Adventures in Science Fiction Cover Art: Spherical Spaceships, Spherical Aliens, Unidentified Spheres

(Walter Popp’s cover for the August 1952 issue of Fantastic Adventures)

The sphere — as a manifestation of the perfectly round geometrical shape or replete with various derivations and modifications (tentacles, slight elongations, eye sockets, limbs both fleshly or mechanical) — holds a particular fascination for sci-fi artists and authors.  The possibilities are endless: spherical aliens, spherical ocean descent vehicles, spherical spaceships, spherical robotic doctors, wizards levitating spherical objects, and spherical legged war vehicles…

I’ve selected a delightful variety of these spherical manifestations.  In my favorite (above) female scientists alternately shout about, gaze at, and document descending Continue reading

Updates: Recent Science Fiction Acquisitions N. XIV

Over the last months I’ve restrained myself from impulsive science fiction purchases considering the massive pile of books I still need to read — however, a stop at Half-Price books while visiting my nostalgic onetime home of Austin, TX was too good to pass up.

And lo and behold, I procured a first edition Philip K. Dick novel with a gorgeous Jerome Podwil cover, an underrated novel by James White, one future pastoral vision by Simak, and a collection of short stories (Malzberg, Herbert, Lafferty, Silverberg, Scortia, Ellison) edited by Elwood about future metropolises — a wonderful edition to my collection considering the plethora of sci-fi city related cover art posts I’ve written as of late (Elevated Cities Part I, Part II, Richard Power’s Surrealistic Cityscapes).

Enjoy!

1. The Crack in Space (1966), Philip K. Dick

(Jerome Podwil’s cover for the 1966 edition)

Continue reading

Adventures in Science Fiction Cover Art: A Handful of Tufted Gumby Aliens and Mushroom People

(David Hardy’s cover for the November 1975 issue of The Magazine of Fantasy and Science Fiction)

I couldn’t stop laughing while putting together this post from my collection of gleaned covers: gumby in space with two fuzzy tufts and three unsymmetrical eye ridges (or, his fingers) ogling at a space probe, mushroom people transfixed by a mysterious white tentacled orb hoisted aloft by man in a pink cape and a skimpy pink unitard, evil nosed caterpillars, scary monstrous mole monster, etc.  Did the editors KNOW precisely what the art looked like before it appeared on the covers evoking such throat hurting unintended (or perhaps intended) consequences?  But, I have to admit there’s nothing like a cool (and funny alien) to make me pick up a book or magazine.

As always, what are your favorite funny alien covers which I haven’t posted?

I’ve read a few of Vance’s novels so I’ll probably pick up The Eyes of the Overworld Continue reading

Adventures in Science Fiction Cover Art: A Selection of Bleak Alien Landscapes

(Alex Schomburg’s cover for the 1953 edition of Space, Space, Space (1953), ed. William Sloane)

Our science fiction heroes are often confronted by bleak alien landscapes adorned with rocks, vast deserts, adverse atmospheres — commonly these vistas are traversed, colonized, tamed…  Spaceships touch down on virgin surfaces, the explorers tentatively step forward, aliens peer from the distance.  When settlements are built the alien vista remains an ever present source of fear and fascination.  The depiction of a convincingly bleak alien landscape (think Arrakis in Frank Herbert’s Dune) can be of paramount importance in conveying not only  otherworldliness but the backdrop for human drama and the challenges our heroes must overcome (by technology or other Continue reading

Book Review: The Lifeship, Harry Harrison and Gordon R. Dickson (1976)

3.5/5 (Good)

Harry Harrison and Gordon R. Dickson’s The Lifeship (1976) is two parts tense and exciting adventure in the expanse of space and one part half-hearted “key differences between individuals are overcome in the end” attempts at social commentary.  I found the first two-thirds of the work riveting.  Sadly, the final third devolves into a ramshackle and unpleasant mixture of save the world formulae and endless exposition at gunpoint about all the nefarious nooks and crannies of each and every plan, counter-plan, potential plan, half-realized plan, and unrealized plan soon to be fomented in the liminal realm of coalescing Continue reading

Adventures in Science Fiction Cover Art: The Best of Alex Schomburg’s 60s Novel Covers

(Alex Schomburg’s cover for the 1965 edition of The Well of the Worlds (1953), Henry Kuttner)

Alex Schomburg (1905-1998) produced only a handful of novel covers in the 60s (his classic 50s covers can be found here).  But what a beautiful handful!  It’s a shame because they evoke genuine excitement and wonder — especially Kuttner’s The Well of the Worlds (above) and one of my favorites, Moore and Kuttner’s Earth’s Last Citadel (below).  They are dynamic, vivid, and occasionally Continue reading

Book Review: Assignment Nor’ Dyren, Sydney Van Scyoc (1973)

3.25/5 (Average)

Sydney Van Scyoc’s Assignment Nor’ Dyren (1973), inspired by Ursula Le Guin’s masterpiece The Left Hand of Darkness (1969), is a problematic yet generally enjoyable work.  I found that Van Scyoc is unable to maintain the sense of wonder she conjures so vividly in the first third.  Likewise, her prose tends to plod due to the descriptive restrictions she forces on herself (for example, describing each alien the main character encounters by their species).  Perhaps it’s unfair to compare  Assignment Nor’ Dyren to Ursula Le Guin’s masterpiece — considered among the best science fiction works ever written — but the overwhelming impression Continue reading

Adventures in Science Fiction Cover Art: A Selection of Vincent Di Fate’s early 70s Covers

(Cover for the 1972 edition of Plunder (1972), Ron Goulart)

The covers of Vincent Di Fate (1945-) often evoke a Terry Gilliam-esque romp — for example, Ron Goulart’s Plunder — a lone facade and a house dot a purple and green plain, mountains emerge in the distance, planets pepper the sky, a head floats ominously, a bizarre reptilian creature in a boatie rides an antique bicycle.  I desperately want to know if it’s a scene from the book.  If so, I’m tracking down a copy!

Vincent Di Fate’s work graced a few of the great works of the genre Continue reading