1950s

Updates: Recent Science Fiction Acquisitions XXXIII (Delany + Wyndham + Sturgeon + Knight + Ellison)

/ Joachim Boaz / 13 Comments

My last batch of the summer from Austin, TX — as always a nice haul.  Unfortunately, I’m back home in a rather lackluster state for acquiring sci-fi.  Henceforth, amazon/abebooks it shall be!

Still haven’t tackled a Sturgeon collection yet — now I have three unread ones sitting in my to read stack.  I also added Delany’s first published novel, The Jewels of Aptor (1962), to my collection.  And some Ellison stories…  And three short novels (in one collection) by Damon Knight of whom I have a rather dubious opinion (see Beyond the Barrier).

Most importantly, another Wyndham novel (still haven’t read The Day of the Triffids which I’ve had for years and years and years).

1.  A Way Home, Theodore Sturgeon (1956) (MY REVIEW)

(Mel Hunter’s cover for the 1956 edition)

Continue reading →

Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds

/ Joachim Boaz / 13 Comments

(Ed Valigursky’s cover for the 1957 edition of Doomsday Eve (1957). Robert Moore Williams)

The nuclear scare produced some of the best dystopic visions ever put to paper — the devastation would be utter, complete, and the radiation, oh what fun science fiction authors and filmakers had with the effects of radiation.  A red spectrum! Mutations! Hybrid bug people!  Godzilla!  Women with two heads!  An endless assortments of monsters…  I’ve selected a wide range of covers depicting the actual nuclear explosion — not the after effects.  Families gaze from caves in dispair, watching the bomb incinerate their world.  People run helter-skelter away from the explosion.  Or, artists take a more stylized approach to the explosion — figures are cast upward amongst the wreckage of buildings. Continue reading →

Adventures in Science Fiction Cover Art: Spaceships Under Construction

/ Joachim Boaz / 11 Comments

(James B. Settles’ cover for the October 1948 issue of Amazing Stories)

A spaceship rearing from the plain, scaffolding surrounds its lithe form…  A classic image (the new Star Trek movie for example)!  Often utilizing a very traditional science fiction trope which I’ve dubbed Rocket Field Figure, cover art concerning spaceship construction is often more stylized than realistic.  My favorite is Carlo Jacono’s cover for the Italian edition of The Stars are Ours (1954).  I’m not sure that he is actually the artist due to the fact that MANY foreign editions use the work of American or British artists  modified slightly (this is not a hard fast rule, the work Continue reading →

Adventures in Science Fiction Cover Art: Disembodied Brains, Part I

/ Joachim Boaz / 5 Comments

(Gerard Quinn’s cover for the December 1956 issue of New Worlds)

Disembodied brains — in large metal womb-like containers, floating in space or levitating in the air (you know, implying PSYCHIC POWER), pulsating in glass chambers, planets with brain-like undulations, pasted in the sky (GOD!, surprise) above the Garden of Eden replete with mechanical contrivances among the flowers and butterflies and naked people… The possibilities are endless, and more often than not, taken in rather absurd directions.

I’ve cobbled together a large variety of images from pulp magazines to covers from the late 70s.  My favorites include Valigrusky’s Continue reading →

Updates: Recent Science Fiction Acquisitions No. XXXI (Dick + Zelazny + Tucker + Smith)

/ Joachim Boaz / 10 Comments

Another wonderful assortment (some from Central Texas bookstores, some from my father as presents, some semi-forgotten works from a few months ago that I forgot to post about)…  Regardless, I’m almost finished Zelazny’s Jack of Shadows (1971) and am quite impressed (I loved This Immortal and Lord of Light).  Another PKD, Dr. Bloodmoney or How We Got Along After the Bomb (1965),  swells my already extensive collection of his novels and short story collections — again, the premise is vintage PKD surrealism (girl with twin brother growing inside of her in a post-apocalyptical wasteland).  I bought the Wilson Tucker novel, Tomorrow Plus X (1956), because of the gorgeous Richard Powers cover…  A few of his works are supposedly readable, but this one is probably justly forgotten.  The Cordwainer Smith collection, Space Lords (1965), will be my first exposure to his work — very excited!  Now that I think about it, I do have a copy of Norstrilia (1975) languishing somewhere.

Enjoy!

1. Jack of Shadows, Roger Zelazny (1971)

(Robert Pepper’s cover for the 1972 Continue reading →

Adventures in Science Fiction Cover Art: Ice-Covered Cities

/ Joachim Boaz / 10 Comments

(Uncredited cover for the 1959 edition of We Who Survived (1959), Sterling Noel)

One of many ways science fiction authors speculate about the end (or beginning of the end/or an apocalyptic hurdle) of the human race is the coming of an Ice Age.  Such an occurrence (induced by us or the arrival of a natural cycle) would cover our cities with layers of ice — conjure the disturbing images from Gilliam’s film 12 Monkeys (1985) or Roland Emmerich’s egregious The Day After Tomorrow (2004) — forcing us to evacuate to the more inhabitable zones.  Those left behind might eek out an existence, revert to a primitive state, or die out completely…

I have a review for John Christopher’s The Long Winter (1962) in the works — Continue reading →

Adventures in Science Fiction Cover Art: Scenes from the Control Room

/ Joachim Boaz / 10 Comments

(Malcolm Smith’s cover for the October 1953 issue of Imagination)

Inspired by some of the cover art I found for my earlier post Through the View Screen, Through the Window, I decided to focus on the image of gazing from within the control room of a spaceship (either at objects within or scenes outside the view screens).  The trope is extraordinarily effective at conveying the action of a story: the unfolding canvas of an epic battle, the tension of charting a course through the stars and nefarious nebulae, the destruction of cities, the last glance at a beautiful astronaut adrift, or even, Earth within grasp!

I’ve tried not to be redundant in the covers I use — with this Continue reading →

Updates: Recent Science Fiction Acquisitions No. XXX (Christopher + Benford + Shaw + Frank + et al.)

/ Joachim Boaz / 16 Comments

My second batch of books from my youthful haunt (Austin, TX) is equally as varied and intriguing as the first.  I’m most interested in Pat Frank’s famous late 50s classic Alas, Babylon. Yes, a sci-fi fan like me should have read it a LONG time ago.  John Christopher’s The Long Winter (1962) should also prove a worthwhile read — an ice age hits Earth and the English main characters flee to Africa.  Shaw’s Orbitsville (1975) is the the vein of Larry Niven’s more famous Ringworld (1970) and Arthur C. Clarke’s classic Rendezvous with Rama (1972) — explorers encountering unusual alien worlds (in this case, a dyson sphere).

As always, a few stunning covers…  My favorite of the bunch is John Schoenherr’s cover for Mark Phillips’ Brain Twister (1962)…

Enjoy!  If you’ve read any of the novels few free to comment.  I’ve not read any of Benford, Frank, Mark Phillips (pseudonym for Laurence Janifer and Randall Garrett) or Platt’s works before.

1. In The Ocean of Night, Gregory Benford (1977)

(Larry Kresek’s cover for the 1977 edition) Continue reading →

Book Review: Station in Space, James Gunn (1958)

/ Joachim Boaz / 21 Comments

(Walter Murch and Jerry Powell’s cover for the 1958 edition)

collated rating: 3.75/5 (Good)

James Gunn’s Station in Space (1958) is an interconnected series of stories that form a cohesive chronologically organized whole tracking the development of human exploration into space (Earth –> first space flight –> first space station –> second space station –> Mars).  Because multiple characters reappear in later stories and the earlier events all have a direct bearing the work must be read in order.  The result is more a loose form novel than short story collection.

The most intriguing aspect of Gunn’s stories is the careful demystification of the glamor of space travel.  Many of the works begin like a juvenile à la Heinlein or Blish where space travel is fun and rosy and easy as picking corn before Gunn’s brutal realist streak seeps in and overwhelms the pages. I suspect that Continue reading →