Updates: Recent Science Fiction Acquisitions No. LXXV (Heinlein + Sheckley + Anderson + Zebrowski)

A fun bunch of thrift store finds and gifts….  I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).

I know very little about George Zebrowski’s novels.  So, I’ll approach The Omega Point (1972) with a tad bit trepidation.  Has anyone read him?  If so, what do you think?

I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.

And another Anderson classic….

1. Immortality, Inc., Robert Sheckley (1958) (MY REVIEW)

(Uncredited — brilliant — cover for the 1959 edition) Continue reading

Adventures in Science Fiction Cover Art: The City as Canvas, Part I

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(Richard Powers’ cover for the 1969 edition of Cosmic Engineers (1939), Clifford D. Simak)

The theme of this post is the future metropolis as canvas where the entire surface of the cover is arrayed and ordered by the forms and forces of the city.    The city as a matrix that holds the scene unfolding amongst its spires…  Richard Powers’ masterful cover for the 1969 edition of Cosmic Engineers is the perfect example.  The mass of the buildings arch, indistinct, upward — causeways and platforms amongst the cityscape hold faceless humanoid forms that “look” Continue reading

Book Review: The Human Angle, William Tenn (1956)

(Richard Powers’ cover for the 1964 edition)

3.75/5 (collated rating: Good)

I’ve been in a 50s SF short story craze of late, devouring collections by Robert Silverberg (Godling, Go Home!), Walter M. Miller, Jr. (The View From the Stars), Fritz Leiber (A Pail of Air), Lester Del Rey (Mortals and Monsters), and a few Robert Sheckley volumes a few months before. Fresh off of William Tenn’s solid novel Of Men and Monsters (1968) I went into The Human Angle (1956) (containing three novelettes and five short stories predominately from the 50s) with high expectations.  Despite the handful of duds — “The Human Angle” (1948), “Project Hush” (1954) and “The Discovery of Morniel Mathaway” (1955) —  that tend to creep into most collections of shorts, the majority were characterized by sardonic brilliance.

Although not as biting as his august contemporaries Robert Sheckley and C. M. Kornbluth, Tenn’s visions are delightfully humorous and ironic.  It’s worth getting your Continue reading

Adventures in Science Fiction Cover Art: The Vaguely Defined Looming Man Shape

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(John Richards’ cover for the 1961 edition of Earth Abides (1949), George R. Stewart)

Note: if anyone can identify the artist for the first three downright spectacular covers I’d be very very happy.  I’m positive that they match stylistically (the vague human shape, the cityscape, the brush strokes, the textures).  Two of the three covers were made for Signet press and all three are from the early 1960s.  I suspect if I perused the covers from the Signet catalogue from that era I’d find even more….  Perhaps it’s the work of Sanford Kossin?  He was producing covers for Signet around the same time.  Solved: The cover artist is John Richard.

And now The Vaguely Defined Looming Man Shape Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXIV (Malzberg + Geston + Anthony + Barjavel)

Part 5 of 5 acquisitions posts covering my haul from Dawn Treader Books in Ann Arbor, Michigan.  I’ve saved some good ones for the end — namely, Mark S. Geston’s Out of the Mouth of the Dragon (1969).  I’ve previously reviewed his first novel — Lords of the Starship (1967) — which was a relentlessly dark vision that showed great promise.  Besides the work of Stanislaw Lem, I know very little about non-English language SF so I snatched up a copy of Rene Barjavel’s Future Times Three (1944).  According to some critics, his treatment of time travel proved profoundly influential.

The other two novels are somewhat bigger risks.  Brian N. Malzberg’s The Empty People (1969), written under his pseudonym K. M. O’Donnell, is one of his first SF novels and supposedly quite average.  And, Piers Anthony’s Macroscope (1969) strikes me as a rather bloated, pseudo-spiritual, New Wave extravaganza (but not in a good way) — we’ll just have to see.

Thoughts?

1. Out of the Mouth of the Dragon, Mark S. Geston (1969)

(John Schoenherr’s cover for the 1969 edition) Continue reading

Adventures in Science Fiction Cover Art: Crashed Spaceships, Part II

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(Earle Bergey’s cover for the February 1953 issue of Science Fiction Adventures, ed. Philip St. John — i.e. Lester del Rey)

Make sure to take a peek at Part I if you haven’t already.

Crashed spaceships!  Our heroes forced to trek across desolate landscapes, fight giant robots, and evil aliens….  Or, aliens stumble from the wreckage of their flying saucers — unusual green matter emanates while the flames reach ever upward.  I suspect that if I were a kid in the era of pulp SF magazines I would have snatched everyone with a crashed spaceship regardless of the often dubious contents.

I am generally no fan of Kelly Freas but his cover for the July 1957 issue of Science Fiction Stories, is one of my favorite action/adventure type SF covers.  Unusual aliens on the back of a massive turtle alien swimming through lava Continue reading

Adventures in Science Fiction Art: Spacewomen of the Future (flying spaceships + exploring alien landscapes + delivering galactic mail), Part II

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(Ed Emshwiller’s cover for the February 1953 issue of Space Stories, ed. Samuel Mines)

Part II of my Spacewomen of the Future series — Part I.

In my first installment I discussed the stereotype of the 40s/50s SF pulp heroine — for example, she shrieks at the evil alien while the man has to rescue her or despite her education, she spends her time serving the men coffee on the spaceship (there’s a cringeworthy scene along these lines in It! The Terror From Beyond Space (1958), dir. Edward L. Cahn).  Hopefully these cover art depictions will complicate the stereotype.  Of course, I have not read all the contents of magazines/novels bellow so I can not speak for the portrayals within the texts.  In the stories they could potentially be astronauts in the service, scientists, civilian love interests, colonists, partners of the male astronauts, etc…

I have somewhat arbitrarily decided for thematic reasons that “Spacewomen”  is a woman in a space uniform of the future or Continue reading

Adventures in Science Fiction Cover Art: Futuristic Telescopes and Radar Dishes

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(Brian Lewis’ cover for the July 1960 edition of New Worlds Science Fiction)

Brian Lewis’ fantastic cover for the July 1960 edition of New Worlds Science Fiction (if there’s a single magazine I desperately want to collect it’s this one…) depicts a futuristic radar dish (alien or human?) with a surrealist touch.  I’ve included a wide range of different SF takes on radar dishes and telescopes – including what I assume is a Hubble-like space telescope on A. Leslie Ross’ cover for the July 1952 issue of Future Science Fiction.  But there’s a chance that Ross’ telescope is on the Earth’s surface — the cluttered, confused, and rather hasty cover is rather hard to figure out (evil string creatures?).

The futuristic telescope (or radar dish) is a tantalizing image of humankind Continue reading

Adventures in Science Fiction Cover Art: The Statue of Liberty on Pre-1968 Magazine and Novel Covers, Part II

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(Richard Weaver’s cover for the 1968 edition of The Monitors (1966), Keith Laumer)

Here’s an evocative collection of SF Statue of Liberty covers from before and after WWII…

Make sure to take a peek at Part I if you have not already. In Part I, I discussed the rationale for my dating restriction i.e. covers on the theme published pre-1968.  After Franklin J. Schaffner’s movie Planet of the Apes (1968) became a cultural phenomena, multiple covers paid homage to the famous scene in the film.  Hopefully, by examining the ten covers I’ve found depicting the Statue of Liberty from before the movie was released — often in scenes similar to the iconic one in Planet of the Apes (Part I contains a comparison) — the purposeful reference to earlier magazine art is clear…

The Statue of Liberty was not only deployed in some post-apocalyptical Continue reading