Book Review: Universe 12, ed. Terry Carr (1982) (Kim Stanley Robinson, Howard Waldrop, Nancy Kress, R. A. Lafferty, et al.)

3.5/5 (collated rating: Good)

My fifth sojourn to Terry Carr’s Universe series of original anthologies (17 volumes published between 1971-1987) embodies the reasons I gravitate towards the medium: I discover new authors, I reassess old opinions, and deepen my understanding of my favorites. Recommended for Nancy Kress’ rumination on a childhood wrecked by insanity; Kim Stanley Robinson’s character piece on Mars transforming; Howard Waldrop’s account of obsession in an apocalyptic past; and Bruce McAllister’s tale of an astronaut returning home and the lies we tell.

Recommended for fans of more introspective early 80s SF.

Brief Plot Summary/Analysis

“A Pursuit of Miracles” (1982), George Turner, 3/5 (Average): The Australian author and SF critic George Turner (1916-1997) published his first science fiction at 62! It’s never too late to start. A few years ago I read Turner’s first novel Beloved Son (1978) in the Ethical Culture trilogy. While the details have faded from memory as I never got around to writing a review, I remember how fascinated I was by the exploration of a post-Holocaust world by a returning expedition in the first half of the novel. The second half faded and grew increasingly ponderous and I’m not sure I finished….

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Book Review: Best Science Fiction Stories of the Year: Fourth Annual Collection, ed. Lester del Rey (1975) (R. A. Lafferty, Harlan Ellison, Robert Silverberg, Vonda N. McIntyre, et al.)

3/5 (collated rating: Average)

Lester del Rey’s Best Science Fiction Stories of the Year: Fourth Annual Collection (1975) is a mystifying read. For an anthology series claiming to contain the best stories of 1974, del Rey completely misidentifies all the hard-hitters of the year. For example, it does not include a single Hugo– or Nebula-nominated story.

My advice: Ignore the title. Instead, if you have an unnatural obsession with anthologies like myself, then contemplate picking up a copy for the Vonda N. McIntyre, F. M. Busby, John Brunner, and Gordon R. Dickson stories. The rest are average to poor.

Brief Plot Summary/Analysis

“If This Is Winnetka, You Must Be Judy” (1974), F. M. Busby, 4/5 (Good): Until I read this story, I assumed F. M. Busby’s SF from the 70s was as blunt and imprecise as Cage a Man (1973) and “Tell Me All About Yourself” (1973). With the emotional strokes reminiscent of Silverberg’s masterpiece Dying Inside (1972), Busby spins an ingenious time-travel tale about a man who lives his live in non-sequential sections.

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Book Review: This Side of Infinity, ed. Terry Carr (1972) (Zelazny, Silverberg, Aldiss, Lafferty, et al.)

3.25/5 (Collated rating: Vaguely Good)

Soldiers in mech armor plagued by existential crisis. Asexual insectoid aliens pretending to be human. Children wielding pet apes as weapons. This Side of Infinity, ed. Terry Carr (1972) gathers eight kaleidoscopic visions from stalwarts (Roger Zelazny and Robert Silverberg) to lesser known authors (David Redd and George H. Smith). As a collated whole, this is a solid collection without a defining standout masterpiece but worth acquiring for the sheer variety and hallucinatory power of it all.

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Updates: New Purchases No. CCLXVII (Joanna Russ, J. T. McIntosh, Jean d’Ormesson, and a Terry Carr anthology)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Worlds Apart (variant title: Born Leader), J. T. McIntosh (1954)

Richard Powers’ cover for the 1958 edition

From the back cover: “ROG FOLEY had never seen Earth—and he never would. For all that was left of Earth was an atomic funeral pyre in the sky.

ROG FOLEY was a leader of the new generation of humans who were born and raised on Mundis, the distant planet circling Brinsen’s Star and to which the last survivors of Earth had escaped in a 17-year journey through space.

ROG FOLEY and his disciples were strongly Continue reading

Book Review: Infinity One, ed. Robert Hoskins (1970) (Poul Anderson, Anne McCaffrey, Gene Wolfe, Robert Silverberg, Miriam Allen deFord, et al.)

This anthology contains the 4th post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. I decided to review the entire anthology!

Today: Katherine MacLean’s “Echo” (1970), 3.75/5 (Good). The entire anthology is available online here

Previously: William Tenn’s “Down Among the Dead Men” (1954)in the June 1954 issue of Galaxy Science Fiction, ed. H. L. Gold. You can read it online here.

Up Next: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959) in the October 1959 issue of The Magazine of Fantasy and Science Fiction, ed. Robert P. Mills. You can read the story online here.

Jim Steranko’s cover for the 1st edition

3/5 (Collated rating: Average)

Robert Hoskins “resurrected” Infinity Science Fiction magazine (1955-1958) as a five volume anthologies series between 1970-1973. The first volume, Infinity One (1970), contains sixteen original stories and one reprint from the original magazine–Arthur C. Clarke’s “The Star” (1955). SF Encyclopedia describes the anthology series as “a competent but not outstanding series.”

Eight of the seventeen stories fall into the “good” category. While none are masterpieces, Robert Silverberg, Arthur C. Clarke, Barry N. Malzberg co-writing with Kris Neville, Katherine MacLean, Gene Wolfe, and Poul Anderson Continue reading

Book Review: Universe 4, ed. Terry Carr (1974) (Robert Silverberg, Pamela Sargent, Jack Vance, R. A. Lafferty, Alexei Panshin, Ron Goulart, et al.)

Jack Faragasso’s cover for the 1975 edition

3.25/5 (collated rating: Vaguely Good)

Terry Carr’s original anthology Universe 4 (1974) contains a cross-section of early 70s science fiction–from oblique New Wave allegories to “hard SF” first contact stories with unusual aliens.

Despite clocking in last in the installments I’ve read so far– behind Universe 2 (1972), Universe 1 (1971), and Universe 10 (1980)—the best stories, R. A. Lafferty’s rumination on memory and nostalgia, Pamela Sargent’s bleak account of urban Continue reading

Updates: Recent Science Fiction Purchases No. CCLIII (Stanley G. Weinbaum, Monique Wittig, Wayland Drew, Anthology)

As always which books/covers intrigue you? Which have you read? Disliked? Enjoyed?

1. The Memoirs of Alcheringia, Wayland Drew (1984)

Darrell K. Sweet’s cover for the 1984 edition

From the back cover: “What began as just another Alcheringian raiding party—sanctioned by the chief and approved by the Gods—had gradually become a war to the death.

But noting was quite as it seemed to the primitives of Norriya, for forces they could hardly comprehend were influencing events from offstage. More than tribal honor Continue reading

Book Review: New Dimensions 3, ed. Robert Silverberg (1973) (Le Guin + Tiptree, Jr. + Lafferty + Malzberg + Effinger + et al.)


(Dennis Anderson’s cover for the 1973 edition)

4/5 (Collated rating: Good)

For an anthology, bound to contain a filler story or two, this one is spectacular. Robert Silverberg’s New Dimensions 3 (1973) lives up to his claim to contain “stories that demonstrate vigorous and original ways [often experimental] of approaching the body of ideas, images, and concepts that is science fiction” yet do not sacrifice “emotional vitality, or clarity of insight.” Ursula K. Le Guin, with her rumination on utopias, and James T. Tipree, Jr.’s proto-cyberpunk tale of commercialism and performing gender, deliver some of their best work.

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Book Review: The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)

(John Schoenherr’s cover for the 1972 edition)

3.5/5 (collated rating: Good)

The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972) doesn’t feel like a “best of” collection. The majority of the contents are unspectacular space operas and hard SF in the Analog vein. Amongst the chaff, a few more inventive visions shined through—in particular, Joanna Russ’ mysteriously gauzy and stylized experiment replete with twins and dream machines; Michael G. Coney’s evocative overpopulation story about tourist robots; Christopher Priest’s “factual” recounting of human experimental subjects that isn’t factual at all; and Barry Malzberg’s brief almost flash piece about differing perspectives all tied together by the New York metro.

On the whole, I give it a solid recommendation although the best can be found in single-author collections.

Brief Analysis/Summary

“The Fourth Profession” (1971), novelette by Larry Niven, 3/5 (Average): Nominated for the 1972 Continue reading