Today I’ve selected two post-apocalyptic visions by female authors. I needed an antidote to the creepy last man/woman stories I’ve been reading recently. Alice Eleanor Jones spins a masterpiece about a housewife attempting to keep the entropy of a crumbling world and an abusive husband at bay. Katherine MacLean imagines a moment where the last representative of the American Empire, after all the rhetoric of progress and exceptionalism came crashing down in a nuclear war, interacts with a persistent and well-meaning native girl.
The links to the stories can be found in the reviews. Both are recommended reads for fans of 50s and 60s science fiction.
Alice Eleanor Jones’ “Created He Them” first appeared in The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher (June 1955). You can read it online here.
Sometimes there are stories that transcend their short length with lasting power. This story has resided within me as if freshly read for weeks. Like some corrosive lozenge of love and hate, “Created He Them” eats you up from the inside.
This anthology contains the 4th post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. I decided to review the entire anthology!
Up Next: Theodore Sturgeon’s “The Man Who Lost the Sea” in The Magazine of Fantasy and Science Fiction, ed. Robert P. Mills (October 1959). You can read the story online here.
Jim Steranko’s cover for the 1st edition
3/5 (Collated rating: Average)
Robert Hoskins “resurrected” Infinity Science Fiction magazine (1955-1958) as a five volume anthologies series between 1970-1973. The first volume, Infinity One (1970), contains sixteen original stories and one reprint from the original magazine–Arthur C. Clarke’s “The Star” (1955). SF Encyclopedia describes the anthology series as “a competent but not outstanding series.”
Eight of the seventeen stories fall into the “good” category. While none are masterpieces, Robert Silverberg, Arthur C. Clarke, Barry N. Malzberg co-writing with Kris Neville, Katherine MacLean, Gene Wolfe, and Poul Anderson Continue reading →
His post focuses on three stories from different authors including one of the best known from the pre-1969 era: the writing pair of C.L. Moore and Henry Kuttner, Katherine MacLean, and Edna Underwood. As no discussion of women in pre-1969 SF would be complete without C.L. Moore, and it is often impossible to discern which stories she wrote individually and which she wrote with her husband Henry Kuttner, I gave the go ahead for Jesse to review one of their best known co-written short stories.
(Katherine Maclean’s “The Snowball Effect” first appeared in the September 1952 issue of Galaxy, cover: Jack Coggins)
Review of “Vintage Season” (1945) by C.L. Moore and Henry Kuttner, “The Snowball Effect” (1952) by Katherine MacLean, and “The Painter of Dead Women” (1910) by Edna Underwood
Gender in science fiction is surely one of the top three subjects in online genre discussion these days. The objectification of women, the roles of women in story, the lack of award recognition for female writers, the negative Continue reading →
(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)
The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.
Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.
Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.
Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading →
(Inside illustration by Vincent Di Fate for the 1973 edition of The Orchid Cage (1961), Herbert W. Franke)
Part II of my SF acquisitions from Dawn Treader Books in Ann Arbor, MI– Part I. In my attempt to acquire more foreign SF (still haven’t managed to read that much of it—but the mood will strike eventually), I found a nice copy with a wonderful interior illustration and cover by Vincent Di Fate of one of Herbert W. Franke’s novels.
Also, another Ian Watson novel—I’ve read the Jonah Kit (1975) but never got around to reviewing it as well as his collection (must read for fans of 70s SF) The Very Slow Time Machine(1979). Jesse over at Speculiction raves about his other Continue reading →
On twitter [my account here — please follow! I post interesting things!] I posed the following question:
Which SF author—for the purposes of this site’s focus, an author starting pre-1980—deserves a new (or reprint) single author collection?
GUIDELINES (please read): Said author cannot have a single author collection published within the last 10 years (you can fudge this a bit). It also should be noted that many eBooks aren’t available in the United States (SF Gateway for example). If the recent eBook edition isn’t available in the US, I guess the author fits the bill (*cough* — John Sladek).
Note: If you are thinking about doing some checking before you make your choice (see guidelines) I recommend using isfdb.org as it has mostly up to date publication histories for all but self-published authors.
My vote: Miriam Allen deFord (active from — SF Encyclopedia LINK
Published collections: Xenogenesis (1969) and Elsewhere, Elsewhen, Elsehow (1971)
Reason: Miriam Allen deFord (1888-1975) was one of the major voices in SF magazines from 1946 – 1978. She never made the transition to novels and thus might have lost some readership as a result. The stories in Xenogenesis (1969) shows an often radical voice right from her first story in 1946. Although they might not be as polished as some of her more Continue reading →
The Gollancz Masterwork series [list] ranges from famous novels such as Ursula Le Guin’s The Left Hand of Darkness (1969) to lesser known short story collections such as The Caltraps of Time (1968)by David I. Masson. The Masterwork series has the power to introduce readers to the canonical “best of SF” and works that should be considered classics. Many of the second group have not seen print for decades. Although I have some qualms about certain inclusions, I was genuinely blown away that they recently chose one of my favorite novels The Continuous Katherine Mortenhoe (variant title: The Unsleeping Eye) (1973) by D. G. Compton—an underread and unjustly forgotten author.
Over the course of the next week or so a handful of my fellow SF bloggers (most of whom have a focus on earlier SF) will release lists on their sites of SF they would like to see featured by Gollancz. I have not given them any guidelines so the lists should be varied and hopefully will generate some discussion. I highly recommend you head over to their sites (I will post the links as they come in) and comment.
Thoughts + comments are always welcome (as well as your own lists!).
More “What to Include in the Gollancz Masterwork Series” Lists (blog friends)
One of the better groups of acquisitions in a while! After Katherine MacLean’s masterpiece Missing Man (1975) I was very excited to come across a collection of her late 40s and 50s short stories. Unfortunately, my edition — from 1973— had such an awful cover that I couldn’t put in on this post. Instead, I put the first edition cover by Paul Lehr which is simply gorgeous….
Ballard collections are always welcome! I have all of his short works in a single volume but the Powers cover is top-notch.
One of Ian Watson’s most famous novels…
And an unknown work by Brian Aldiss, Enemies of the System (1978)… Has anyone read it? I suspect it will be the weakest book of the bunch.