Adventures in Science Fiction Cover Art: Underwater Expeditions (futuristic submarines + underwater labs + sea monsters + cities), Part II

(Roger Stine’s cover for the 1979 edition of On The Run (variant title: Mankind on the Run) (1955), Gordon R. Dickson)

Part II of my Underwater Expeditions Series (Part I) is a veritable deluge of undersea wonders.  Unusual monsters/aliens proliferate the seascapes — snapping at our aquatic heroes.  A vast array of submersibles and submarines — including a mechanical whale equipped with a harpoon (Jack Coggins’ cover for the April 1957 issue of Galaxy Science Fiction) — trek across the oceanic expanses.  Cities, ruins, hidden scientific facilities are all to be discovered amongst the seaweed and deep water trenches…

There is something so mysterious about the ocean depths — almost as alienating and frightening as space.  Although due to our recent deep sea explorations increasingly less Continue reading

Adventures in Science Fiction Cover Art: Chess/Checkers (with people + planets)

(Ed Valigursky’s cover for the 1962 edition of Cosmic Checkmate (1962), Charles V. DeVet and Katherine MacLean)

Queue Ed Valigursky’s cover for the Cosmic Checkmate (1962): a chessboard arrayed against a background of stars, men stand on different colored squares, as much pawns of some distant player as the pieces nearby.  Spaceships flash across the vast expanse of space — remember, the game has galactic ramifications — with our characters arrayed, the game opens, and the battle (of wits and secret weapons) begins.  Although I have not (yet) read Charles V. DeVet and Katherine MacLean (whose later novel Missing Man (1975) I highly recommend) is explicitly about Chess, or more precisely, a similar alien game, and the ramifications are indeed, galactic in scope.  Other covers are more metaphoric Continue reading

Adventures in Science Fiction Cover Art: Models, Dolls, Mannequins

(David Davies’ cover for the 1968 edition of The Syndic (1953), C. M. Kornbluth)

Occasionally I dabble in the incredibly esoteric and artistically painful.  Apparently in the 60s and the early 70s — heralded by the artist David Davies — there was momentary interest in sci-fi covers constructed from manipulated photographs of store window mannequins, dolls, wire contraptions vaguely suggesting spaceships, toy spacemen, wooden artist mannequins dressed in clothes/wigs, and copyright violating models of the Star Trek: The Original Series Enterprise NCC-1701.

Unfortunately, most of the covers I’ve discovered are uncredited — they might all be the work of David Davies.  Internet Speculative Fiction Database has seventeen of his covers listed but I suspect that he made many many more — I’ve gone ahead and credited a few Continue reading

Updates: Recent Science Fiction Acquisitions No. XXXIV (Brunner + Tucker + Brackett + et al.)

A mixture of a few clearance section novels from Austin bookstores (Chandler and Siodmak) and three recent purchases from a nice used bookstore (for science fiction) in my current town…  I can’t wait to read another Leigh Brackett novel (one of the most renowned pulp sci-fi writers of the 50s) — I’ve only read her novels, The Big Jump (1955) and was pleasantly surprised.

One can never have too many Brunner novels (I have 21 at the moment and I’ve read a majority of them) — even average works from the early 80s….

And Wilson Tucker’s The Year of the Quiet Sun (1970) — yes, I generally dislike time travel, but I’ve yet to read one of his works so I might as well start with what is generally considered his best novel.

(*note: I include images of what I consider the best cover for the novel if it has multiple editions because I enjoy good examples of sci-fi art.  I own perhaps half of the exact editions shown.  A few readers have expressed confusion.)

1. The Long Tomorrow, Leigh Brackett (1955)

(Ed Emshwiller’s cover for Continue reading

Adventures in Science Fiction Cover Art: Crashed Spaceships

(Gaylord Welker’s cover for the December 1952 issue of Astounding Science Fiction)

Gaylord Welker’s cover for the December 1952 issue of Astounding Science Fiction appeared in my best sci-fi cover post a while back.  Although I rarely recycle images, whenever I see his masterful cover I’m impressed with the sheer desolation and desperation of the scene.  Inspired by the image I set off to find more covers depicting crashed spaceships (alien or human on Earth, the moon, distant planets….).

Hannes Bok’s cover for Campbell’s The Moon is Hell (1951), Hubert Roger’s cover for the February 1939 issue of Astounding, Earle Bergey’s cover for the November 1952 issue of Fantastic Story, and Walker Brook’s cover for the 1953 edition of Simak’s First He Died (variant title: Time and Again) are thematically similar but less successful.  The others include one of my personal favorites (not one of the best by a long shot) — Earle Bergey’s cover the June 1952 issue of Startling Stories — where a man and a woman rescue two green tentacled Continue reading

Adventures in Science Fiction Cover Art: Imprisoned in Glass Vials (of the metaphoric + medical + experimental variety)

(Uncredited cover for the 1969 edition of The Fortec Conspiracy (1968), Richard M. Garvin and Edmond G. Addeo)

Humans and aliens in glass vials of all shapes and sizes waiting to be measured, matured, tested, analyzed, exposed to a variety of chemicals and emulsions.  The artists often combine the iconic laboratory scene filled with the tools of the trade with sci-fi speculation on human experimentation (queue babies grown in containers in Brave New World).  The result, humans in tubes.  The effect is downright terrifying and one suspects, evokes a certain moribund fascination.  As with the famous introductory sequence in Brave New World, the reader is horrified by birth entirety regulated by machines.  Or, we are simultaneously titillated Continue reading

Book Review: Time of the Great Freeze, Robert Silverberg (1964)

(Harry Schaare’s cover for the 1966 edition)

3/5 (Average)

Silverberg’s young adult (juvenile) science fiction novel Time of the Great Freeze (1964) is a by the numbers with few extra frills pulp adventure with a time-worn but still seductive premise: underground cities!  Unlike Heinlein’s best juvenile sci-fi works (Starman Jones, Citizen of the Galaxy, etc), Silverberg’s work fails to conjure the same wonder.  Silverberg’s portrayal of his youthful hero is dull even by 50s/60s juvenile standards — he fails to exude the biggest character trait of the genre, vibrant youthful vigor.  Yes he’s smart, does some judo moves, gets over friends’ deaths in a heartbeat, and is mentally tough but unfortunately is completely interchangeable with the other characters. Continue reading

Updates: Recent Science Fiction Acquisitions XXXIII (Delany + Wyndham + Sturgeon + Knight + Ellison)

My last batch of the summer from Austin, TX — as always a nice haul.  Unfortunately, I’m back home in a rather lackluster state for acquiring sci-fi.  Henceforth, amazon/abebooks it shall be!

Still haven’t tackled a Sturgeon collection yet — now I have three unread ones sitting in my to read stack.  I also added Delany’s first published novel, The Jewels of Aptor (1962), to my collection.  And some Ellison stories…  And three short novels (in one collection) by Damon Knight of whom I have a rather dubious opinion (see Beyond the Barrier).

Most importantly, another Wyndham novel (still haven’t read The Day of the Triffids which I’ve had for years and years and years).

1.  A Way Home, Theodore Sturgeon (1956) (MY REVIEW)

(Mel Hunter’s cover for the 1956 edition)

Continue reading

Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds

(Ed Valigursky’s cover for the 1957 edition of Doomsday Eve (1957). Robert Moore Williams)

The nuclear scare produced some of the best dystopic visions ever put to paper — the devastation would be utter, complete, and the radiation, oh what fun science fiction authors and filmakers had with the effects of radiation.  A red spectrum! Mutations! Hybrid bug people!  Godzilla!  Women with two heads!  An endless assortments of monsters…  I’ve selected a wide range of covers depicting the actual nuclear explosion — not the after effects.  Families gaze from caves in dispair, watching the bomb incinerate their world.  People run helter-skelter away from the explosion.  Or, artists take a more stylized approach to the explosion — figures are cast upward amongst the wreckage of buildings. Continue reading