
Iain Stuart’s cover for the 1993 edition
4.75/5 (Near Masterpiece)
In 1968, the moody Canadian psychedelic pop group The Poppy Family released “Of Cities and Escapes,” a haunting song of urban emptiness. The song’s narrator intones: “I live in a one-room apartment, with windows on one side / I stare through the glass ‘cross the water, to where the big, ugly city lies.” In the second verse, later sampled by Deltron 3030 on “Madness” (2000), the narrator cannot escape the death spiral: “I’m caught in the grip of the city, madness and smog.” Twilight City (1974, trans. Joan Tate, 1993), by Norwegian novelist Knut Faldbakken (1941-), delves into a similar dystopian urban gloom. The refugees of a decaying city dust off the entangling membranes of lost paths and the weight of melancholy souls and attempt to chart a new beginning in the city dump.
Brief Plot Summary/Analysis
In an unnamed country, the metropolis of Sweetwater–“an eruption of urban geography” (2) possessed by an “ever-growing urban sprawl” (23)–suffers under the effects of global warming, industrialization, and malignant societal decay.
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