations for that in my episode on “Stability”. It comes down to Dick being more culturally relevant than ever, with new TV series and a new Blade Runner film. I also never stopped believing that his writing is a useful tool in talking about many of our contemporary political and social dilemmas. The systematic approach will ensure that the stories and early novels will get the love that they deserve. There are a handful of aspects of Dick’s writing that need special attention (the frontier, post-scarcity, work, automation). I am trying to keep these most contemporary questions in mind as I re-read these works.”
(Uncredited cover for the 1977 French edition of Tower of Glass (1970), Robert Silverberg)
Robert Silverberg (b. 1935) has long been one of my favorite SF authors. Especially between 1967-1975 (i.e. his shift away from pulp and before his momentary retirement), Silverberg produced a prodigious and thought-provoking corpus of writing. The sheer number of brilliant works crammed into those few years is only rivaled by Barry N. Malzberg (1969-1976) and Kate Wilhelm (1967-c. 1976).
As I’ve been exploring other less known authors, I’ve not read a lot of Silverberg’s novel-length works recently. Tower of Glass (1970), Nightwings (1969), A Time of Changes (1971), The Stochastic Man (1975), Son of Man (1971), and Up the Line (1969) among others remain unread on my shelf. Rather, I’ve restricted my focus to a few wonderful short stories in various collections here and there—“Passengers” (1968), a haunting masterpiece story of alien possession; “When We Went to See the End of the World” (1972), suburban banter Read More
(Jack Gaughan’s cover for the 1970 edition)
3.75/5 (collated rating: Good)
Philip K. Dick. Roger Zelazny. Bob Shaw. Michael Moorcock. R. A. Lafferty. Seldom do I say that a “best of” anthology includes a large number of the best stories of the year. From PKD’s artificial memories to Bob Shaw’s slow glass, World’s Best Science Fiction: 1967 (1967) contains both fascinating technological marvels and serious character-centered storytelling. While not all the stories are successful, I highly recommend this collection for fans of 60s SF.
Note: I reviewed both Roger Zelazny stories elsewhere—I have linked and quoted my original reviews.
Brief Analysis/Plot Summary
“We Can Remember It for You Wholesale” (1966) Read More
(Cover for Fiction, #200 (August, 1970), ed. Alain Dorémieux)
Our adventures in French SF magazine cover art continue! A little more than a month ago I posted on Claude Lacroix’s Delicate Lines and Mutations and we press on in a similar manner with the art of Wojtek Siudmak, a Polish-born artist based in France.
I am deliberately featuring only Siudmak’s first two years of cover art (he was very prolific): 1970-1972. Between these years he mostly illustrated the major French SF magazines Fiction and Galaxie. As I mentioned in the previous post, the 60s and 70s covers for Fiction—“the leading journal of science fiction and fantasy in France” until its cancellation in 2015—were characterized by simple color schemes and delightful line work. Siudmak adeptly works within Read More
1) I made a “resolution” to read more John Sladek — miserable covers aside. Now what is that spaceman doing standing next the elephant? Although Sladek is rather on the surreal/comical end of things, Peter Goodfellow took the surreal title literally. Not his finest artistic moment. Now if only I could convince myself to put together my disperate thoughts on The Müller-Fokker Effect (1970) into something cohesive.
2) Although “New Worlds editor supreme” Michael Moorcock’s novels haven’t not received the warmest reception on my site, I am determined to get a better sense of his fiction by exploring his short work. And this collection seems fantastic! It’s illustrated, there’s a comic strip (image below), and the Savoy Books publication includes tons of fascinating blurbs about other books both speculative and non-genre.
See my reviews of An Alien Heat (1972) and The Ice Schooner (1969).
The title page of the Jerry Cornelius comic.
3) A lesser known James White novel… Only printed in the UK.
James White is one of THE finds of the last few years. Best known for simple but earnest (and pacifistic) 50s stories about doctors solving alien medical problems, his novels demonstrate surprising power. A reader and frequent commentator (see I listen!) suggested I procure one of his late 70s novels unknown to me. I cannot wait to read it.
See my reviews of The Dream Millennium (1973), All Judgement Fled (1968), and The Watch Below (1966).
4) I recently discussed Emma Tennant’s work and how she was influenced by the UK SF scene (Ballard et al) here. Yes, I showed my inner academic by citing a few articles — many fans don’t realize that there’s serious and fascinating academic study of the genre. And, as literary historians are wont to do, they provide (often) relevant and erudite analysis of development of genre etc. I would pull more in if time allowed. I am currently reading Tennant’s novel and it’s intriguing so far!
Scans are from my own collection (in order to zoom in on the zany madness, click on the image).
I look forward to your comments/thoughts!
1) William F. Nolan, best known for Logan’s Run (1967) (film adaptation 1976), was also a prolific short story author. As with my acquisition of Thomas N. Scortia’s collection The Best of Thomas N. Scortia (1981) a while back, I am hoping that a range of short stories might be the best way to approach an author new to me.
*wince*–> My edition has a miserable Chris Foss clone (Tony Roberts) cover!
2) As many R. A. Lafferty novels cost a pretty penny, I now buy them on sight if they are within my price range. I posted recently on Mati Klarwein’s fantastic covers–> here. My high resolution scan should convey the complexity and skill of the art!
3) Silverberg collections fall under the purchase compulsively category. I’ve read two or three from this particular volume already including the wonderful “How It Was When the Past Went Away” (1969).
4) A while back a reader recommended Bruce Sterling’s The Artificial Kid (1980). My wife saw a well-worn copy at a local Half Price Books and procured it for me. I read numerous Sterling works from the late 80s and 90s back when I consumed “newer” SF. I reviewed his first novel a few months ago—Involution Ocean (1977).
The cover is awful. The 1980s aesthetic pains me…
All images are scans from my own collection (click image to zoom).
As always, thoughts/comments are welcome.
1. Wonderworlds, William F. Nolan (1977 )
(Tony Roberts’ cover for the 1979 edition) Read More
(Paul Lehr’s cover for the 1969 edition)
4.25/5 (collated rating: Very Good)
A quest for SF magazines! Alien possession and its psychological damage! The Supreme Court tackles future crime! And many more unusual visions….
Orbit 4 (1968) dethrones Orbit 3 (1968) for the overall collated rating crown (as of now) in the anthology sequence. All of the anthology so far contain worthwhile stories and should be tracked down by fans of SF from this era—see my reviews of Orbit 1 (1966) and Orbit 8 (1970).
Highly recommended for the Wilhelm, Emshwiller, Lafferty, Sallis, and Silverberg stories. A must buy Read More
(Jorge Hernandez’s cover for the 1975 edition)
4.75/5 (collated rating: Very Good)
Utopian dreams. Demonic spaceship cults. Grotesque cosmic pollination. Robert Silverberg’s edited original collections of novellas and novelettes strike gold again! See reviews of Triax (1979) (Keith Roberts, Jack Vance, James E. Gunn) and to a lesser degree The Crystal Ship (1976) (Marta Randall, Joan D. Vinge, Vondra McIntyre).
A few weeks ago I promised to read more of James Tiptree, Jr.’s fiction. With this in mind I rooted around my unread collections and found one of her stories in The New Atlantis and Other Novellas of Science Fiction, ed. Robert Silverberg (1975). This review pushed many others to the back burner…. It is that good. Gene Wolfe, Ursula Le Guin, and James Tiptree, Jr. do not disappoint. A holy trifecta?
Highly recommended for fans of intelligent Read More
(Bruce Pennington’s cover for the 1968 edition of A Scent of New-Mown Hay (1958), John Blackburn)
2016 saw a resurgence in my cover art adventure posts. However, unlike the curated themed collections that prevailed a few years ago I focussed predominately on individual artists from a variety of countries (Portugal, Italy, Germany): my favorites include Max Ernst and His Landscapes of Decay on SF/F Covers, Haunting Landscapes and Cityscapes of Mariella Anderlini, and The Futuristic Cities of Lima De Freitas. The last themed collection was way back in March 2015 — Tentacles and Other Strange Appendages.
I’ve decided to return to my roots (no pun intended)! Although partially inspired by my 2014 post Human Transformations/Transfigurations (one duplicate cover), I’d been thinking about providing a gallery on the theme after reading “Ganthi” (1958), a disturbing Miriam Allen deFord short story about sentient tree-aliens and their mysterious caretaker Read More