aliens

Updates: Recent Science Fiction Acquisitions No. LXXXI (Vinge + Gerrold + Zelazny + White)

/ Joachim Boaz / 17 Comments

Part 1 of many: Half Price Books in Dallas, TX (the second best bookstore, after Dawn Treader Books in Ann Arbor, MI for SF I have ever come across).  Gift card courtesy of fiancé’s mother = LOTS OF SCIENCE FICTION.  There could not be a better gift….

Everyone reads Robert Zelazny’s This Immortal (1966) and Lord of Light (1967), but who has read Isle of the Dead (1969)?  Thematically it seems similar to Lord of Light…  I have high hopes.  James White’s SF is always above average — and a fund cover from Dean Ellis makes that an auto-buy.  Although I disliked David Gerrold’s Space Skimmer (1972) my father swears Yesterday’s Children (1972) is somewhat readable.

I enjoyed Joan D. Vinge’s The Summer Queen (1980), tolerated her first novel The Outcasts of Heaven Belt (1978), so I suspect her two novella collection Fireship (1978) will be worthwhile…

Thoughts?

1. Isle of the Dead, Robert Zelazny (1969)

(Leo and Dianne Dillon’s cover for the 1969 edition) Continue reading →

Book Review: The Shores of Another Sea, Chad Oliver (1971)

/ Joachim Boaz / 14 Comments

(Michael Booth’s cover for the 1984 edition)

3.25/5 (Vaguely Good)

Suppose that one day man landed on some distant planet.  Why would he have come, what impulse would have driven him across the darkness and the light-years?  Could he explain, and would he even try?  If he set out to explore that fearful world, if he trapped some specimens, what would he do if he were attacked by monstrous beings he could not understand? (135)

Chad Oliver is a well-known proponent of anthropological science fiction.  John Clute (of SF encyclopedia) proclaims him “pioneer in the application of competent anthropological thought to sf themes.”  Despite being relatively prolific between the 50s-70s (a handful of short stories appeared in the 80s), The Shores of Another Sea (1971) retains a distinctly 50s tone, Continue reading →

Adventures in Science Fiction Cover Art: Diagrammatic Wonders (alien sand art + planning invasions + and other more mysterious formulations), Part I

/ Joachim Boaz / 21 Comments

1-1957_04_fantasticuniverse_finlay

(Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe, ed. Hans Stefan Santesson)

At first glance this is a miscellaneous collection of covers on diagrammatic wonders — the aliens (or “advanced” humans) on Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe conjure an image of earth with colored sand, generals plot invasions via maps and other diagrams depicting troop movements….

While some of the covers are themselves diagrams (Christopher Zacharow’s cover for the 1985 edition of Ancient of Days (1985), Michael Bishop) others place their characters in opposition to each other as pieces Continue reading →

Updates: A New Classic SF Review Blog to add to your list

/ Joachim Boaz / 33 Comments

MPorcius, a frequent and well-read commentator on my site, has started transferring his numerous amazon reviews and writing new reviews of classic SF (a substantial portion is pre-1980s) to his blog.  Please visit him and comment on his posts!

queue rant: I’ve noticed a surprising lack of frequently updated classic SF blogs online.  Yes, many bloggers occasionally dabble in the distant era of SF glory or publish yet another review of the obligatory masterpieces because they appear on a some “best of” list (Dune, The Left Hand of Darkness, etc).  However, few are devoted to the period and make it a point to write reviews of books that very few people will ever actually read due to their obscurity i.e. blogs that don’t sell out by churning out reviews of new Tor releases (I have declined their offer) or endless 4/5 or 5/5 starred let’s pat each other on the back reviews of self-published (and generally awful) ebooks Continue reading →

Book Review: Hello Summer, Goodbye (variant title: Rax), Michael G. Coney (1975)

/ Joachim Boaz / 25 Comments

(Josh Kirby’s cover for the 1975 edition)

4.5/5 (Very Good)

Michael G. Coney’s Hello Summer, Goodbye (variant title: Rax) (1975) — often considered a minor classic of the genre — is a lyrical paean to young love arrayed against a backdrop of a world filled with increasingly sinister undercurrents, unusual (and fantastic) fauna and flora, and characters we connect with in deeply emotional ways.  I am the first to admit that I am intensely suspicious of SF labeled thusly: “This is a love story, and a way story, and a science fiction store, and more besides” (authors note).  However, the “love story” elements are so delicately wrought and unfold naturally without undue melodramatic flair that I was smitten with the characters and felt for their struggles.

Welcome to an alien world where anomie trees Continue reading →

Updates: Recent Science Fiction Acquisitions No. LXXVI (Effinger + Morgan + deFord + Bishop)

/ Joachim Boaz / 20 Comments

A nice haul from the local used book store and various internet sources….  After Effinger’s masterpiece What Entropy Means to Me (1972) I was desperate to get my hands on another one of his novels (or short story collections — Relatives is not supposed to be as good but, perhaps it will prove the critics (well, namely John Clute) wrong.

Miriam Allen deFord was a prolific 50s short story writer.  Xenogenesis (1969) is the only published collection solely of her stories — thankfully it’s graced with a wonderful Richard Powers cover.

Despite the hideous cover, Michael Bishop’s first novel A Funeral for the Eyes of Fire (1975) is generally considered quite good.  I’ve already read and reviewed Dan Morgan’s average but inventive SF thriller Inside (1971) but included it in this post anyway because I had yet to reach my four new acquisitions for a post.

Have you read any of these novels?  If so, what did you think?

1. Relatives, George Alec Effinger (1973)

(Uncredited cover for the 1976 edition) Continue reading →

Adventures in Science Fiction Cover Art: Eye[s] in the Sky, Part II

/ Joachim Boaz / 21 Comments

THMMNTFCLP1979

(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)

Make sure to take a peek at Part I if you enjoyed this collection!

In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples.  Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.

Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years….  The uncredited cover for the 1969 edition of The Cosmic Eye Continue reading →

Adventures in Science Fiction Cover Art: The City as Canvas, Part I

/ Joachim Boaz / 46 Comments

Screen shot 2013-04-25 at 9.00.06 PM

(Richard Powers’ cover for the 1969 edition of Cosmic Engineers (1939), Clifford D. Simak)

The theme of this post is the future metropolis as canvas where the entire surface of the cover is arrayed and ordered by the forms and forces of the city.    The city as a matrix that holds the scene unfolding amongst its spires…  Richard Powers’ masterful cover for the 1969 edition of Cosmic Engineers is the perfect example.  The mass of the buildings arch, indistinct, upward — causeways and platforms amongst the cityscape hold faceless humanoid forms that “look” Continue reading →

Book Review: The Human Angle, William Tenn (1956)

/ Joachim Boaz / 8 Comments

(Richard Powers’ cover for the 1964 edition)

3.75/5 (collated rating: Good)

I’ve been in a 50s SF short story craze of late, devouring collections by Robert Silverberg (Godling, Go Home!), Walter M. Miller, Jr. (The View From the Stars), Fritz Leiber (A Pail of Air), Lester Del Rey (Mortals and Monsters), and a few Robert Sheckley volumes a few months before. Fresh off of William Tenn’s solid novel Of Men and Monsters (1968) I went into The Human Angle (1956) (containing three novelettes and five short stories predominately from the 50s) with high expectations.  Despite the handful of duds — “The Human Angle” (1948), “Project Hush” (1954) and “The Discovery of Morniel Mathaway” (1955) —  that tend to creep into most collections of shorts, the majority were characterized by sardonic brilliance.

Although not as biting as his august contemporaries Robert Sheckley and C. M. Kornbluth, Tenn’s visions are delightfully humorous and ironic.  It’s worth getting your Continue reading →