This is the second post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.
Today: Edmond Hamilton’s “What’s It Like Out There?” (1952), 5/5 (Masterpiece). First appeared in the December 1952 issue of Thrilling Wonder Stories, ed. Samuel Hines. You can read the story online here.
Thank you “Friend of the Site” Jennifer Jodell for alerting me to the existence of this gem, our discussion, and for providing a summary of Damon Knight’s 1962 introduction.
Previously: Walter M. Miller, Jr.’s “Death of a Spaceman” (variant title: “Memento Homo”) (1954) in the March 1954 issue of Amazing Stories, ed. Howard Browne. You can read the story online here.
Up Next: William Tenn’s “Down Among the Dead Men” (1954) in the June 1954 issue of Galaxy Science Fiction, ed. H. L. Gold. You can read it online here.
Walter Popp’s cover for the December 1952 issue
In the December 1952 issue of Thrilling Wonder Stories, Samuel Hines (the editor) presents “What’s It Like Out There?” as the culmination of Edmond Hamilton’s Phoenix-like evolution from a “primitive period” of writing extravagant pulps to Continue reading
(Cover for Galassia #97, January 1969)
Two of my recent Adventures in Science Fiction Cover Art posts fit (retroactively) into a linked post series on women SF illustrators from the 1960s/70s—which includes The Diagrammatic Minimalism of Ann Jonas and Donald Crews and Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini. This post is a continuation of the latter and explores the twelve covers Alison created for Galassia in 1969 that showcase her vivid creativity.
Galassia was one of the primary Italian SF publications for most of the 1960s (consult Michael Ashley’s Transformations: The Story of the Science-fiction Magazines from 1950-1970, 311) and introduced translations of English-language Continue reading
(Cover for the 1973 edition of The City in the Sea (1951), Wilson Tucker)
Mariella Anderlini, under the pseudonym Allison, produced a vast number of surreal and masterful SF covers (between 1969-1988) primarily for the Italian SF publisher Libra Editrice. Apparently, she went under the pseudonym to avoid damaging her professional painting career. She was the wife of Ugo Malaguti, editor and author, who founded Libra Editrice and edited Galassia.
As I celebrate the birthdays of a range of SF authors/illustrators/editors from multiple language traditions on twitter (@SFRuminations), I came across Allison’s work while researching her husband’s untranslated SF output. However, only through the diligent research of a twitter follower, whose Italian is far better than mine, were we able to come across her real name.
A reader on twitter sent me two Italian articles for more details (they are scanty) about her life and SF art: “Libra Editrice: ascess e caduta di un impero” and “Nova SF.”
And her art is absolutely gorgeous…. Her work enters the pantheon of my favorite SF cover Continue reading