Magazine Review: Galaxy Science Fiction, ed. H. L. Gold (November 1950) (Brown, Asimov, Boucher, Leiber, Knight, Simak)

Preliminary Note: I plan on reading all 116 issues of the influential, and iconic, SF magazine Galaxy under H. L. Gold’s editorship (October 1950-October 1961) in chronological order. How long this project will take or how seriously/systematically I will take it remain complete unknowns.

See my inaugural post in this series for my reasoning behind selecting Galaxy under H. L. Gold.

Previously: the October 1950 issue.

Up Next: the December 1950 issue.

Let’s get to the stories. We have the first Galaxy masterpiece!


You can read the entire issue here.

Fredric Brown’s “Honeymoon in Hell” (1950), 3/5 (Average): The year is 1962. The Cold War heats up. The race for a permanent presence on the Moon takes center stage. Each side “had landed a few men” and claimed it as their own (4). Each side races to construct a space station in orbit to facilitate the construction of a permanent base on the moon. But there’s another worrying world-wide trend–a massive gender imbalance in new births! Not enough boys! Riots. Cults. What’s the plan?

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Magazine Review: Galaxy Science Fiction, ed. H. L. Gold (October 1950) (Simak, Sturgeon, MacLean, Matheson, Leiber, Brown, Asimov)

Preliminary Note: I plan on reading all 116 issues of the influential, and iconic, SF magazine Galaxy under H. L. Gold’s editorship (October 1950-October 1961) in chronological order. How long this project will take or how seriously/systematically I will take it are complete unknowns. I am a reader of whim. I will choose whether to reread certain stories that I’ve previously covered. Serialized novels will only be reviewed after I complete the entire work and posted as separate reviews. Why Galaxy, you might ask?

First, I can’t escape the pull of 1950s science fiction focused on social commentary and soft science. Second, I am obsessed with 50s American politics during a time of affluence, the rise of TV and mass culture, and the looming terror of the Cold War. Third, there are a legion of well-known 50s authors I’ve yet to address in any substantial manner on the site who appeared behinds its illustrious covers. Fourth, H. L. Gold was interested in all different types of stories.

As SF Encyclopedia explains, Galaxy was an “immediate success” in part because “Astounding was at this time following John W Campbell Jr’s new-found obsession with Dianetics and was otherwise more oriented towards technology.” Gold’s interests, on the other hand, “were comparatively free-ranging: he was interested in psychology, sociology and satire and other humor, and the magazine reflected this.”

I hope you enjoy this series! Feel free to join.

Up Next: the November 1950 issue.


You can read the entire issue here.

Clifford D. Simak’s Time Quarry (variant title: Time and Again) (1950). Serialized over three issues. I will post an individual review after I complete the serialization.

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Book Review: Star Science Fiction Stories No. 3, ed. Frederik Pohl (1955)

3.5/5 (collated rating: Good)

Ballantine Books’ illustrious science fictional program started with a bang–Star Science Fiction Stories. According to Mike Ashley’s Transformations: The Story of Science-Fiction Magazines from 1950 to 1970 Frederik Pohl’s anthology series of original (mostly) stories was “intended as both a showcase of Ballantine’s authors and a lure to new writers.” Paying better rates than magazines, the Star series foreshadowed the explosion of original anthologies that would provide a sustained challenge to the eminence held in the 50s by the magazine.

I’ve selected the third volume of the six-volume series.1 It contains an illustrative cross-section of 50s science fiction. Philip K. Dick’s “Foster, You’re Dead” (1955), Richard Matheson’s “Dance of the Dead” (1955), and Jack Williamson’s “Guinevere for Everybody” (1955) are not to be missed.

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What pre-1985 science fiction are you reading? + Update No. XVIII

What pre-1985 science fiction are you reading or planning to read this month? Here’s the November installment of this column.

Last week I wrote a post about Clifford D. Simak’s delightfully inclusive 1971 speech at the height of the New Wave in which he celebrated science fiction as a “forum of ideas” open to all voices. While reviewing the various snarky comments leveled at the movement by “classic authors” like Asimov, a faint memory of James Blish’s own anti-New Wave sentiments tickled my memory. I randomly opened up a book on my desk to figure out a fascinating SF tidbit to start this post, and voilà, the James Blish story.

Jacqueline Foertsch’s Reckoning Day: Race, Place, and the Atom Bomb in Postwar America (2013) contains a sustained analysis of Samuel R. Delany’s various post-apocalyptic novels. She includes a discussion of the response to Delany’s Nebula-winning The Einstein Intersection (1967). At the 1968 Nebula Awards Banquet, moments after Delany received his prize for Einstein (and where moments later he’d collected another award for “Aye, and Gomorrah”), Blish lambasted the New Wave. Blish complained about the “loosening of the genre’s parameters” and the “re-christening of the genre” as “speculative fiction” (98). I find all of this hilarious as Blish himself wrote fantasy novels like Black Easter (1968) (that would also nab a 1969 Nebula nomination) and far earlier oblique proto-New Wave speculative fictions like “Testament of Andros” (1953). I wonder if Blish aimed such vitriol at a figure like Simak, who took the loosening of the genre’s parameters to extremes during the New Wave–i.e. novels like The Goblin Reservation (1968), Destiny Doll (1971), and Out of Their Minds (1970). Unfortunately, I don’t think it’s surprising that Blish took especial issue with one of the few black SFF authors of the day.

And let me know what pre-1985 science fiction you’ve been reading!

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What pre-1985 science fiction are you reading? + Update No. XVI

What pre-1985 science fiction are you reading or planning to read this month? Here’s the August installment of this column.

I often think back to how I got hooked on science fiction. As I have mentioned many times before, I primarily read fantasy–in particular every bloated Tolkein ripoff I could get my hands on–before I moved to science fiction in my late teens. Tad Williams’ fantasy trilogy Memory, Sorrow & Thorn (1988-1998) holds special significance. While looking for other fantasy titles by Williams at the local used book store, I stumbled across his equally bloated four-volume SF sequence Otherland (1996-2001). And so the slow shift began… I had read other science fiction but nothing hooked me quite like Otherland. It’s one of those works that I plan on never rereading—the spell would break.

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What pre-1985 science fiction are you reading? + Update No. XII

What pre-1985 science fiction are you reading or planning to read this month?

Here’s April’s installment of this column.

First, a bit about Isaac Asimov’s Foundation (1951) from M. Keith Booker’s Monsters, Mushroom Clouds, and the Cold War: American Science Fiction and the Roots of Postmodernism, 1946-1964 (2001), my current history of science fiction read:

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Exploration Log 3: Interview with Adam Rowe, author of Worlds Beyond Time: Sci-Fi Art of the 1970s (2023)

Today I have the third post in my Exploration Log series.

I would like to welcome Adam Rowe to Science Fiction and Other Suspect Ruminations. He is the author of a brand new book–Worlds Beyond Time: Sci-Fi Art of the 1970s (2023)–on 70s science fiction cover art with a foreword by artist Vincent Di Fate. You can follow Adam’s art account on Twitter and Tumblr. I also recommend subscribing to his free 70s SF art newsletter. You can buy Worlds Beyond Time on Amazon and Barnes and Noble

Adam Rowe is a writer who has been collecting retro science fiction art online since 2013. He covers technology at Tech.co and has been a Forbes contributor on publishing and the business of storytelling. He has also written for iO9, Popular Mechanics, Tor.com, and the Barnes & Noble Sci-Fi & Fantasy Blog. Worlds Beyond Time: Sci-Fi Art of the 1970s (2023) is his first book.

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Updates: My 2022 in Review (Best SF Novels, Best SF Short Fiction, and Bonus Categories)

2022 was the single best year in the history of my site for visits and unique viewers!

As I mention year after year, I find reading and writing for the site—and participating in all the SF discussions generated over the year—a necessary and greatly appreciated salve. Whether you are a lurker, occasional visitor, or a regular commenter, thank you for your continued support.

Continuing a trend from 2021, I read only a handful of novels this year. Instead, I devoted my obsessive attention to various science short story review initiatives (listed below), anthologies, and histories of the science fiction genre. Without further ado, here are my favorite novels and short stories I read in 2022 with bonus categories. Descriptions are derived from my linked reviews.

Check out last year’s rundown if you haven’t already for more spectacular reads. I have archived all my annual rundowns on my article index page if you wanted to peruse earlier years.


My Top 5 Science Fiction Novels of 2022 [TITLES LINK TO FULL REVIEWS]

1. Vonda N. McIntyre’s Dreamsnake (1978), 4.75/5 (Near Masterpiece): Won the 1979 Hugo, Locus, and Nebula Award for Best Novel. Snake journeys across the post-apocalyptic wastes of a future Earth with three serpents healing the sick and caring for the dying. She is a member of the healers, who adopt orphans and rescue the oppressed and train them how to use the serpents. Mist and Sand are genetically modified vipers of terrestrial origin. But Grass comes from another alien world. Snake uses Mist and Sand’s venom to create vaccines, treat diseases, and cure tumors. Grass, the rare dreamsnake, with its alien DNA is the most important of them all–it provides therapeutic pleasure and dreams that facilitate conquering one’s fear and healing in the ill. In Snake’s voyages, she encounters prejudice and violence. A joyous sense of sexual freedom permeates the proceedings. A powerful and different take on a post-apocalyptic worldscape in every possible way.

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Recent Science Fiction Purchases No. CCXCIX (Henry Kuttner, C. L. Moore, Jack Williamson, Jacob Transure, Star Anthology)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Ahead of Time, Henry Kuttner and C. L. Moore (1953)

From the inside page: “A brain in a box fights a criminal plot

A visitor from the future turns out to be peculiar even for his society

An eternal hillbilly family survives the centuries and gets into political trouble

A sick electronic calculator catches a psychosis from its operator

…these are some of the highly original and vividly written stories you will find in this selection of a master’s work.

Science fiction and fantasy grow constantly in popularity. Writing of this quality and imagination is the reason. Henry Kuttner demonstrates again in his book why more and more readers are becoming devotees of that intriguing fiction which is not content to stay in the world as we see it and know it, which takes us to the farthest reaches of space and time, to the farthest reaches of the human mind.”

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