(Richard Powers’ cover for the 1st edition)
3.25/5 (Vaguely Good)
“Have you ever thought that I was frozen and thrown off the ship because they didn’t want me aboard, because I’d done something or they were afraid of me or something of the sort?” (49)
Andrew Blake, with memories of an earlier Earth, is discovered by asteroid miners frozen in a capsule. Is he the crew of a lost vessel? Was he the victim of a catastrophic accident? Or, something far more sinister? A claustrophobic and violent mission unfolds has Andrew Blake seeks to establish his identity, and the reason for the two alien voices in his head, while Continue reading
Preliminary note: This is the second post in a series of vintage generation ship short fiction reviews. You are welcome to read and discuss along with me–all of the stories I’ll review will be available online–as I explore humanity’s visions of generational voyage!
Next up: Judith Merril’s “Wish Upon a Star” in the December 1958 issue of The Magazine of Fantasy and Science Fiction (Internet Archive link).
Previously: Chad Oliver’s fantastic “The Wind Blows Free” (1957).
I’ve compiled a helpful list on the theme.
(Tom O’Reilly’s interior art for the Science-Fiction Plus, August 1953)
Clifford D. Simak’s “Spacebred Generations” (variant title: “Target Generation”) appeared in the August 1953 issue of Science-Fiction Plus, ed. Hugo Gernsback (Internet Archive link). The story is lavishly illustrated with evocative art by Tom O’Reilly. The story itself posits that religion is required to satiate the Continue reading
1. I recently read and reviewed enthusiastically New Dimensions 3, ed. Robert Silverberg (1973). Inspired, I procured quite a few more in the series… Here is number 1. Looks like an absolutely spectacular lineup — Le Guin, Ellison, Malzberg, Lafferty, etc.
2. One always needs more Clifford D. Simak, right?
3. Huge fan of George Alec Effinger’s novels and short stories. Here’s what I’ve reviewed so far…. Heroics (1979), Irrational Numbers (1976), and What Entropy Means to Me (1972).
4. Philip José Farmer, despite multiple masterpieces, churned out a lot of crud… I expect this will fall in that category.
Note: The hi-res scans are of my personal copies — click to enlarge.
Let me know what you think in the comments!
1. New Dimensions 1, ed. Robert Silverberg (1971)
(Uncredited cover for the 1973 edition) Continue reading
1. Doomsman (1967) is not supposed to be a worthwhile Harlan Ellison work… and one of his few novels. Part of a giant pile given to me by the family friend mentioned in my last acquisition post!
And there’s a short Lin Carter novella included as well….
Note: The cover is quite humorous. Paul Lehr, despite an isfdb.org error in citation, clearly added his touches (the shapes at the bottom, the planets, the colors) to an existing SF image. The face is copied from Ed Valigursky’s cover art for the 1955 edition of Isaac Asimov’s The 1,000 Year Plan (1951).
2. More Jack Vance! And his first novel — also from the gift stack. And you know me and immortality (a favorite theme)–> I’ve compiled a list here.
3. Still haven’t read Clifford D. Simak’s short fiction…
4. Lawrence Durrell, yes the same Lawrence Durrell, wrote two novels (The Revolt of Aphrodite sequence) that are classified as science fiction. I’ve finally found a copy of the first in the sequence.
As always, thoughts and comments are welcome.
Note: covers are hi-res scans of my personal copies.
1. Doomsman, Harlan Ellison (1967) and The Thief of Thoth, Lin Carter (1967)
(Paul Lehr’s cover–repurposing a head Ed Valigursky’s 1955 cover for Isaac Asmov’s 1,000 Year Plan (1951)–for the 1972 edition) Continue reading
1. I recently proclaimed my fascination with sports-related SF (despite my general lack of interest in sports) in my review of William Harrison’s “Roller Ball Murder” (1973)… A few of my blog friends have favorably reviewed Gary K. Wolf’s Killerbowl (1975) — couldn’t resist buying a copy online.
I reviewed Wolf’s The Resurrectionist (1979) last year.
2. An anthology edited by Robert Silverberg filled with a veritable horde of great authors–Ursula Le Guin, Terry Carr, R. A. Lafferty, James Triptree, Jr…..
3. A family friend sent me a large box of science fiction paperbacks, which arrived on my doorstep while I was hiking in the Adirondacks—I’ll be posting them slowly. Some I’d purchase if I’d encountered them in a used book stores, others I’d avoid… All greatly appreciated!
And goodness me does this Simak novel have a stunning Richard Powers cover!
4. Part of the gift–Mack Reynolds. Hmm. I am always weirdly excited about opening his books only to discover shoddy plots, half-baked political philosophy, and a few fun ideas hidden in forgotten corners…. At first glance, this fix-up novel reminds me of Rick Raphael’s slice of life novel Code Three (1967).
As always. thoughts and comments are welcome.
Note: Images are hi-res scans of my personal copies.
1. Killerbowl, Gary K. Wolf (1975)
(Steve Marcesi’s cover for the 1975 edition) Continue reading
I had a choice, one of the worst SF covers I have ever seen vs. a standard Richard Powers cover. Despite my undying Powers love, I chose the worst (weird white face bathed in purple/pink strangeness)…. you know…. a conversation starter? As I have read little of Simak’s non-novel SF, I was quite happy to I come across one of his collections at the local bookstore.
Ward Moore’s 1953 alt-history classic fetches quite the price online. Perhaps due to a renewed interest as it was recently published in the Gollancz Masterwork series. Regardless, I found a 70s edition (alas, a bland cover) for a few dollars. I’ve been listening to his humorous satire of salesmen Greener Than You Think (1947) as an ebook while at the gym and thought I’d give his most famous novel a go…
My Universe anthology series grows and grows–and, this one contains authors new to me, including Howard Waldrop, F. M. Busby, and Lee Killough.
Thoughts/comments welcome! I doubt many will support my choice of picking the hideous cover over Powers, but, I can submit a picture of it to our esteemed purveyor of trash covers, Good Show, Sir!
1. Bring the Jubilee, Ward Moore (1953)
(Jeff Jones’ cover for the 1972 edition) Continue reading
(Cover for the 1967 edition of vol. 1 of The Moon is a Harsh Mistress (1965), Robert A. Heinlein)
The Portuguese painter and illustrator Lima de Freitas (1927-1998) created a vast number of covers for the Portuguese press Livros do Brasil. For more on the range of art he produced in his career consult his wikipedia page [here].
A while back I reviewed Mordecai Roshwald’s Level 7 (1959) and discovered de Freitas’ amazing cover (below). More than any of the US editions, it evokes the claustrophobic tone of the novel (and even some of the surreal elements).
As the son of two architects, architecturally inclined SF covers always fascinate. Thus, as an introduction to his art (if you do not know it already) I have collected a handful of his cityscapes. They are surreal masterpieces. Lima de Freitas’ covers emphasize the city as a canvas, the textures of human Continue reading
(Cover for Galassia #97, January 1969)
Two of my recent Adventures in Science Fiction Cover Art posts fit (retroactively) into a linked post series on women SF illustrators from the 1960s/70s—which includes The Diagrammatic Minimalism of Ann Jonas and Donald Crews and Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini. This post is a continuation of the latter and explores the twelve covers Alison created for Galassia in 1969 that showcase her vivid creativity.
Galassia was one of the primary Italian SF publications for most of the 1960s (consult Michael Ashley’s Transformations: The Story of the Science-fiction Magazines from 1950-1970, 311) and introduced translations of English-language Continue reading
(Cover for the 1973 edition of The City in the Sea (1951), Wilson Tucker)
Mariella Anderlini, under the pseudonym Allison, produced a vast number of surreal and masterful SF covers (between 1969-1988) primarily for the Italian SF publisher Libra Editrice. Apparently, she went under the pseudonym to avoid damaging her professional painting career. She was the wife of Ugo Malaguti, editor and author, who founded Libra Editrice and edited Galassia.
As I celebrate the birthdays of a range of SF authors/illustrators/editors from multiple language traditions on twitter (@SFRuminations), I came across Allison’s work while researching her husband’s untranslated SF output. However, only through the diligent research of a twitter follower, whose Italian is far better than mine, were we able to come across her real name.
A reader on twitter sent me two Italian articles for more details (they are scanty) about her life and SF art: “Libra Editrice: ascess e caduta di un impero” and “Nova SF.”
And her art is absolutely gorgeous…. Her work enters the pantheon of my favorite SF cover Continue reading