(Mitchell Hooks’ cover for the 1962 edition)
4.25/5 (collated rating: Good)
James E. Gunn’s The Immortals (1962) is less about the lives and mental state of the eponymous humans “blessed” with immortality (a fascinating topic in itself) and more about the ramifications of their existence on the rest of society not “blessed” with such genetic structures. Their presence exacerbates the problems of an already dystopically tinged world where medical care is increasingly the domain of the ultra wealthy. With the knowledge that a random genetic mutation has created a bloodline whose members are immortal, society is all too eager to root them out and (literally) bleed them dry. Living longer — achieved by whatever means — becomes the single-minded desire of all. Most of humanity is oblivious to the festering (and carcinogenic) Continue reading







