The following review is the 17th, 18th, and 19th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. Many are far from the best. And that is okay. I relish the act of literary archaeology.
Reinvigorated by the positive response to my last post in my series, I turn now to an author, Alfred Coppel (1921-2004), whom I’ve only infrequently explored. Track down his post-apocalyptic masterpiece, of the “realistic” variety, Dark December (1960) if you haven’t already. As I was in the Coppel reading mood, I included an extra tale on a different theme.
As always, feel free to join the conversation and read along with me on the search for the depressed astronaut.
Previously: John D. MacDonald’s “The Flaw” (1949)
Up Next: Harlan Ellison’s “Psycho at Mid-Point” (1956)

Ed Emshwiller’s cover art for Fantastic Story Magazine, ed. Samuel Mines (Fall 1952)
3.5/5 (Good)
Alfred Coppel’s “The Hunters” first appeared in Fantastic Story Magazine, ed. Samuel Mines (Fall 1952). You can read it online here.
“The Hunters” imagines a world after humanity has voyaged to the stars. Or rather, after humanity figured out that they were not suitable for the stars–a simulacrum of the human was required instead. Felti hides from the hunters–Grancor and Corday–on a “twisted, tortured world that had not died with dignity” (107). An archaeologist by trade who studied the culture that started the exploration of the cosmos, Felti felt the pull of this shattered place despite its “acrid tang of radiation” (107). But he was on the run! The “Psychoanalyzer” required Felti’s reconditioning (107).
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