Edmond Hamilton

Short Fiction Reviews: Edmond Hamilton’s “Requiem” (1962) and John Anthony West’s “George” (1961)

/ Joachim Boaz / 4 Comments

Today I’ve reviewed the 30th and 31st story in my series on the science fictional media landscape of the future. In Edmond Hamilton’s “Requiem” (1962), the newsmen and women of the far future descend en masse to witness Earth’s death. And in John Anthony West’s snarky satire “George” (1961), the titular character’s body slowly atrophies while ensconced in the living room watching TV.

Previously:  Sydney J. Van Scyoc’s “Shatter the Wall” (1962).

Up Next: Russell Bates’ “Hello, Walls and Fences” (1973) and “Warning: The Surgeon General Has Determined…:” (1977)

  • Lloyd Birmingham’s cover for Amazing Stories, ed. Cele Goldsmith (April 1962)

3.5/5 (Good)

Edmond Hamilton’s “Requiem” first appeared in Amazing Stories, ed. Cele Goldsmith (April 1962). You can read it online here.

In 2020, I read Hamilton’s brilliant “What’s It Like Out There?” (1952) which obliterated my ignorant view of his fiction. I asked some of my readers for other ruminative Hamilton works (i.e. not the pulp cosmos-exploding adventures he’s best known for) and “Friend of the Site” Brian Collins mentioned “Requiem.” And onto the queue, it went as it fit this series. Thank you!

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Short Story Review: Edmond Hamilton’s “What’s It Like Out There?” (1952)

/ Joachim Boaz / 59 Comments

This is the second post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.

Thank you “Friend of the Site” Jennifer Jodell for alerting me to the existence of this gem, our discussion, and for providing a summary  of  Damon Knight’s 1962 introduction.

Previously: Walter M. Miller, Jr.’s “Death of a Spaceman” (variant title: “Memento Homo”) (1954).

Up Next: William Tenn’s “Down Among the Dead Men”  (1954)

Walter Popp’s cover for the December 1952 issue

5/5 (Masterpiece)

In the December 1952 issue of Thrilling Wonder Stories, Samuel Hines (the editor) presents “What’s It Like Out There?” as the culmination of Edmond Hamilton’s Phoenix-like evolution from a “primitive period” of writing extravagant pulps to Continue reading →

Adventures in Science Fiction Cover Art: Women SF Illustrators of the 1960s/70s, Part III: The Galassia Covers of Allison, A.K.A. Mariella Anderlini

/ Joachim Boaz / 30 Comments

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(Cover for Galassia #97, January 1969)

Two of my recent Adventures in Science Fiction Cover Art posts fit (retroactively) into a linked post series on women SF illustrators from the 1960s/70s—which includes The Diagrammatic Minimalism of Ann Jonas and Donald Crews and Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini.  This post is a continuation of the latter and explores the twelve covers Alison created for Galassia in 1969 that showcase her vivid creativity.

Galassia was one of the primary Italian SF publications for most of the 1960s (consult Michael Ashley’s Transformations: The Story of the Science-fiction Magazines from 1950-1970, 311) and introduced translations of English-language Continue reading →

Adventures in Science Fiction Art: Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini

/ Joachim Boaz / 27 Comments

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(Cover for the 1973 edition of The City in the Sea (1951), Wilson Tucker)

Mariella Anderlini, under the pseudonym Allison, produced a vast number of surreal and masterful SF covers (between 1969-1988) primarily for the Italian SF publisher Libra Editrice.  Apparently, she went under the pseudonym to avoid damaging her professional painting career.  She was the wife of Ugo Malaguti, editor and author, who founded Libra Editrice and edited Galassia.

As I celebrate the birthdays of a range of SF authors/illustrators/editors from multiple language traditions on twitter (@SFRuminations), I came across Allison’s work while researching her husband’s untranslated SF output.  However, only through the diligent research of a twitter follower, whose Italian is far better than mine, were we able to come across her real name.

A reader on twitter sent me two Italian articles for more details (they are scanty) about her life and SF art: “Libra Editrice: ascess e caduta di un impero”  and  “Nova SF.”

And her art is absolutely gorgeous…. Her work enters the pantheon of my favorite SF cover Continue reading →