Preliminary note: This is the sixth post in a series of vintage generation ship short fiction reviews. All of the stories I’ll review are available online (see links below). You are welcome to read and discuss along with me as I explore humanity’s visions of generational voyage. And thanks go out to all who have joined already.
Next up: A far lesser known author and story! David Rome’s “Bliss” (1962) in Science Fiction Adventures, No. 24, ed. John Carnell (story link)
Previously: J. G. Ballard’s “Thirteen to Centaurus” (1962) in the April 1962 issue of Amazing Stories, ed. Cele Goldsmith
I’ve compiled a helpful list on the theme with links to all my reviews.
(Charles Schneeman’s cover for the June 1947 issue of Astounding Science Fiction, ed. John W. Campbell, Jr.)
A. E. van Vogt’s “Centaurus II” (1947)* (story link) first appeared in the June 1947 issue of Astounding Science Fiction edited by John W. Campbell, Jr. Together with two later stories—“Rogue Ship” Continue reading Generation Ship Short Story Review: A. E. van Vogt’s “Centaurus II” (1947)
(Cover for the 1960 edition of Out of Silent Planet (1938), C. S. Lewis)
Art Sussman produced a remarkable corpus of SF and other pulp covers (mysteries, crime, etc). He could easily shift gears between Richard Powers-esque surrealism—although distinctly his own take—to covers that suited an Agatha Christie mystery (browse the range here). I would be wary comparing him to Powers until you skim through the latter’s late 50s early 60s art (definitely an enjoyable activity!). Although Powers is still far superior, both were part of the SF art movement increasingly experimented with surreal/metaphoric and experimental art (there are still spaceships lurking around the edges, and futuristic cities, and other pulpy moments).
There is a precision of vision with Sussman’s art—his cover for the 1960 edition of Out of Silent Planet (1938), C. S. Lewis places the astronauts in an outline of a vessel with strange hints at alien planets and experiences scattered gem-like in the distance. Sussman’s focus on the human form — often surrounded by surreal forms and humanlike membranes — showcases agony and despair. A great example (and my favorite of the bunch) pairs jagged black fields with a bloodied man, the 1960 Continue reading Adventures in Science Fiction Cover Art: The 50s/60s Surrealistic Stylings of Art Sussman
(Cover for Galassia #97, January 1969)
Two of my recent Adventures in Science Fiction Cover Art posts fit (retroactively) into a linked post series on women SF illustrators from the 1960s/70s—which includes The Diagrammatic Minimalism of Ann Jonas and Donald Crews and Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini. This post is a continuation of the latter and explores the twelve covers Alison created for Galassia in 1969 that showcase her vivid creativity.
Galassia was one of the primary Italian SF publications for most of the 1960s (consult Michael Ashley’s Transformations: The Story of the Science-fiction Magazines from 1950-1970, 311) and introduced translations of English-language Continue reading Adventures in Science Fiction Cover Art: Women SF Illustrators of the 1960s/70s, Part III: The Galassia Covers of Allison, A.K.A. Mariella Anderlini
3.5/5 (Above Average)
A. E. van Vogt’s The World of Null-A is a frustrating but worthwhile experience. This is in part because of the trite introduction inserted in my edition of the work by A. E. Van Vogt defending his work against the notorious (and career making) critique by the sci-fi writer Continue reading Book Review: The World of Null-A, A. E. van Vogt (published as a serial in 1945, revised in 1948)
A. E. van Vogt spins a great space opera in this short (157) page volume. Mission to the Stars–as it was later known–was originally published under the name The Mixed Men.
Here is a brief plot summary: Lady Gloria Laurr, Grand Captain Continue reading Book Review: Mission to the Stars (variant title: The Mixed Men, A. E. Van Vogt (1945)