Updates: Recent Science Fiction Acquisitions No. CIV (Yarbro + Priest + Farmer + Malzberg)

Ann Arbor’s Dawn Treader Book Store contains the best used SF collection I have encountered in my perambulations (fortunately, I live far away or else I would empty my bank account).  Prepare for its manifold and manifest joys (multiple parts over the next month or so)!

What a haul!  I have yet to read a Chelsea Quinn Yarbro novel—this one is her most famous work so I look forward to it despite the creepy wolf/man with blood on the cover.  Also, Farmer has somewhat redeemed himself in my eyes with Strange Relations (1960)—thus, the metafictional account of a man who recreates the Burrough’s Tarzan tales sounds like an experimental New Wave SF novel right up my alley.

As does Christopher Priest’s Indoctrinaire (1970)…  I think I will read this one before I tackle Inverted World (1974) that I acquired a while back but never felt like reading.

And, I bought FOUR novels by one of my favorite authors, Barry N. Malzberg—the first is On a Planet Alien (1974).  Will read this one soon.

Thoughts?  Have you read any of the novels?

1. False Dawn, Chelsea Quinn Yarbro (1978) (MY REVIEW)

(Gary Friedman’s cover for the 1978 edition) Continue reading

Guest Post: Catacomb Years, Michael Bishop (1979)

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(Ron Walotsky’s cover for the 1979 edition)

The eighth (!) installment in my Michael Bishop Guest post series comes via my longtime fellow SF blogger/friend (well, multiple years) 2theD (twitter:@SFPotPourri) at PotPourri of Science Fiction Literature.  And this is a darn good linked collection of Bishop stories.

I highly recommend you check out 2theD’s blog, follow him on twitter, peruse his large collection of reviews…

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All cities are built on voiceless narratives

Collated rating: 5/5

Buying Michael Bishop’s Catacomb Years was a wise investment, albeit an impulse buy at the second-hand bookstore. This is the only Bishop novel, or collection, I own. Originally, it was going to stay stacked in my to-be-read pile for 3-4 years in the future (hey, I have a lot of catching up to do in my library) but the alluring cover proved  too much… that and Joachim Boaz manhandled me from 8,700 miles away into reading it for his collection of guest posts on the work of Michael Bishop.

You’d be a dullard if you weren’t initially struck by either the premise or the cover art: As history barrels forward in a the manner of a drunkard, American cities like Atlanta eventually cap themselves in domes under the idea of Preemptive Isolation, only to suffer the pangs of dying from its onset Continue reading

Guest Post: Blooded on Arachne (selections), Michael Bishop (1982)

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(Ron Walotsky’s cover for the 1982 edition)

The seventh installment of my guest post series on the SF of Michael Bishop comes via Carl V. Anderson (twitter: @SteelDroppings) over at the SF/F site Stainless Steel Droppings.  Although he does not often review older SF he was excited to participate in my project.  We decided to split Bishop’s first collection of short stories, Blooded on Arachne (1982).  Although he found a few of the stories rather hit or miss, he was blown away by “In Chinistrex Fortronza the People are Machines” 5/5 among others.  Check out Carl’s worthwhile site (for example, posts on the new Hugo art nominees, Andre Norton reviews etc. etc. etc.)

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Blooded on Arachne (1982)–Michael Bishop

When Joachim Boaz asked me to join a group to guest post about author Michael Bishop, I jumped at the opportunity despite my overwhelming schedule. I had not been doing much short story reading, and the proposition of exploring work from an author I had not read…admittedly don’t recall ever having heard of…excited me. Of course there was more to it than that. Having followed Joachim’s site for several years and knowing his passion Continue reading

Book Review: The Empty People, Barry N. Malzberg (as K. M. O’Donnell) (1969)

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(Howard Winters’ cover for the 1969 edition)

3.5/5 (Good)

“Inspecting a few she found that they were about what she had expected: the science-fiction books seemed to be full of nonsense about extraterrestrials or flights into space, the damnedest silliest stuff imaginable, and the sex part was sheer filth.  There was no question about it; there was no other way to describe those books” (12).

Science fiction as delusion.  More specifically, chapters replete with SF plots with evil aliens with interchangeable names and megalomaniacal claims to power culled straight from the pulps are delusions.  Imagined (perhaps?) by an average American man with “metastases” (14) growing in his brain while a concerned, albeit cheating, normal American housewife waits at his bedside.  The Empty People (1969) is considered Barry N. Malzberg’s (writing at K. M. O’Donnell) first SF novel.  However in the vein of his more famous Herovit’s World (1973), the most convincing interpretation of the novel suggests that the SF elements (purposefully clichéd and vaguely explained) are mere manifestations and torments of a diseased mind.

Originally Malzberg had aspirations to become a playwright and was even awarded multiple university playwright fellowships but was unable to break into the literary market.  Thus, he tried his hand at science fiction in the late 60s with some success (his most famous work would be published in the early 70s).  I would suggest that Malzberg’s palpable frustration writing SF can be found throughout the novel.  In The Empty People pulp science fiction plots, in their most general formulations, serve as instruments of repression Continue reading

Guest Post: A Little Knowledge, Michael Bishop (1977)

(Dean Ellis’ cover for the 1978 edition)

The sixth installment of my The Science Fiction of Michael Bishop guest post series was graciously provided by Heloise over at Heloise Merlin’s Weblog.  She is a long time fan of Michael Bishop’s work and we have engaged in numerous (fruitful) discussions of his work—including whether or not the first version of A Funeral for the Eyes of Fire (1975) is superior to his complete rewrite Eyes of Fire (1980).

Heloise purposefully chose one of Bishop’s lesser known novels.  But, from the review, A Little Knowledge (1977) has been wrongly ignored: “even though [A Little Knowledge] never leaves this single place on Earth, in the end Bishop’s novel manages to give more of a sense of what it means for humans to live in a vast, largely unexplored universe than most novels that are filled with large spaceships and far-future technologies.”

I plan acquiring a copy ASAP.

Visit Heloise’s site! Enjoy!  Comment!

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A Little Knowledge (1977)—Michael Bishop

Michael Bishop’s Urban Nucleus sequence (consisting of the novel A Little Knowledge and the stories collected in Catacomb Years) is unusual among his early works in that it is not an anthropological Science Fiction novel; unlike books like A Funeral for the Eyes of Fire or And Strange at Ecteban the Trees, while reading A Little Knowledge, one is not so much reminded of Ursula K. LeGuin but it rather seems influenced by Philip K. Dick – and not by his largely consensual novels like Ubik or The Man in the High Castle, but his Continue reading

Guest Post: Brighten to Incandescence (selections), Michael Bishop (2003)

(Jamie Bishop’s cover for the 2003 edition)

The fourth installment of my The Science Fiction of Michael Bishop guest post series was written by MPorcius (twitter: @hankbukowsi) at MPorcius Fiction Log—a valued and longtime commentator on my site.  I have procured quite a few books due to his quality reviews which I highly recommend perusing.  Check out his site (especially if you like classic SF)!

Over the course of this series we moved from Michael Bishop’s most well known novella (“Death and Designation Among the Asadi“) to his novels (Brittle Innings, No Enemy but Time) and now to an intriguing collection of lesser known short SF and non-genre stories.

MPorcius decided to only focus on the SF in Brighten to Incandescence but points out that all the stories in the collection are worth reading!

Enjoy!

~~~

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Brighten to Incandescence (2003) — Michael Bishop

Brighten to Incandescence, published by Golden Gryphon Press in 2003, is Michael Bishop’s seventh collection of stories. In the final chapter of the book, a series of notes on the stories, Bishop explains that he and the people at Golden Gryphon initially were thinking of putting out a Best Of volume, then decided to publish a collection of previously uncollected pieces instead. What we have in Brighten to Incandescence, then, are 17 stories, many of which were passed over for inclusion in previous collections for years or even decades; these stories probably do not represent Bishop’s best or most salable work.

Happily, the stories are all worth Continue reading

Guest Post: No Enemy But Time, Michael Bishop (1982)

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(Vincent Di Fate’s cover for the 1983 edition)

The third installment of my Guest Post Series on Michael Bishop’s SF was written by Megan (twitter: @couchtomoon) over at the relatively new but completely worthwhile SF review site From Couch to the Moon.  She’s already put together a substantial list of delightful reviews.  Megan selected Bishop’s single most famous and Nebula award-winning novel, No Enemy But Time (1982)—and sadly, one of few books of his still in print.  Along with Transfigurations (1979), it was republished and selected for the Gollancz Masterwork [list].

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No Enemy But Time (1982) — Michael Bishop

Coming out of Bishop’s 1982 Nebula award winning novel, No Enemy But Time, is like coming out of a time travel trance: the experience is jarring, hazy, and unwelcome. Bishop sweeps the reader into his world—humanity’s distant past—and paints a primitive African landscape dappled with hippos, hyenas, and volcanoes, but lush Continue reading

Guest Post: “Death and Designation Among the Asadi,” Michael Bishop (1973)

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The first installment in my Guest Post Series on The Science Fiction of Michael Bishop was written by Jesse over at the remarkable SF review site Speculiction… Not only is he incredibly prolific (and has a large back catalog of reviews to browse) but his reviews are also a joy to read.  If you are interested in both classic and contemporary SF, and the occasional post on Chinese poetry, make sure to check out his site.

Jesse has previously posted on his site about Bishop’s  “The Samurai in the Willows” (1976) and “Cri de Coeur” (1994).  Both reviews are worth reading.  

“Death and Designation Among the Asadi” (1973) is one of Michael Bishop’s more well known novellas that was nominated for both the Hugo and Nebula in 1974.  It was first published in the magazine Worlds of If January-February 1973, ed. Ejler Jakobsson.  If you are interested in finding a copy the story can be found in multiple later collections and forms the first part of his novel Transfigurations (1979) [listing here].

Enjoy!

~

“Death and Designation Among the Asadi,” Michael Bishop (1973)

The alien is perhaps the most recognized, if not the most used trope of Continue reading

Update: Guest Post Series Announcement, The Science Fiction of Michael Bishop

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Collage of Bishop’s SF covers created by my father

“[Michael Bishop’s] early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux” — John Clute, SF Encyclopedia

Michael Bishop (b. 1945) [official website] is no stranger to critical success for both his novels and short SF: he has won the Nebula Award twice (“The Quickening” and No Enemy But Time) and picked up nine Hugo nominations and an additional thirteen Nebula Nominations.  Two of his more famous novels, No Enemy But Time (1982) and Transfigurations (1979), were selected for inclusion and republication in the Gollancz Masterwork List. Although Bishop has not published a novel since the Hugo-nominated Brittle Innings in 1994, he received a Nebula nomination for his novelette “Vinegar Peace, or, The Wrong-Way Used-Adult Orphanage” (2008) as recently as 2010!

With this in mind it is surprising that his extraordinary talent is not better known within the SF community.  John Clute in his article for SF Encyclopedia argues that “the earnest ardour and rigorousness of Bishop’s fiction has made Continue reading