Derek Carter’s cover for the 1st edition
3.5/5 (collated rating: Good)
Ever since I read Judith Merril’s “Daughters of Earth” (1952), I’ve been fascinating with her subversive takes 1950s-60s gender roles and classic SF tropes. Survival Ship and Other Stories (1974) contains twelve short stories and a never-before-published poem selected by the author.
In addition to the merits of the tales within, I found Merril’s brief reflections on her early work fascinating. For example, she ruminates on the failure of her planned novel based on the generation ship launched by The Matriarchy in “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). She also describes a magazine “cover story” commission. The author would be provided with the cover art and asked to write a story containing its elements! The following three in this Continue reading
This anthology contains the fourth post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. I decided to review the entire anthology!
Today: Katherine MacLean’s “Echo” (1970), 3.75/5 (Good). The entire anthology is available online here.
Previously: William Tenn’s “Down Among the Dead Men” (1954), 5/5 (Masterpiece). First appeared in the June 1954 issue of Galaxy Science Fiction, ed. H. L. Gold. You can read it online here.
Up Next: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959). First appeared in the October 1959 issue of The Magazine of Fantasy and Science Fiction, ed. Robert P. Mills. You can read the story online here.
Jim Steranko’s cover for the 1st edition
3/5 (Collated rating: Average)
Robert Hoskins “resurrected” Infinity Science Fiction magazine (1955-1958) as a five volume anthologies series between 1970-1973. The first volume, Infinity One (1970), contains sixteen original stories and one reprint from the original magazine–Arthur C. Clarke’s “The Star” (1955). SF Encyclopedia describes the anthology series as “a competent but not outstanding series.”
Eight of the seventeen stories fall into the “good” category. While none are masterpieces, Robert Silverberg, Arthur C. Clarke, Barry N. Malzberg co-writing with Kris Neville, Katherine MacLean, Gene Wolfe, and Poul Anderson Continue reading
This collection contains the third post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. After reading today’s installment, I decided to review the entire collection!
Today: William Tenn’s “Down Among the Dead Men” (1954), 5/5 (Masterpiece). First appeared in the June 1954 issue of Galaxy Science Fiction, ed. H. L. Gold. You can read it online here.
Previously: Edmond Hamilton’s “What’s It Like Out There?” (1952), 5/5 (Masterpiece). First appeared in the December 1952 issue of Thrilling Wonder Stories, ed. Samuel Hines. You can read the story online here.
Up next: Katherine MacLean’s “Echo” (1970) in Infinity One, ed. Robert Hoskins.
Richard Powers’ cover for the 1955 edition
3.25/5 (collated rating: Vaguely Good)
In the early days of my website, I reviewed two volumes by William Tenn–his sole novel Of Men and Monsters (1968) and his collection The Human Angle (1956). Of All Possible Worlds (1955) is his first published collection. The presence of “Down Among the Dead Men” (1954), “The Liberation of Earth” (1953), and “The Custodian” (1953) make this a must purchase (despite the handful of duds that drag down the overall rating) for fans of polished 50s satires in wrecked future worlds. Tenn’s narrators Continue reading
Allison’s cover for the 1978 Italian edition of Tanith Lee’s Volkhavaar (1977)
Mariella Anderlini (aka Allison) (d. 1992) was a behemoth of Italian SF art (note 1). Her covers graced entire years of science fiction editions for various Italian presses—for example, she illustrated the complete Slan. Il Meglio della Fantascienza series for Libra Editrice. Her work was ubiquitous and fantastic.
Over the years, loose cover art post sequences emerge from the back catalog of my site (both conscious and unconscious)–and one topic I return to regularly are SF covers by Italian women. Female Italian cover artists in the decades I am most interested in (50s-mid-80s), made up a far larger percentage Continue reading
James Gurney’s cover art detail for the 1st edition of William Greanleef’s The Tartarus Incident (1983)
Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents are a way to get through the stack. Stay tuned for more detailed and analytical reviews.
1. A Storm of Wings, M. John Harrison (1980)
Michael Whelan’s cover for the 1982 edition
4.5/5 (Very Good)
A Storm of Wings (1980) is the second volume, after The Pastel City (1971), of the Viriconium sequence. Far more dense and oblique than its predecessor, A Storm of Wings revels in the creation of a surreal urban tapestry–redolent with decay and decadent excess. Two Reborn Men (Fay Glass and Alstath Fulthor) attempt to animate the somnolent city of Viriconium Continue reading
As always which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
Ben Bova (1932-2020) passed away a few weeks ago due to Covid-19 complications (and a stroke) (Tor Remembrance Article). While I haven’t had the best luck with his work, if you have any fond memories of him or reading his SF, let me know in the comments. I purchased his first collection Forward in Time (1973) (below) in his honor.
1. Final Stage: The Ultimate Science Fiction Anthology, ed. Barry N. Mazlberg and Edward L. Ferman (1974)
David Pelham’s cover for the 1975 edition
From the back cover: “Thirteen fantastic new stories on the classic themes of Science Fiction.” See Continue reading
Between 1963 and 1980, American SFF author Phyllis MacLennan (1920-1912) published one novel and seven short stories (bibliography and obituary). She served as a translator and linguist in Military Intelligence during WWII. As I can find little about her work online, I decided to review three of her SFF short fictions. Perhaps they’ll inspire me to pick up her sole novel Turned Loose on Idra (1970), which I bought in 2014.
Vincent Di Fate’s cover for The Magazine of Fantasy and Science Fiction, September 1972
“Thus Love Betrays Us” (1972), 4.5/5 (Very Good): First appeared in the September 1972 issue of The Magazine of Fantasy and Science Fiction, ed. Edward L. Ferman. Read the story here.
Deirdre, a night-less and oppressive world filled with thick mists and layers of moss, had only just been Continue reading
Canvas for the 1977 edition of Universe 7, ed. Terry Carr (1978)
The covers for Pocket Books and Popular Library tend not to scream “visual zeitgeist of the 70s” like the catalogs of DAW, Ace, and Del Rey/Ballantine Books (note 1). But amongst the former’s primarily forgettable stable of artists who are often uncredited (2), a few gems emerge–notably the work of Carlos Ochagavia (1913-2006) (3).
I cannot find more than a few sentences of biographical material on Ochagavia online. He was born in Spain and moved at a young age to Argentina. He arrived in the United States Continue reading
John Schoenherr’s cover for the 1964 edition
3.25/5 (Collated rating: Vaguely Good)
I am fascinated by medical-themed science fiction. While my tendencies gravitate towards the more meta-fictional/experimental takes of this theme, for example William Kotzwinkle’s Doctor Rat (1976) and Elizabeth Baines’ The Birth Machine (1983), I wanted expand my horizons by reading earlier incarnations of the subgenre.
Murray Leinster’s Doctor to the Stars (1964) gathers three stories published in the late 50s and early 60s in the Med Series sequence. As a whole, the stories are positivist, pro-peace, anti-big business, pro-science, and pro-service. Our hero Calhoun, Continue reading