Hello everyone! Thank you for the immense support over the last twelve years (!) of my website. I keep doing what I do in part due to all the wonderful comments you leave, discussions you participate in, and suggestions you make. I can’t emphasize how much I appreciate it. I was recently interviewed by Cora Buhlert over on her website. She’s a three-time Hugo-nominated fan writer and a wonderful reviewer of vintage SF (often at Galactic Journey). Check out the interview here.
Today I’ve reviewed the twelfth story in my series on the science fictional media landscape of the future–and the first from the early 1980s. Pat Cadigan howls a ghastly punk scream into the vastness of the night.
Up Next: Barry N. Malzberg’s “The Idea” (1971) (as K. M. O’Donnell).
Uncredited cover for the 1988 edition of Mirrorshades: The Cyberpunk Anthology, ed. Bruce Sterling (1986)
3.75/5 (Good)
Pat Cadigan’s “Rock On” first appeared in Light Years and Dark: Science Fiction and Fantasy of and for Our Time, ed. Michael Bishop (1984). You can read it online here.
Whenever I delve into the nihilistic streets of cyberpunk, I enter the mental soundscape and acute estrangement imbued by the seminal 80s goth/post punk band The Cure: “scarred, your back was turned / Curled like an embryo” (“Cold” from Pornography, 1982). Robert Smith’s incantation of “a shallow grave / A monument to the ruined age” almost personifies cyberpunk’s fleeting but terrible power and apocalyptic conceptions of dark streets and conglomerates stamping out the last individuals finding their way across the net.
Today I’ve reviewed the eleventh story in my series on the science fictional media landscape of the future! Ann Warren Griffith spins a nightmarish dystopia where advertisements are illegal to block out.
Ed Emswhiller’s cover for the 1960 edition of The Best from Fantasy and Science Fiction, Third Series, ed. Anthony Boucher and J. Francis McComas (1954)
4/5 (Good)
Ann Warren Griffith’s “Captive Audience” (1953) first appeared in The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher and J. Francis McComas (August 1953). You can read it online here.
In the 1950s, Americans depicted Communism as denying inherent human freedoms of choice and enslaving the mind. Over the course of the decade, the terror of Communist brainwashing collided with fears of the detrimental effects of consumer culture and advertising. Perhaps the evil Communist was so successful due to a new softness within the American family (Dunne, 123). Anne Warren Griffith’s “Captive Audience” imagines a dystopic future in which the American mind is turned into malleable putty by an entropic (and sonic) inundation of advertisements. According to the story’s relentless logic, the last bastions of independent thought will cease to exist in a capitalist world where the right of every product to receive “its share of the consumer dollar” is the only right that matters (57).
Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. The Shape of Sex to Come, ed. Douglas Hill (1978)
Uncredited cover for the 1st edition
From the back cover: “Eight stories from SF names as highly-respected as Aldiss, Moorcock and Silverberg explore the strange and bizarre possibilities for sexuality in the furthest reaches of tomorrow.”
Contents: Robert Silverberg’s “In the Group” (1973), Thomas M. Disch’s “Planet of the Rapes” (1977), A. K. Jorgensson’s “Coming-of-Age Day” (1965), Anne McCaffrey’s “The Thorns of Barevi” (1970), Brian W. Aldiss’ “A One-Man Expedition Through Life” (1974), Brian W. Aldiss’ “The Taste of Shrapnel” (1974), Brian W. Aldiss’ “Forty Million Miles from the Nearest Blonde” (1974), Hilary Bailey’s “Sisters” (1976), John Sladek’s “Machine Screw” (1975), and Michael Moorcock’s “Pale Roses” (1974).
The seventh, eighth, ninth, and tenth stories in my series on the science fictional media landscape of the future appear in the anthology Tomorrow’s TV, ed. Isaac Asimov, Martin Harry Greenberg, and Charles Waugh (1982).
Tomorrow’s TV (1982) gathers together five short stories published between 1951 and 1979 on future speculations and disturbing manifestations of the tube of the future. The extensive number of TV-related science fiction from these decades (especially the 50s and early 60s) should not come as a surprise. According to Gary R. Edgerton’s magisterial monograph The Columbia History of American Television (2007), no “technology before TV every integrated faster into American life” (xi). Isaac Asimov speculates on the nature of education and the role of the “teacher” if every kid goes to school on their TV. Ray Bradbury imagines a frosty world where everyone turns inward towards the hypnotic glow of their TV sets. Robert Bloch explores the intersection of programming as escape and its collision with the real world. Ray Nelson narrates a hyperviolent expose of the alien entities behind subliminal messaging. And Jack Haldeman II imagines what will happen when the human mind reaches a moment of information overload.
Bob Venosa’s interior art illustrating Nancy Kress’ “And Whether Pigs Have Wings” (1979) in Omni (January 1979)
Back in December 2019, I read An Alien Light (1987), my first science fiction work by Nancy Kress (1948-). I was so impressed with the novel, a “bleak and powerful rumination on violence” within a “new alien architecture,” that I placed it on my Best Reads of 2019 list. Like my recent rumination on Melisa Michaels’ first three published short stories, I thought I’d do the same with Kress. I relentlessly seek to map another feature in the fascinating territory of 50s-70s SF.
Let me know which Kress fictions–perhaps from much later in her career–resonate with you.
Rick Sternbach’s cover for Galaxy, ed. James Baen (December 1976)
3.5/5 (Good)
“The Earth Dwellers” first appeared in Galaxy Science Fiction, ed. James Baen (December 1976). You can read it online here.
The fifth and sixth story in my series on the science fictional media landscape of the future. Fritz Leiber imagines a sinister conjuration of the Girl behind the advertisement and a robot who wanders a post-nuclear landscape selling soda to the charred victims.
Previously: Brian W. Aldiss’ “Panel Game” (December 1955).
Next Up: Tomorrow’s TV (1982). Stories by Isaac Asimov, Jack C. Haldeman II, Ray Bradbury, Robert Bloch, and Ray Nelson.
Tony Roberts’ cover for the 1975 edition of The Secret Songs (1968)
4.5/5 (Very Good)
Fritz Leiber’s “The Girl with the Hungry Eyes” (1949) first appeared in The Girl with the Hungry Eyes, and Other Stories (1949). I read it in his collection The Secret Songs (1968). You can read it online here.
“The Girl with the Hungry Eyes” explores the post-WWII economic boom as television and rapidly growing suburbs expanded the reach and power of advertising. Cold War rhetoric promoted consumerism as a key component of the American Way of Life (source).
A tale of erotic obsession and terror, “The Girl with the Hungry Eyes” imagines a fantastical conjuration of the archetypal advertising Girl selling every conceivable product. Her face appears on billboards across the urban expanse. Her torso or limb holds the object to be marveled at. And her eyes, “the hungriest eyes in the world” (131), tear into the soul and take something away with their gaze. Fritz Leiber’s terrified narrator, the “poor damned photographer” (129)who unleashed her on the world and fell for her spell, confesses “there are vampires and vampires, and not all of them suck blood” (128).
The fourth story in my series on the science fictional media landscape of the future. Aldiss spins a wild satire of a television screen that views you!
Gerard Quinn’s cover for the December 1955 issue of New Worlds
3.75/5 (Good)
Brian W. Aldiss’ “Panel Game” first appeared in New Worlds Science Fiction, ed. John Carnell (December 1955). You can read it online here.
At 8:12 pm on September 22nd, 1955 the UK’s first TV advertisement–for Unilever’s Gibb’s S. R. [Sodium ricinoleate] toothpaste–aired on ITV (source). You can watch the commercial here with its toothpaste tube suspended in ice, a model excitedly brushing, and a hilarious graph that does not even pretend to convey data. Just a year earlier, the Television Act of 1954 allowed the formation–to great debate–of ITV, the first commercial television network in the UK.
Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Where is the Bird of Fire?, Thomas Burnett Swann (1970)
John Schoenherr’s cover for the 1st edition
From the back cover: “Were the mythical monsters our ancestors spoke of so often more than fantasy? Is it not probable that these semi-human races existed–and that only human vanity has blurred their memory?
Science Fiction and Other Suspect Ruminations 