Piotr Kamler’s SF film Chronopolis (1982) is a hypnotic exercise in sinister science whose imagery is lifted from an archaic stone vault (1). Against an unsettling patina of musique concrète composed by Luc Ferrari, we are plunged into a far future existence where immortal beings ensconced in a celestial city perform apathetic conjurations of matter. An external force, explorers climbing the pillars (?) that hold up the city, presage a deliverance from the languor that afflicts all.
On the night of 20-21st of August 1968, the Warsaw Pact countries (led by the USSR) invaded Czechoslovakia ending the period of liberalization known as Prague Spring. And with it, the Czech New Wave film movement “ended.” Regardless, Karel Kachyna filmed The Ear (1970), a paranoid psychological thriller redolent with New Wave stylings, that brandishes a proverbial middle finger in the direction of the Communist Party. Unsurprisingly, the film was promptly banned until 1989, and Kachyna Continue reading [Short] Diaristic Fragments on Czech Experimental Film: The Ear (1970), dir. Karel Kachyna→
C. L. Moore’s Doomsday Morning (1957) — she’s best known for her revolutionary 1930s works including “Shambleau” (1934) and the “Jirel of Joiry” sequence — is perhaps her most ruminative and traditional SF novel (she tended to write more fantastical SF and fantasy). Unfortunately, she quit writing around the time of the death of her husband and frequent collaborator Henry Kuttner (they often published under the pseudonym Lewis Padgett). And her second husband forbid her to write altogether…
Moore creates a finely wrought dystopic vision where an oppressive future government utilizes communication networks to spread its tentacles across the United States. Against this backdrop intriguing characters come to life. Her descriptions of the political backdrop remain minimalistic which is surprising for SF of the 50s which often resorts to lengthy descriptive lectures. Instead, the true extent of the government’s Continue reading Book Review: Doomsday Morning, C. L. Moore (1957)→
I do not write reviews for the majority of films I watch. My reasons are somewhat nebulous considering it’s the summer and I certainly have time. I see my blog more as a way to re-examine and bring to the forefront sci-fi books and films generally more esoteric and infrequently reviewed. But certain winds shift direction for brief windows of time. So here we go, a rundown of the more popular films I’ve seen in theater or re-watched recently.
The Tree of Life (2011), dir. Terrence Malick, rating 7.75/10 (Good)
This “lost” (for good reason) little film is vaguely watchable for one aspect alone — a massive futuristic art-deco transatlantic plane which can fly from London to New York in 18 hours! Non-Stop New York (1937) is an early film from illustrious director Robert Stevenson (Mary Poppins, Bedknobs and Broomsticks, The Love Bug, Continue reading A Film Rumination: Non-Stop New York, Robert Stevenson (1937)→
Everyone! I’ve decided to start a new series of posts! An episode by episode log of my reactions (including, but not limited to rants, ravings, tangential ruminations, mutterings, and indecipherable utterances) to Space: 1999 (1975-1977). I’ve never seen the show before and don’t have very high expectations. But with 2001: A Space Odyssey inspired visuals and some 70s flare (see the hilarious costumes of the cast image below), how bad can it be? (haha). A general naïveté (on my part) Continue reading SF TV Episode Reviews: Space: 1999, episode 1, ‘Breakaway’ (1975)→