1950s

Adventures in Science Fiction Cover Art: The Statue of Liberty on Pre-1968 Magazine and Novel Covers

/ Joachim Boaz / 27 Comments

pota-statue-of-liberty-2.jpeg

(Still from the 1968 film Planet of the Apes, dir. Franklin J. Schaffner)

For more covers on the same theme see Part II

I suspect that virtually all science fiction fans and film cineastes recall the vivid sequence near the end of the 1968 film Planet of the Apes where the Statue of Liberty lies half-buried in the sands.  Franklin J. Schaffner’s film draws on a rich tradition in pulp science fiction cover art.  I’ve included six cover from 1941-1965, all before the film was released, that depict the Statue of Liberty submerged by apocalyptical floods and excavated by future spacemen.  I have a large catalogue of covers that show various landmarks destroyed by mechanical monsters, ogled at by aliens, and wrecked by a variety of world ending disasters.  The Hollywood penchant for destroying as many national landmarks as possible in movies is deeply rooted in existing visual traditions.

My favorite is by far Blanchard’s (does anyone know his full name) cover for the 1959 edition of John Bowen’s After The Rain (1958).  The dark skies, the stormy waters reaching up to her nose, the survivors of the flood perched near the flame, the boats and roofs of houses floating about, perfectly evoke the extent of the disaster — and, “elements gone wild!”

Enjoy!

(if I’ve missed any pre-1968 covers please let me know.  I know that there are multiple later covers but they might be purposefully referencing Planet of the Apes)

(Blanchard’s cover for the 1959 edition of After The Rain (1958), John Bowen) Continue reading →

Updates: Recent Science Fiction Acquisitions N. XXXIX (Priest + Brunner + Crowley + Wallace + Duncan)

/ Joachim Boaz / 14 Comments

Ah, what a delightful group! A few from my father, a few from Marx books which I hadn’t posted yet….  Priest and Crowley’s novels involve fascinating worldscapes — a world winched across the horizon, a world at the top of a pillar…  Both are considered among the better stylists in science fiction and fantasy.

And, my 22nd (?) Brunner novel!  The Stone That Never Came Down (1973) — from his glory period of the late 60s-early 70s (this period produced Stand on Zanzibar, The Sheep Look Up, Shockwave Rider, The Jagged Orbit).

And two more impulsive finds — Ian Wallace’s Croyd (1967) — a reader claimed it was one of the best sci-fi novels of the 60s, and thus due to my intense curiosity, I had to find a copy.  And Dark Dominion (1954), I know little about David Duncan — he wrote only three sci-fi novels in the 50s.  His work is described by SF encyclopedia as “quietly eloquent, inherently memorable, worth remarking upon.”

And the covers!

1. The Inverted World, Christopher Priest (1974)

(Jack Fargasso’s cover for the 1975 edition) Continue reading →

Book Review: The Joy Makers, James Gunn (1961, magazine publication 1955)

/ Joachim Boaz / 8 Comments

(William Hofmann’s cover for the 1961 edition)

4.25/5 (collated rating: Good)

The three parts of James Gunn’s fix-up novel The Joy Makers (1961) were originally published in magazine form in 1955 as ‘Name Your Pleasure,’ ‘The Naked Sky’, and ‘The Unhappy Man.’  I have not read the originals so I’m unsure of how much was added or subtracted or completely re-conceptualized.  Largely a satire — Gunn pushes his point to the logical, and terrifying extreme — each part is a further chronological progression of a society whose chief aim is to make people happy.  It is hard not to read Part I as a satirical take on some aspects of Scientology,  a movement that was gaining force in the early 1950s.

Because each part is only linked thematically to the others

Continue reading →

Adventures in Science Fiction Cover Art: Spacewomen of the Future (fixing spaceships + fighting aliens + charging across barren landscapes)

/ Joachim Boaz / 30 Comments

(Don Sibley’s cover for the November 1950 issue of Galaxy)

When we conjure the image of a 40s/50s science fiction pulp heroine we often imagine a character who has to be rescued by men from aliens, shrieks and clings to any man nearby, and is always in a state of undress.  I’ve included one cover, for the sake of comparison, that I find to be an exemplar of this type of sexist (and racist) depiction below (Alex Schomburg’s cover for the January 1954 issue of Future Science Fiction): white woman wrapped in only a towel stalked by an evil alien obviously painted with African-American facial characteristics (heavy on the sexual predation vibe) — the reader is supposed to buy into the racial stereotypes and thus be titillated by the fear she must feel.

I’ve selected a wide range of mostly pulp magazine covers depicting spacewomen of the future (I’ve loosely decided that this means women in space, in spacesuits) that tend to buck the trend Continue reading →

Updates: Recent Acquisitions N. XXXVII (del Rey + Geston + Saxton + Gunn)

/ Joachim Boaz / 13 Comments

A wonderful selection of Marx Book purchases….  All of them are high on my to read list!  I hadn’t heard of Josephine Saxton — she’s considered an inventive sf fabulist — until I read a review of her novel Vector for Seven (1970) on SF Mistressworks, a review collating blog which I highly recommend for any fan of science fiction.  There are so many great works by female sci-fi authors out there waiting to be rediscovered on dusty used bookstore shelves….

I enjoyed James Gunn’s Station in Space (1958), a thematically linked short story collection depicting mankind’s first steps into space, so I picked up a copy of one of his better known fix-up novels, The Joy Makers (1961).

I adore sci-fi novels on overpopulation so Lester del Rey’s The Eleventh Commandment (1962) was a given…

And, well, the incredibly alluring description on the back cover of Mark S. Geston’s Lords of the Starship (1967) speaks for itself…

1. The Hieros Gamos of Sam And An Smith, Josephine Saxton (1969) (MY REVIEW)

(Jack Fargasso’s cover for the 1969 edition) Continue reading →

Adventures in Science Fiction Cover Art: Inside the Skull (rats + women + sword fights + robotic circuits + space)

/ Joachim Boaz / 33 Comments

(Ebel’s cover for the 1953 issue of Space Science Fiction)

Previous art explorations which looked at disembodied brains and visualizations of the ultra-intelligent set the stage for this post.  Imagine skulls without brains: sometimes metaphorically, but often, literally hollow skull cavities that hold a vast array of mechanical devies and living captives.  Or, the reader is gifted a voyeuristic peek into the skulls of bodies masquerading as humans but in reality, a mesh of circuits or a metal sheen operates those beautiful limbs and terrifying weapons….

My favorite is by far the pulp goodness of Ebel’s cover (if anyone knows the full name of this artist please let me know) for the 1953 issue of Space Science Fiction.  The gorgeous heroine is held captive in gigantic stone heads with partially glass skulls — a robot that fails to conjure any menace stomps Continue reading →

Book Review: Revelations, Barry N. Malzberg (1972)

/ Joachim Boaz / 10 Comments

(Michael Presley’s cover for the 1977 edition)

5/5 (Masterpiece)

Revelations (1972) is the second in a thematically linked group of Malzberg’s novels — published in-between its siblings, The Falling Astronauts (1971) and Beyond Apollo (1972) (from now on BA).  Each deals with insane astronauts, and in Malzberg’s own words, “sexual dysfunction as representing the necessary loss of energy of the machine age,” and each contains a character desperately attempting to speak out.  But, as with most of Malzberg’s novels, it is unclear whether there is truth in these cries.

Revelations is less rigorously structured than BA, which was characterized by 67 short tellings/retellings/scenes/dream moments all from the perspective of a single insane character.  As with BA, our anti-hero is an unreliable narrator, but due to the variety of diaristic, epistolary, and interrogatory fragments that comprise  Continue reading →

Updates: Recent Science Fiction Acquisitions XXXV (Malzberg + Compton + Silverberg)

/ Joachim Boaz / 7 Comments

Books and short story collections from three of my favorite science fiction authors — Barry N. Malzberg, D. G. Compton, and Robert Silverberg…  A review of Malzberg’s masterpiece Revelations (1972) — almost as good as Beyond Apollo (1972) — is forthcoming.

I’ve recently discovered Marx Books — an online bookstore run by a retired professor (at Texas Tech University) and avid science fiction collector.  His collection is substantial and most importantly, he only bills you for the exact shipping (not sure if he ships internationally).  So, no $3.99 a book as Amazon does!  Instead, $3 shipping total for seven books!  Because Malzberg novels, and his short story collections, are so hard to find in used book stores it’s always nice to know I can pick up a copy quite cheaply online.

Another Richard Powers cover for my collection….

1. Revelations, Barry N. Malzberg (1972) (MY REVIEW)

(Uncredited cover for the 1972 edition)

From the back cover of the 1977 edition: “REVELATIONS is Continue reading →

Adventures in Science Fiction Cover Art: Alien Friends

/ Joachim Boaz / 14 Comments

(H. W. Wesso’s June 1941 issue of Thrilling Wonder Stories)

In science fiction aliens are usually evil and generally end up dead — killed by our human heroes via pseudo-videogames (Ender’s Game), guns of endless variety, nuclear weapons detonated on their home worlds, horrific  diseases (Deep Space Nine), tossed into the vacuum of space, tossed into wormholes, etc etc.  They are rarely “humanized” — their families, societies, and history ignored by their human enemies — they are often depicted as “true” evil.  I’ve included the above cover, shooting aliens under the American flag (it is a wartime 40s issue so such overt jingoism is explainable), in order to highlight the attitude towards space fauna which we are all familiar with.

Sometimes “friendship” is feigned.  C. M. Kornbluth’s short story ‘Friend To Man’ (1951) (in this collection) is a disturbing example — the maternal feeling felt by the alien towards our antihero is just a ploy to lure him into her den where she implants him with eggs, which Continue reading →