Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Japan Sinks!, Sakyo Komatsu (1973; trans. by Michael Gallagher, 1976)
From the back cover: “WORST DISASTER IN THE HISTORY OF THE WORLD!
A FISSURE in a wall–a land survey mysteriously out of true–a small island disappearing overnight–and one of the worst disaster in the history of the world is born. Only one man suspects the truth, but his theory is so unprecedented, his predications so horrifying that even his fellow scientists ignore him.
Then a series of devastating earthquakes strikes, and suddenly the authorities are prepared to listen. But time is short and as they frantically try to ward off the disaster the crust of the earth begins to shift…”
I’m not sure what I can add about the general sentiment of 2020. It was awful in every way. Here’s to a better 2021.
Reading and writing for the site—and participating in all the SF discussions it’s generated over the year—was a necessary and greatly appreciated salve. Thank you everyone!
I also have one (hopefully more) review coming out in The Magazine of Fantasy and Science Fiction (the Curiosities column) in the spring. I’ve not included my reviews of those esoteric SF novels in this particular post.
Without further ado, here are my favorite novels and short stories I read in 2020 (with bonus categories). Tempted to track any of them down?
And feel free to list your favorite vintage (or non-vintage) SF reads of the year. As always, I look forward to reading your comments.
My Top 10 Science Fiction Novels (click titles for my review)
Tim White’s cover for the 1983 edition
1. Electric Forest, Tanith Lee (1979), 5/5 (Masterpiece): Tanith Lee spins a gauzy, sinister, and terrifying tale of manipulative resurrection. A brilliant inventor projects the mind of a grotesque social outcast into a new transcendent Continue reading →
Chelsea Quinn Yarbro’s Hyacinths (1983) is an unsettling dystopian tale of a future where even the unregulated creative world of Dreams is harnessed and controlled. On another level, Hyacinths lays bare the dangers of unregulated industry and the ingrained sexism within western capitalism. There’s a deep sadness within these pages, a sadness at the lack of progress for equal rights in the workplace, a sadness at our collective inability to help those who need Continue reading →
(Back cover detail for the 1959 edition of E. Everett Evans’ Man of Many Minds)
1. Looks like a fun adventure from Alan Dean Foster! And who can resist the crashed spaceship visual trope? I compiled three art posts on the topic: Part I, Part II, and Part III.
2. Of the bunch, Chelsea Quinn Yarbro’s Hyacinths (1983) appeals the most. I’m a sucker for SF stories about the dream state—i.e. Roger Zelazny’s The Dream Master(1966)—and commentaries on media and advertising. And of course, I’m fascinated Philip K. Dick’s dystopian formulations of the future of advertising which Hyacinths seems to expand on…..
I’ve previously reviewed Yarbro’s terrifying post-apocalyptic novelFalse Dawn (1978)
3. An alternate history where Native Americans defeat the colonizers? Intrigued but suspect it’s on the pulpy side of things. I wish I could find out more about Ron Montana. Was he of Native American descent? His first SF publication, “We the People” (1974), appeared in Craig Strete’s fanzine Red Planet Earth. Here’s his publication listing. Unfortunately, I assume he’s best known for his later copyright conflict with Craig Strete.
4. And finally, this one was hiding in a pile… I can’t remember how long I’ve had it or why I purchased it. Not an author I know and SF encyclopedia isn’t more than lukewarm in its assessment.
Let me know what books/covers intrigue you. Which have you read? Disliked? Enjoyed?
1. Icerigger, Alan Dean Foster (1974)
(Tim White’s art for the 1976 UK edition reused for the 1978 US edition) Continue reading →
(Mati Klarwein’s 1970 cover for Miles Davis’ album Bitches Brew)
Mati Klarwein (wikipedia link) was a German artist of Jewish origin who fled the Nazis to British Palestine. After the fall of the Nazis, he received an art education in Paris and gained French citizenship. Famous for his album covers—notably Miles Davis’ famous Bitches Brew (1970) (above) and Santana’s Abraxas (1969) (below)—Klarwein also created (or his art was used for) SF covers. Characterized by an obsessive eye for the detail (click and zoom in on Lafferty’s Arrive at Easterwine scan I included from my collection), Klarwein’s almost mandalic covers draw on a wide range of artistic influences. Unfortunately, quite a few are uncredited or credited to the incorrect artist—his cover for the 1972 edition of The World’s Desire (1890) by H. Rider Continue reading →
(Inside illustration by Vincent Di Fate for the 1973 edition of The Orchid Cage (1961), Herbert W. Franke)
Part II of my SF acquisitions from Dawn Treader Books in Ann Arbor, MI– Part I. In my attempt to acquire more foreign SF (still haven’t managed to read that much of it—but the mood will strike eventually), I found a nice copy with a wonderful interior illustration and cover by Vincent Di Fate of one of Herbert W. Franke’s novels.
Also, another Ian Watson novel—I’ve read the Jonah Kit (1975) but never got around to reviewing it as well as his collection (must read for fans of 70s SF) The Very Slow Time Machine(1979). Jesse over at Speculiction raves about his other Continue reading →
A collection by Yarbro—did not care for False Dawn (1978)…
A wonderful anthology with Robert Silverberg, Joanna Russ, Ron Goulart (whom I have never read), Gregory Benford, Gordon Eklund, Wilson Tucker, Edward Bryant, R. A. Lafferty, George Alec Effinger, Barry N. Malzberg, Gerard F. Conway, Edgar Pangbon…
And finally, the sole collection by one of the important (but lesser known) proponents of the New Wave…
Two (guess which!) are gifts from my wife who definitely knows my SF tastes…
Cautionary Tales, Chelsea Quinn Yarbro (1978)
(Uncredited cover for the 1983 edition)
From the back cover of an earlier edition: “A bizarre and haunting journey through inner and outer space—to alien worlds where an aging playwright is in danger of losing his soul to a monstrous organic computer…. a charming teeny-bopper ghoul solves the problem of hunger in the town morgue… a member of the patrol squad on a dreary, useless planet is lured by the sucking darkness of evil Scranton’s marsh… the frozen steerage passengers on a floundering space ship share a gruesome fate… malevolent forces on the other side of death are held at bay by a huge black swan… and other strange and wondrous events Continue reading →
Two more novels via Carl V. Anderson over at Stainless Steel Droppings—thanks again! … and two I’ve had laying around for a while. My Malzberg solo SF novel (non-movie novelization) collection is complete!
Eventually I might read a select few works from the 80s, if I do Gene Wolfe will be at the top of the list. His short fiction from the 70s has wowed me so far (here and here).
“One of the women wasn’t dead yet. Her ravaged body hung naked from a broken billboard. Her legs were splayed wide and anchored with ropes; legs and belly were bloody, there were heavy bruises on her face and breasts, and she had been branded with a large “M” for mutant” (1).
Before there was Mad Max (1979) dir. George Miller there was Chelsea Quinn Yarbro’s False Dawn (1978)… In 1972 she published her brutal and terrifying short story “False Dawn” in Thomas N. Scortia’s anthology Strange Bedfellows (1972). A few years later the work was deemed important enough to be included in Pamela Sargent’s famous anthology Women of Wonder (1975). This story forms the first chapter of her post-apocalyptical novel False Dawn (1978).
In the 60s highly inventive post-apocalyptical stories flourished: for example, J. G. Ballard’s masterpiece The Drowned World (1962) filled with images of uterine spaces Continue reading →