Author: Joachim Boaz

Short Story Reviews: Carol Emshwiller’s “Baby” (1958), “Idol’s Eye” (1958), and “Pelt” (1958)

/ Joachim Boaz / 29 Comments

I’ve hit gold! Robotic nurses with adult “children.” A blind girl possessed by second sight. And a dog who cannot understand freedom. Here’s the fourth post in my series exploring Carol Emshwiller’s science fiction and fantasy–published between 1955-1979 in genre magazines–in chronological order. And if you missed earlier installments, check out Part I, II, and III.

In this installment, I have the first that I can confidently declare a 1950s masterpiece–“Pelt” (1958). If you want to participate in my explorations, links to the stories can be found below.

As always, feel free to join the conversation!

Her next three stories are covered in Part V.

  • Ed Emshwiller’s cover art for The Magazine of Fantasy and Science Fiction (February 1958)

“Baby” in The Magazine of Fantasy and Science Fiction (February 1958), ed. Anthony Boucher. 4/5 (Good). You can read it online here.

Raised by a robotic nurse, Baby, “six feet tall, lean, [with] the look of a hungry hunting animal,” encounters a slowly decaying world unable to provide his needs (115). Baby’s simulacra parent, and to a lesser degree Rob the repair robot, parrot the language, actions, and intentions of humans. He detects an emptiness to the space behind their words and increasing inability to explain the mechanical breakdowns that are never fixed. Saying “please” no longer works (116) but rather makes him angry. Nurse, with her “soft mother-arms” and “specially built place at her breast,” continues to follow her programming and treat Baby as if he were a child (118).

Continue reading →

Adventures in Science Fiction Cover Art: Ferruccio Alessandri’s Insectoid Visages and Other Nightmares

/ Joachim Boaz / 10 Comments
  • Cover for Galassia #122 (1970). Contains Samuel R. Delany’s The Ballad of Beta-2 (1965) and three short stories by Italian authors (Sergio Ostuni, Ivo Silvestri, and Lorenzo Iacobellis)

Italian artist, author, translator, and comic book critic Ferruccio Alessandri (1935-) created twenty-two covers for the Italian SF magazine Galassia (most of the issues between #109-132) in 1970. Galassia magazine was instrumental in introducing Italian audiences to the New Wave movement. Issues often contained both translations of popular English language authors and original Italian short stories and experimental visions.

As a unit, Alessandri’s covers convey a terrifying hellscape of insectoid visages (#122, #110, #128, #130), encounters with the surreal (#115), the oddly humanoid shapes (#119, #114, #116, #127), etc. Like searing flashes of a planet bathed under neon light, they are micro windows into the wonderscape of science fiction. While his Galassia covers are unconnected to the contents of the issues (to the best of my knowledge), I find their cumulative effect unsettling and alien.

Continue reading →

Updates: Recent Science Fiction Purchases No. CCLXXVI (Philip José Farmer, Barbara Paul, Knut Faldbakken, and Ward Moore)

/ Joachim Boaz / 14 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Father to the Stars, Philip José Farmer (1981)

  • Janny Wurtz’ cover for the 1st edition

From the back cover: “John Carmody has no ethics, no morals and no conscience. Until he takes the Chance on Dante’s Joy, living through seven nights of wildest fantasies come true, he can’t even imagine why anyone would want a conscience. But Dante’s Joy is a truly strange place–and the phone calls from his murdered wife are only the beginning of his strange experiences.

Continue reading →

Book Review: Twilight Country, Knut Faldbakken (1974, trans. Joan Tate, 1993)

/ Joachim Boaz / 16 Comments
  • Iain Stuart’s cover for the 1993 edition

4.75/5 (Near Masterpiece)

In 1968, the moody Canadian psychedelic pop group The Poppy Family released “Of Cities and Escapes,” a haunting song of urban emptiness. The song’s narrator intones: “I live in a one-room apartment, with windows on one side / I stare through the glass ‘cross the water, to where the big, ugly city lies.” In the second verse, later sampled by Deltron 3030 on “Madness” (2000), the narrator cannot escape the death spiral: “I’m caught in the grip of the city, madness and smog.” Twilight City (1974, trans. Joan Tate, 1993), by Norwegian novelist Knut Faldbakken (1941-), delves into a similar dystopian urban gloom. The refugees of a decaying city dust off the entangling membranes of lost paths and the weight of melancholy souls and attempt to chart a new beginning in the city dump.

Brief Plot Summary/Analysis

In an unnamed country, the metropolis of Sweetwater–“an eruption of urban geography” (2) possessed by an “ever-growing urban sprawl” (23)–suffers under the effects of global warming, industrialization, and malignant societal decay.

Continue reading →

Book Review: Alternities, ed. David Gerrold and Stephen Goldin (1974) (Malzberg, McIntyre, Bunch, Bear, Sallis, et al.)

/ Joachim Boaz / 12 Comments
  • Robert Fosters’ cover for the 1st edition

2.5/5 (collated rating: Bad)

David Gerrold and his associate editor Stephen Goldin collect a bizarre range of SF oddities including an epistolary nightmare from Vonda N. McIntyre’s pen and a one-sentence “sign” by Duane Ackerman. Gerrold argues that he wants “science fiction to be fun again” without “literary inbreeding and incestuous navel-studying” (8). With a more than pungent hint of hypocrisy, he spouts “I’m tired of the kind of bullshitting that creates false images in the readers’ minds” (8). Alternities (1974) reads like the cast off stories from a New Wave (i.e. deliberately literary) Judith Merril or Harlan Ellison anthology with heavy dose of erotic comedy and shock value. A few–including E. Michael Blake’s “The Legend of Lonnie and the Seven-Ten Split,” Vonda N. McIntyre’s “Recourse, Inc.,” and Edward Bryant’s “Cowboys, Indians”–rise above the dross.

To be clear, I enjoy devouring anthologies like Alternities. The stories are originals and few are anthologized elsewhere. I adore reading authors I wouldn’t otherwise encounter (Robert Wissner, E. Michael Blake, et al.). Gerrold’s nonsense of an introduction aside, the anthology with its deliberate attempts at the “literary” (Greg Bear’s “Webster” and James Sallis’ “The First Few Kinds of Truth”) and “edgy” (Steven Utley’s “Womb, with a View”) firmly fit in the passing mid-70s foam of the New Wave movement.

Continue reading →

Recent Science Fiction Purchases No. CCLXXV (Tanith Lee, Anthony Boucher, Jack Womack, and Alexander Cordell)

/ Joachim Boaz / 31 Comments

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Ambient, Jack Womack (1987)

  • Peter Jones’ cover for the 1989 edition

From the back cover: “Twenty-first century New York. It’s a nightmare. Reaganomics has gone mad: there’s murder and mutilation on the bombed-out streets, and in the corporate conference rooms. Manhattan is a zoo. There’s guerilla war on Long Island. You’ll need to be rich to survive at all, and it’s easier to be dead than poor.

Seamus O’Malley is a bodyguard and assassin in the outrageously powerful Dryco organization, and he’s in deep trouble. Taking the job sounded like a good idea at the time.

Falling in love with his employer’s mistress Avalon, probably wasn’t so bright. Getting caught up in the Dryden family’s crazy, lethal rivalries didn’t help. Agreeing to murder the Old man was plain stupid. And being involved with the Ambient only complicated matters further. Before long O’Malley’s on the run, and there’s nowhere safe to hide. ‘Ready to kill, Shameless?’ Avalon said. ‘Ready to die.’

Continue reading →

Book Review: First Step Outward, ed. Robert Hoskins (1969) (Asimov, Silverberg, Sturgeon, Heinlein, et al.)

/ Joachim Boaz / 22 Comments
  • John Berkey’s cover for the 1st edition

3.25/5 (collated rating: Vaguely Good)

Published a few months before the Apollo 11 mission to the moon, Robert Hoskins’ anthology First Step Outward (1969) charts an imagined future history of humanity’s exploration of the galaxy. The stories, gathered from some of the big names of the day (Robert Heinlein, Robert Silverberg, Theodore Sturgeon, Isaac Asimov, Poul Anderson, etc.), are grouped as if part of the same future with headings such as “To the Planets” and “To the Stars.” As with most anthologies, this contains a range of gems (such as Sturgeon’s “The Man Who Lost the Sea”) and duds (Ross Rocklynne’s “Jaywalker”).

I’ve previously reviewed five of the thirteen stories in their own posts–linked for easy consultation.

Brief Plot Summary/Analysis

“Cold War” (1949), Kris Neville, 3/5 (Average): Previously reviewed in its own post here.

“Third Stage” (1963), Poul Anderson, 3.5/5 (Good): Previously reviewed in its own post here.

“Gentlemen, Be Seated!” (1948), Robert A. Heinlein, 2.75/5 (Vaguely Average): My first return to Robert A. Heinlein in around a decade is exactly like I thought it would be–thoroughly disappointing. Yes, yes, yes, I know this is far from what he was capable of. The number of reprints this misfire of a story receives mystifies (it appeared in the regularly reprinted The Green Hills of Earth and The Past Through Tomorrow).

Continue reading →

Short Story Reviews: Carol Emshwiller’s “The Coming” (1957), “You’ll Feel Better…” (1957), and “Two-Step for Six Legs” (1957)

/ Joachim Boaz / 7 Comments

Here is another post in my series exploring Carol Emshwiller’s science fiction and fantasy–published between 1955-1979 in genre magazines–in chronological order. And if you missed earlier installments, check out Part I and II.

I found Emshwiller’s next three science fiction stories, including the first in her new long-term home The Magazine of Fantasy and Science Fiction, polished fables utilizing standard genre tropes (alien mating rituals, a mysterious stranger, etc.) to highlight humanity’s encounter with itself in idiosyncratic and grim ways.

However, this batch presents a bit of a lull in overall quality. These are probably only recommended for Emshwiller completists like myself or fans of off-kilter 50s parables. The next post will contain one of her best known works of the 50s–“Pelt” (1958). I look forward to Part IV.

For those curious why I am conducting this series, check out my review of the intense power that is “Animal” (1968) (the best story of hers I’ve read so far).

As always, feel free to join the conversation!

Her next three stories are covered in Part IV.

  • Frank Kelly Freas’ cover for The Magazine of Fantasy and Science Fiction (May 1957)

“The Coming” in The Magazine of Fantasy and Science Fiction (May 1957), ed. Anthony Boucher. 3.5/5 (Good). You can read it online here.

A mysterious stranger, “stick thin, and he walked as as scarecrow might walk” (102), comes into town like someone in a trance, his “lips parted, eyes half closed, head thrown back” (102). On cue, a young girl named Nina with her homework spread before her, slips into the same trance-like state. Her mom threatens “if you don’t keep your mind on your work you’ll be set back again this year” (103). But something about the stranger, the unknown, and the other world in which he seems to inhabit free from all care or obligation beckons.

Continue reading →

Updates: Recent Science Fiction Purchases No. CCLXXIV (Suzette Haden Elgin, Paul Cook, Herbert W. Franke, Charles Eric Maine)

/ Joachim Boaz / 7 Comments

    As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

    1. Furthest, Suzette Haden Elgin (1971) (MY REVIEW)

    • Diane and Leo Dillon’s cover for the 1st edition

    From the back cover: “Coyote Jones, agent for the Tri-Galactic Intelligence Service, had been sent to a planet so unimaginably distant from the rest of the Federation that it bore the descriptive name Furthest. His mission: to find out why the total body of data about Furthest showed the world’s inhabitants to be absolutely average down to the last decimal place. That data had to be false.

    Jones was permitted to live on the planet, but the natives were so wary of him that he could uncover nothing—until he chanced into a personal crisis faced by his young Furthest assistant. The boy’s sister had been sentenced to Erasure, and he wanted Coyote Jones to take the fugitive girl in and hide her.

    Continue reading →