Adventures in Science Fiction Cover Art: Futuristic Telescopes and Radar Dishes

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(Brian Lewis’ cover for the July 1960 edition of New Worlds Science Fiction)

Brian Lewis’ fantastic cover for the July 1960 edition of New Worlds Science Fiction (if there’s a single magazine I desperately want to collect it’s this one…) depicts a futuristic radar dish (alien or human?) with a surrealist touch.  I’ve included a wide range of different SF takes on radar dishes and telescopes – including what I assume is a Hubble-like space telescope on A. Leslie Ross’ cover for the July 1952 issue of Future Science Fiction.  But there’s a chance that Ross’ telescope is on the Earth’s surface — the cluttered, confused, and rather hasty cover is rather hard to figure out (evil string creatures?).

The futuristic telescope (or radar dish) is a tantalizing image of humankind Continue reading

Book Review: Godling, Go Home!, Robert Silverberg (1964)

(Uncredited cover for the 1964 edition)

3.25/5 (Average)

Before Robert Silverberg wrote his late 60s and early 70s New Wave masterpieces (A Time of Changes, Dying Inside, The World Inside, etc), he produced a vast quantity of pulp science fiction novels and short stories.  Godling, Go Home! (1964) is a surprisingly solid collection of 50s shorts that can, at times, be surprisingly meditative (on death, exploration, civilization).  That said, expect rather naive messages — à la “we travel in space because we can!” or “Alien contact requires out-of-the-box thinking” — grafted onto a by the numbers pulp plot.

A fun collection — recommended for fans of slightly more intelligent than normal pulp SF, Silverberg completes, and 50s SF.  “Godling, Go Home!” (1957), “Why?” (1957), and Continue reading

Adventures in Science Fiction Cover Art: The Statue of Liberty on Pre-1968 Magazine and Novel Covers, Part II

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(Richard Weaver’s cover for the 1968 edition of The Monitors (1966), Keith Laumer)

Here’s an evocative collection of SF Statue of Liberty covers from before and after WWII…

Make sure to take a peek at Part I if you have not already. In Part I, I discussed the rationale for my dating restriction i.e. covers on the theme published pre-1968.  After Franklin J. Schaffner’s movie Planet of the Apes (1968) became a cultural phenomena, multiple covers paid homage to the famous scene in the film.  Hopefully, by examining the ten covers I’ve found depicting the Statue of Liberty from before the movie was released — often in scenes similar to the iconic one in Planet of the Apes (Part I contains a comparison) — the purposeful reference to earlier magazine art is clear…

The Statue of Liberty was not only deployed in some post-apocalyptical Continue reading

Book Review: As on a Darkling Plain, Ben Bova (1972)

(Chris Moore’s cover for the 1981 edition)

2.75/5 (Average)

Unfortunate title aside (“darkling” sound like a small evil creature in a work of fantasy), Ben Bova’s As on a Darkling Plain (1972) is a middling fix-up novel in every respect.  It is worth noting that Chapters 5 (‘The Jupiter Mission’) and 6 (‘The Sirius Mission’), which comprise a great majority of the novel, appeared earlier in If February 1970 and Galaxy January 1969 as “Pressure Vessel” and “Foeman, Where Do You Flee?” respectively.  I’m not sure how much was expanded or subtracted.  If anyone knows please leave a comment — I find that the act of revising earlier work interesting in itself.

Bova’s novel inspired my recent cover art post on Future Archeology and Mysterious Artifacts.  The premise is a standard one: A mysterious artifact Continue reading

Book Review: Approaching Oblivion, Harlan Ellison (1974)

(Leo and Diane Dillon’s cover for the 1974 edition)

4.25/5 (collated rating: Good)

Ellison’s stories punch where it hurts.  Approaching Oblivion (1974) is filled with transfixing tales about violent future racism (“Knox”), humanity’s last moments (“Kiss of Fire”), the desperate desire to change one’s own past (“One Life, Furnished in Early Poverty”), a last rebel against the militarizing system (“Silent in Gehanna”), and familial rivalry within a vast arcology (“Catman”), etc…

They are terrifying and vicious, immersive and gut-wrenching, and span from baroque far future speculations to near future warnings.  Above all, they are well-written and intelligent.  Many are infused with (pseudo) autobiographical content and lament the societal ills Continue reading

Adventures in Science Fiction Cover Art: Future Archaeology and Mysterious Artifacts (Alien + Human)

SPCSCNCFCC1953

(Hannes Bok’s cover for the  Space Science Fiction [UK], Volume 1 No. 4 (1953), ed. unlisted)

A spaceship arrives on Mars…  After a cursory initial exploration, the human astronauts conclude that the planet has always been barren and uninhabited.  But in some chasm or scattered in desolate plain, a column is found, and rows of mysterious buildings, and a pulsating crystal…  An abandoned outpost of an alien society?  Or, Earth’s mysterious forebearers…  Summaries such as this one proliferate the dusty SF paperbacks on back shelves of used book stores and the closets of SF fans — the variations are countless.

Queue my cover art theme: The future discovery of mysterious ruins/artifacts Continue reading

Book Review: Herovit’s World, Barry N. Malzberg (1973)

(Charles Moll’s cover for the 1974 edition)

3.5/5 (Good)

Note: Today is Barry N. Malzberg’s birthday!

Upon reading In the Enclosure (1973) I was immediately seduced by Barry N. Malzberg’s metafictional brand of science fiction — best illustrated by his masterpieces Beyond Apollo (1972) and Revelations (1972).  Although Herovit’s World (1973) contains many of the same metafictional trademarks of Malzberg’s best work, it should be noted that the novel is not science fiction and more a work about writing (pulp) science fiction.  In this case, the mental collapse of a pulp writer whose life may or may not contain “true” autobiographical kernels from Malzberg’s own experience Continue reading

Book Review: Mister Da V. and Other Stories, Kit Reed (1967)

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(Uncredited cover for the 1967 edition)

4.25/5 (collated rating: Good)

Kit Reed has been publishing literary, thought-provoking, and darkly satirical sci-fi + speculative fiction + non-genre fiction since the late 50s… And she is still going strong — her most recent novel Son of Destruction (2012) came out last year.  Reed’s collection Mister Da V. and Other Stories (1967) contains three stories from the late 50s including her first published work, ‘The Wait’ (variant title: ‘To be Taken to a Strange Country’) (1958) and ten others from the 60s.  A few of the stories in the collection are not overtly science fiction — regardless, one could argue that all but ‘I am Through with Bus Trips’ (1967) contain speculative and/or sci-fi elements.

There are superficial differences between the 1967 Faber and Faber edition and the 1973 Berkley Medallion edition.  Because I own the Berkley paperback I’ve gone ahead and followed its chronological story order and page numbers.

A few of the themes/topics of the volume:  Paranoia.  Post-apocalyptic Landscapes.  Youth  Continue reading

Adventures in Science Fiction Cover Art: The Space Station, Part III

8fb71adc43d8c6f43977b5522a534504(Graham Kaye’s cover for the 1955 edition of Tom Swift and his Outpost in Space (1955), Victor Appleton II)

This is Part III of my series on space stations (Part I + Part II).  Ever since I watched 2001: A Space Odyssey (1968) as a teen I’ve been fascinated by space stations — platforms for further space exploration!  I can only imagine how exciting it was for fans of science fiction who read about stations before they existed to see them finally constructed. The fact that they became reality — well, perhaps not (yet) as a launching point for space going exploration vessels — almost vindicates the scientific extrapolation of some of these early visions.  Also, Arthur C. Clarke’s Islands in the Sky (1952) happened to be one of my first science fiction novels…..  And C. J. Cherryh’s Downbelow Station (1981) Continue reading