
Murray Tinkelman’s cover for the 1978 edition
4/5 (Good)
Nominated for the 1966 Hugo Award for Best Novel
John Brunner’s The Squares of the City (1965) transposes the moves of a 1892 chess game between Wilhelm Steinitz (1836-1900) and Mikhail Chigorin (1850-1905) onto a near future landscape of political intrigue. Inspired by Brazil’s planned capital Brasília (founded in 1960), the action takes place in Ciudad de Vados, the capital city of the imaginary Latin American nation of Aguazul.1 Conjured out of a “barren, rocky stretch of land,” Ciudad de Vados contains all the homogenized trappings of an ultra-modern metropolis (170). It’s sterile. Planned. Mechanized. Quickly the monumental urban regularity fades into the background and the intricate game across its squares takes over.
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