(Uncredited cover for the 1963 edition of Doomsday, 1999 (variant title: Midge), Paul MacTyre)
Behold Part II of my popular series on the doomed city in science fiction cover art (see Part I). A doomsday that never happened, a tank and a skeletal reminder of a past battle — a ruined city, colliding stars, colliding planets…
Behold the august ruins of our people, our cities, our achievements. If there’s anyone still left.
As always, are the books/authors worth reading? Continue reading Adventures in Science Fiction Art: Doomed Cities Part II (migrating icebergs, firestorms, the horsemen of the apocalypse)
(Ed Emshwiller’s cover for the 1962 edition of Recalled to Life (magazine publication 1958), Robert Silverberg)
The science fiction doctor’s table — a place of healing, a place of inhuman manipulation, unusual prosthetic limbs are attached, immortality conferred, brains are transfered, descending mechanical arms wield their scalpels, vast arenas expose the spectacle, a mad scientist’s altar for ritualistic modification/sacrifice in the name of science or personal gain (legions of super men, alien/human hybrids, etc)…
I LOVE Ed Emshwiller’s cover for the 1962 edition of Silverberg’s Recalled to Life (1958). The book itself is suposed to be one of Silverberg’s weaker ones. I have read Silverberg’s To Live Again (1969) — a work filled with interesting concepts which are sadly not sustained Continue reading Adventures in Science Fiction Cover Art: On the Doctor’s Table
Inspired by C. M. Kornbluth’s dark/satirical tales in The Explorer (1954) that uncover the underbelly of the normally glamorous 50s portrayals of space travel and alien contact, I seek to expose (well, re-expose) the darker side of science fiction cover art. I’ll try to post every monday, one bad science fiction cover — if possible, I’ll pair it with a much better cover of the same book from another edition if one exists.
1). The hilarious website ‘Good Day Sir’ doesn’t post the images I come across fast enough despite getting routine ratings from 7.5-9.5… This is probably due to the fact that I don’t own the books and don’t follow the submission rules — i.e. posting an image of me physically holding a book in hand — alas, too bad.
2). If a reader came across certain editions (posted below) the true nature of a book would be hopelessly confused (a great cover on a terrible book does the same thing) — Yes, there really are cat-like aliens in this book. But, the work’s overarching theme is much more mature (societal reaction to natural disaster, etc). Continue reading Adventures in (Bad) Science Fiction Cover Art: Miserable Monday No. 1, (pink/yellow striped cat aliens)
(Uncredited cover for the 1960 edition of The 22nd Century (1954), John Christopher)
There’s no better way to start off the new year than a gallery of science fiction covers depicting rampant imagination, unlimited promise. Some of us probably wish for mechanisms that conjure extraordinary feats of telepathy or the throbbing delights (avoiding all the pitfalls, of course) of a wisdom inundated supermind (well, I do at least).
Regardless, depicting extraordinary intelligence — whether harnessed for nefarious schemes or not — is a common trope: gigantic brains! unusual metal helmets! exploding heads replete with spectral fires! rays darting from eyes! otherworldly auras encircling heads, emanating symbols Continue reading Adventures in Science Fiction Cover Art: Superminds (giant brains, expanding minds, rampant imagination)
(Jack Gaughn’s cover for the 1964 edition of Three Worlds to Conquer (1964), Poul Anderson)
I spend a substantial amount of time looking through the sci-fi publisher catalogues of Ace, Pyramid Books, Dell, Doubleday, Signet, Ballantine, etc for both books to read and interesting covers that fit into various themes for my Adventures in Science Fiction Cover Art posts (INDEX).
While perusing I’m occasionally baffled by covers that I’ve sworn I’ve seen on other books — and lo and behold, publishers sold art to different publishers, often lesser-known and unable to commission their own Continue reading Adventures in Science Fiction Cover Art: Reusing Cover Art
Half-Price Books in Dallas, Texas (its first location!) = bliss.
9 books = only 12 dollars. (curtesy of my girlfriend’s parents’ pre-Christmas gift)
What an amazing haul — and if I had known they were only going to be twelve dollars I would have picked up nine more. Lots of Silverberg from his glory years… Generation ships… City building machines… Weird psychic forcefields out beyond Pluto… Vietnam army camps experimenting with intelligence enhancing (and death inducing) syphilis strains…
1. Camp Concentration, Thomas M. Disch (1972)
(Uncredited cover for the 1971 edition) Continue reading Updates: Recent Science Fiction Acquisitions N. XVIII (Disch + Silverberg + Pohl + Dickson + et. al.)
(Uncredited cover for 1966 Ballantine edition)
James White, famous for his Sector General series, spins a disturbing tale of two isolated and decaying societies — one alien, one human. Without doubt the work demands a certain suspension of disbelief. The isolated human society half of the premise comes off as highly artificial/improbably/impossible (and, well, bluntly put, hokey). I found the alien half of the story line a more “realistic” situation but less emotionally involving as the human half. White has difficultly meshing the trans-generational nature of both story lines — and the inevitable intersection at the end is predictable, anti-climactic, and dents the great appeal of the central portion of the work.
Lest this dissuade you, White’s dark vision is a transfixing take on the generation ship (literally) — how would a society descended from five individuals evolve for a hundred years trapped Continue reading Book Review: The Watch Below, James White (1966)
(Uncredited cover for the 1965 edition of Beyond the Sealed World (1965), Rena M. Vale)
While browsing through my collection of cover images I’ve collated over the last few months for science fiction art post ideas, I came across the uncredited cover for Rena Vale’s Beyond the Sealed World (1965) and was transfixed! The angle of the text, the mountain, the dark expanse of space, the little spaceship, the figures silhouetted against the night, and the surreal shape of the domed city connected to other distant domed cities… If anyone knows the artist (or has a good educated guess) please let me know! The second edition cover (below) still has beautiful domed cities but the caveman, helmeted soldier, and white-clad (not for long, the dress is slipping) woman tableau ruins the feel.
Particularly noteworthy is Jack Gaughan’s elevated domed city cover Continue reading Adventures in Science Fiction Cover Art: The Domed Cities of the Future Part I
It’s not every day that a signed D. G. Compton novel arrives free in the mail. About half a year or so ago Ian Sales (check out his amazing blog) hooked me on D. G. Compton’s works and ever since I’ve grabbed as many as I can find on used book stores shelves and I’ve written a slew of reviews (The Unsleeping Eye, The Quality of Mercy, The Steel Crocodile, Synthajoy, The Missionaries). I made a comment on one of his D. G. Compton posts — a few days later a SIGNED copy of Compton’s Scudder’s Game (1988) (below) arrived in the mail!! Ian, thanks again and keep up the uncovering of underrated 60s/70s sci-fi authors!
The others, well, the covers are gorgeous! Two Richard Powers covers (the C. M. Kornbluth short story collection and the Conklin edited anthology). I must confess that the Hunt Collins purchase was impulsive — in part due to the vibrant 50s cover by Bob Lavin.
I apologize for the recent absence of book reviews — due to the approaching end of my last semester of graduate course work I’ve been pressed for time. I have reviews for Joanna Russ’ The Female Man (1975), James White’s The Watch Below (1966), and Samuel R. Delany’s Nova (1968) in preparation.
1. The Explorers, C. M. Kornbluth (1954) (MY REVIEW)
Continue reading Updates: Recent Science Fiction Acquisitions N. XVI (Kornbluth + Compton + et al.)