Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.
Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.
…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).
Scans are from my collection.
1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)
(John Schoenherr’s cover for the 1972 edition) Continue reading “Updates: Recent Science Fiction Acquisitions No. CLXXXII (The Anthology Edition) (Best SF Stories from New Worlds 5, Orbit 6, Alpha 3, Best SF 1972)”
(Gene Szafran’s cover for the 1972 edition)
3/5 (collated rating: Average)
An imaginary question I received: “Why do you read anthologies cover to cover?” I love discovering new authors and those I was aware existed but haven’t read—with New Writings in SF 9 (1972) the following fall into this bipartite category: Joseph Green, Paul Corey, Arthur Sellings, Vincent King, R. W. Mackelworth, and Eddy C. Bertin.
Of the bunch, I will probably only remember Vincent King’s vision of the angst as the exploration of the entire galaxy nears completion… Both authors whom I know far better produce the best of the collection. Michael G. Coney’s haunting tale of evolutionary dependency and M. John Harrison account of paranoia and guilt over the massacre of mysterious aliens are worth the read. Too bad the three above were never anthologized outside of John Carnell’s New Writings series!
Overall New Writings in SF 9 is superior to New Writings in SF 4 (1965) but probably only satisfying for Coney and Harrison completists….
Note: this title refers to the 1972 US publication which was a best of earlier volumes. Another volume by the same name was published in 1966 in the Continue reading “Book Review: New Writings in SF 9, ed. John Carnell (1972) (Harrison + Coney + Sellings + King + et al.)”
Prepare for a glut of “Recent Science Fiction Acquisition” posts!
From my recent travels and a gift from a friend (@SFPotpourri)….
Michael G. Coney is an odd bird. If you’re curious what I might mean, check out my reviews of Friends Come in Boxes (1973) and Hello Summer, Goodbye (variant title: Rax) (1975). In short, I had to procure a short story collection!
Chad Oliver, an early proponent of anthropological SF, intrigues yet frustrates—I need to read more than The Shores of Another Sea (1971) to come to a firm conclusion about his fiction.
And Kate Wilhelm, my views are firmly established — in the spring of last year I put together a Kate Wilhelm guest post series. Check it out! I’ve posted reviews for the following: her early collection (for fans of 50s SF only) The Mile-Long Spaceship (1963), her spectacular collection with numerous award-winning stories (for fans of experimental SF) The Downstairs Room and Other Speculative Fiction (1968), her solid SF + psychological horror novel Margaret and I (1971), and her even better novel Juniper Time (1979).
And New Dimensions IV (1974), an anthology edited by Silverberg—with a story from one of the unsung SF greats, David R. Bunch. I have discussed but not reviewed his collection Moderan (1972). I placed it on my top 10 SF works (pre-1980) for inclusion in the Gollancz Masterwork series list. And, has anyone read Felix C. Gotschalk? It contains two stories by this unknown (at least to me) author. An overall fantastic lineup (Malzberg, Lafferty, Dozois, Bunch, etc.)….
[does anyone know the artist for the Silverberg edited anthology?]
1. Monitor Found in Orbit, Michael G. Coney (1974)
(Kelly Freas’ cover for the 1974 edition) Continue reading “Updates: Recent Science Fiction Acquisitions No. CLI (Wilhelm + Oliver + Coney + Anthology)”
M. John Harrison’s collection The Machine in Shaft Tent (1975) contains one of the more humorous inside flap advertisements I have encountered:
Don’t worry, I certainly intend to “see tomorrow today!” I’ll be disappointed if I can’t!
The others are a strange blend… From Edmund Cooper’s apparently anti-Free Love/60s culture Kronk (1970) to a delightful collection of another one of my favorite years of SF.
Also, I seldom accept advanced reader copies due to my limited time/limited interest in newer SF/and incredible mental block when it comes to, how shall I say it, outside forces guiding my central hobby which tends to take me in a variety of directions solely on whim. But, Gollancz was nice enough to send me their new omnibus collection of 1970s Michael G. Coney novels (amazon link: US, UK). Not only did I enjoy Hello Summer, Goodbye (1975) but I recently reviewed and loved Coney’s bizarre and original Friends Come in Boxes (1973). With two out of two successes it’s hardly like I wouldn’t buy his work on sight anyway (another one of my requirements when accepting AVCs)…. I will review two or three of the novels in the omnibus one at a time over the next few months.
1. The Machine in Shaft Ten, M. John Harrison (1975)
(Chris Foss’ cover for the 1975 edition) Continue reading “Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)”
(John Holmes’ cover for the 1973 edition)
“KEEP A CLEAN SHEET OR YOU’LL END UP AS MEAT” (72)
Michael G. Coney’s focus on everyday struggles—the normal minutiae of life—reached wonderful heights in the lyrical paean to youth and youthful travails Hello Summer, Goodbye (variant title: Rax) (1975). While the true import of Hello Summer, Goodbye‘s narrative only slowly unfurls as the young man comes of age and perceives more about his world, the world of Friends Come in Boxes (1973) relentlessly writhes and boils as each main character is compelled to commit a crime Continue reading “Book Review: Friends Come in Boxes, Michael G. Coney (1973)”
(Josh Kirby’s cover for the 1975 edition)
4.5/5 (Very Good)
Michael G. Coney’s Hello Summer, Goodbye (variant title: Rax) (1975) — often considered a minor classic of the genre — is a lyrical paean to young love arrayed against a backdrop of a world filled with increasingly sinister undercurrents, unusual (and fantastic) fauna and flora, and characters we connect with in deeply emotional ways. I am the first to admit that I am intensely suspicious of SF labeled thusly: “This is a love story, and a way story, and a science fiction store, and more besides” (authors note). However, the “love story” elements are so delicately wrought and unfold naturally without undue melodramatic flair that I was smitten with the characters and felt for their struggles.
Welcome to an alien world where anomie trees Continue reading “Book Review: Hello Summer, Goodbye (variant title: Rax), Michael G. Coney (1975)”