Michael (2theD), one of my friends whose reviews on Amazon I’ve been compulsively reading, has just started a review blog (on blogspot) called the Potpourri of Science Fiction Literature.
(the titles above are a small sample of the works Continue reading Update: Another Wonderful Sci-fi Review Blog
(Cover for the 1972 edition of Plunder (1972), Ron Goulart)
The covers of Vincent Di Fate (1945-) often evoke a Terry Gilliam-esque romp — for example, Ron Goulart’s Plunder — a lone facade and a house dot a purple and green plain, mountains emerge in the distance, planets pepper the sky, a head floats ominously, a bizarre reptilian creature in a boatie rides an antique bicycle. I desperately want to know if it’s a scene from the book. If so, I’m tracking down a copy!
Vincent Di Fate’s work graced a few of the great works of the genre Continue reading Adventures in Science Fiction Cover Art: A Selection of Vincent Di Fate’s early 70s Covers
I’ve never been a fan of A. E. van Vogt. A while back, having just finished his “masterpiece” The World of Null-A (1948), I headed to the used book store and saw Jerome Podwil’s cover for Vogt’s sequel, The Players of Null-A (1966) and had to pick it up. Simply put, it is a spectacular piece of art. Discovering Podwil’s Calder-esque machine extending its limbs across the plain made me pay more attention to the covers as art and the artists who made them. Hence this series of posts! (Adventures in Science Fiction Art Index)
(Are any of the books worth reading? What’s your favorite of his work (perhaps one I haven’t listed)?)
(Cover for the 1966 edition of The Players of Null-A (1966), A. E. van Vogt)
Continue reading Adventures in Science Fiction Art: Rampant Machines, The 60s Covers of Jerome Podwil
Gifts! Gifts! A varied haul — Spinrad, Herbert, Dickson, Niven, Norton…
1. The Solarians (1966), Norman Spinrad
Before Norman Spinrad’s metafictional if Hitler wrote a pulp extravaganza The Iron Dream (1972) and Bug Jack Barron (1969) there was The Solarians… Continue reading Updates: Recent Science Fiction Acquisitions N. X
This is the second post in a potential series of posts showcasing the science fiction cover art by Richard Powers (1921-1996). My first post discussed a few surrealist cityscape covers from the 1950s. Here I’ve selected a variety of surrealistic, composite, conglomerated, and masked faces from his 1970s covers.
A delightful green human shape — mouthless — replete with translucent hollows? emerging occupants or surfacing memories?
(Cover for the 1973 edition of All Flesh is Grass (1965), Clifford D. Simak)
The Eternal Frontiers utilizes another Continue reading Adventures in Science Fiction Cover Art: Assorted 1970s Surrealistic Faces by Richard Powers
Oh the joys of amazon gift cards… And perusing dusty corners of local bookstores.
Here are my latest acquisitions.
1. Robert Silverberg’s World Inside (1971) (MY REVIEW HERE)
I’ve always enjoyed semi-dystopic works about the social ramifications of overpopulation (John Brunner’s Stand on Zanzibar is my all time favorite sci-fi novel). I wonder if Silverberg was inspired by Brunner’s work. I’ve yet to read a Silverberg novel and I’ve read that this is a pretty good effort. So, those factors contributed to my purchase.
2. Doris Piserchia’s Continue reading Update: Recent Science Fiction Acquisitions N. I
Barrington J. Bayley’s Collision Course (Collision with Chronos) (1973) is based on a fascinating hard sci-fi premise, the intersection of two time waves, one from the future heading into the past, and the “present”, heading Continue reading Book Review: Collision Course (variant title: Collision with Chronos), Barrington J. Bayley, (1973)