(Ron Walotsky’s cover for the 1970 Ace edition)
I must confess, I generally skip the introductions to anthologies—even if they are written by my favorite authors who happen to be notable anthologists (Judith Merril, Robert Silverberg, Barry N. Malzberg, etc.). While paging through various collections hunting for stories, I encountered Judith Merril’s micro-introduction to her famous New Wave anthology England Swings SF (1968). Here’s a list of the contents.
Although it is spread across three pages, it is only a few lines of text–a poetic beckoning, itself a condensed version of what the New Wave embodied. Merril’s intro as poem demonstrates literary invention, the blend of old (“scout ship”) and new (“heading out of sight into the multiplex mystery of inner/outer space”) images, and references to both high (“surrealism) and pop culture (“Beatles”). Continue reading Fragment(s): The Power of a Good Introduction (Judith Merril’s 1968 New Wave Anthology England Swings SF)