Book Review: Of All Possible Worlds, William Tenn (1955)

This collection contains the third post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. After reading today’s installment, I decided to review the entire collection!

Previously: Edmond Hamilton’s “What’s It Like Out There?” in Thrilling Wonder Stories, ed. Samuel Hines (December 1952). You can read the story online here.

Up next: Katherine MacLean’s “Echo” in Infinity One, ed. Robert Hoskins (1970).

Richard Powers’ cover for the 1955 edition

3.25/5 (collated rating: Vaguely Good)

In the early days of my website, I reviewed two volumes by William Tenn–his sole novel Of Men and Monsters (1968) and his collection The Human Angle (1956). Of All Possible Worlds (1955) is his first published collection. The presence of “Down Among the Dead Men” (1954), “The Liberation of Earth” (1953), and “The Custodian” (1953) make this a must purchase (despite the handful of duds that drag down the overall rating) for fans of polished 50s satires in wrecked future worlds. Tenn’s narrators Continue reading

Updates: Recent Science Fiction Purchases No. CCLXV (Brian W. Aldiss, James E. Gunn, Sharon Webb, and a Themed Anthology)

My first purchases of 2021! As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Helliconia Spring, Brian W. Aldiss (1982)

Kinuko Y. Craft’s cover for the 1983 edition

From the back cover: “Imagine a world in a system of twin suns, where Winter is 6000 ice-locked years and every Spring is the first remembered. Imagine a People finding ruined cities beneath the melting snows. Never dreaming they had built them. And would again… Imagine Helliconia. And begin the most magnificent peice since DUNE…”

Initial Thoughts: I love Brian W. Aldiss’ SF–from his iconic generation ship novel Non-Stop (variant title: Starship) (1958) to bizarre experimental works short stories like “Judas Danced” (1958) [which I need to reread!]. I have yet to explore any of of his early 80s SF. I’ve reviewed the following Aldiss works: Continue reading

Short Book Reviews: M. John Harrison’s A Storm of Wings (1980), Algis Budrys’ Some Will Not Die (1961, rev. 1978), and William Greenleaf’s The Tartarus Incident (1983)

James Gurney’s cover art detail for the 1st edition of William Greanleef’s The Tartarus Incident (1983)

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents are a way to get through the stack. Stay tuned for more detailed and analytical reviews.

1. A Storm of Wings, M. John Harrison (1980)

Michael Whelan’s cover for the 1982 edition

4.5/5 (Very Good)

A Storm of Wings (1980) is the second volume, after The Pastel City (1971), of the Viriconium sequence. Far more dense and oblique than its predecessor, A Storm of Wings revels in the creation of a surreal urban tapestry–redolent with decay and decadent excess. Two Reborn Men (Fay Glass and Alstath Fulthor) attempt to animate the somnolent city of Viriconium Continue reading

Short Story Review: Edmond Hamilton’s “What’s It Like Out There?” (1952)

This is the second post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.

Thank you “Friend of the Site” Jennifer Jodell for alerting me to the existence of this gem, our discussion, and for providing a summary  of  Damon Knight’s 1962 introduction.

Previously: Walter M. Miller, Jr.’s “Death of a Spaceman” (variant title: “Memento Homo”) in Amazing Stories, ed. Howard Browne (March 1954). You can read the story online here.

Up Next: William Tenn’s “Down Among the Dead Men” in Galaxy Science Fiction, ed. H. L. Gold (June 1954). You can read it online here.

Walter Popp’s cover for the December 1952 issue

5/5 (Masterpiece)

In the December 1952 issue of Thrilling Wonder Stories, Samuel Hines (the editor) presents “What’s It Like Out There?” as the culmination of Edmond Hamilton’s Phoenix-like evolution from a “primitive period” of writing extravagant pulps to Continue reading

Updates: Recent Science Fiction Purchases No. CCLXIV (Ben Bova, Marjorie Bradley Kellogg, Robert Wilfred Franson, Barry N. Malzberg and Edward L. Ferman edited anthology)

As always which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

Ben Bova (1932-2020) passed away a few weeks ago due to Covid-19 complications (and a stroke) (Tor Remembrance Article). While I haven’t had the best luck with his work, if you have any fond memories of him or reading his SF, let me know in the comments. I purchased his first collection Forward in Time (1973) (below) in his honor.

1. Final Stage: The Ultimate Science Fiction Anthology, ed. Barry N. Mazlberg and Edward L. Ferman (1974)

David Pelham’s cover for the 1975 edition

From the back cover: “Thirteen fantastic new stories on the classic themes of Science Fiction.” See Continue reading

Let’s Solve A Science Fiction Puzzle from the July 1975 issue of The Magazine of Fantasy and Science Fiction, ed. Edward L. Ferman

Let’s solve a SF acrostic from the July 1975 issue of The Magazine of Fantasy and Science Fiction together! Put your answers in the comments. Here is a link to the original. Prove your SFF knowledge 1975 style! (hah)

I’ll get us started. Depending on the level of participation, I’ll update the document as we go.

O. Author of Commune 2000 A.D. = Mack Reynolds

U. He had a rendezvous with a Nebula = Arthur

EDIT: The puzzle has been updated 12/16 (10:28 EST)

EDIT 2: A reader and participant completed the entire puzzle here! Thanks everyone for participating! They also identified errors that the puzzle creator made — they spelled Doris Piserchia’s name as Pischeria (yikes!). 

Continue reading

Short Story Review: Mari Wolf’s “The Statue” (1953)

Anton Kurka’s cover for the January 1953 issue

I thought Mari Wolf’s “The Statue” (1953), a rumination on mortality, might find a home in my series on SF stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. However, due to its overall positivism–despite the blue-collar grit and focus on death–it didn’t fit. I would like to thank “Friend of the Site” Mark Louis Baumgart (see comments) for pointing me towards a new author!


Mari Wolf (1927-), best known for her contributions to fandom including the Fandora’s Box column (1951-1956) in Imagination, published seven short stories between 1952 and 1954, six of which appeared in If. Unfortunately, after her divorce in 1955 from fellow SF author Rog Phillips (1909-1966), she stopped publishing SF. Here is a brief bibliographic blurb on her life, career, and SF endeavors. Ted White Continue reading

Updates: Recent Science Fiction Purchases No. CCLXIII (Elizabeth A. Lynn, Romanian SF Anthology, Eastern European SF Anthology, and Barry N. Malzberg)

As always which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Other Worlds, Other Seas, ed. Darko Suvin (1970)

Paul Lehr’s cover for the 1972 edition

From the back cover: “Darko Suvin was born in Zagreb, Yugoslavia in 1930. An internationally known critic of literature and theater, he is the author of seven books of criticism including POSSIBLE WORLDS—An outline of Science-Fiction and Utopias.

Stanislaw Lem of Poland, author of SOLARIS, is only the most famous of a burgeoning group of Eastern European writers. His contribution to OTHER WORLDS, OTHER SEAS—four brilliant stories—is a treat to his hundreds of thousands of American admirers. But a whole body of first rate s-f is now being produced in the socialist countries by equally gifted writers such as Josef Nesvadba, Anatoliy Dneprov, and Anton Continue reading

Book Review: S.O.S. From Three Worlds, Murray Leinster (1967)

Jack Gaughan’s cover for the 1st edition

4/5 (collated rating: Good)

In times of stress, positivist stories about spacemen devoted to selfless service solving medical crises with their friendly tormals (think furry mobile petri dishes) bring a bit of warmth to my bitter heart. While a medical mystery to be solved with logic and resolve forms the core of each story, Murray Leinster hints at the future history of this decentralized spacescape–a product of chaotic often business-driven expansion.  As limited contact exists between distant colonies, The Interstellar Continue reading