Soldiers in mech armor plagued by existential crisis. Asexual insectoid aliens pretending to be human. Children wielding pet apes as weapons. This Side of Infinity, ed. Terry Carr (1972) gathers eight kaleidoscopic visions from stalwarts (Roger Zelazny and Robert Silverberg) to lesser known authors (David Redd and George H. Smith). As a collated whole, this is a solid collection without a defining standout masterpiece but worth acquiring for the sheer variety and hallucinatory power of it all.
As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Worlds Apart (variant title: Born Leader), J. T. McIntosh (1954)
Richard Powers’ cover for the 1958 edition
From the back cover: “ROG FOLEY had never seen Earth—and he never would. For all that was left of Earth was an atomic funeral pyre in the sky.
ROG FOLEY was a leader of the new generation of humans who were born and raised on Mundis, the distant planet circling Brinsen’s Star and to which the last survivors of Earth had escaped in a 17-year journey through space.
This anthology contains the 4th post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. I decided to review the entire anthology!
Today: Katherine MacLean’s “Echo” (1970), 3.75/5 (Good). The entire anthology is available online here.
Previously: William Tenn’s “Down Among the Dead Men” (1954)in the June 1954 issue of Galaxy Science Fiction, ed. H. L. Gold. You can read it online here.
Up Next: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959) in the October 1959 issue of The Magazine of Fantasy and Science Fiction, ed. Robert P. Mills. You can read the story online here.
Jim Steranko’s cover for the 1st edition
3/5 (Collated rating: Average)
Robert Hoskins “resurrected” Infinity Science Fiction magazine (1955-1958) as a five volume anthologies series between 1970-1973. The first volume, Infinity One (1970), contains sixteen original stories and one reprint from the original magazine–Arthur C. Clarke’s “The Star” (1955). SF Encyclopedia describes the anthology series as “a competent but not outstanding series.”
Eight of the seventeen stories fall into the “good” category. While none are masterpieces, Robert Silverberg, Arthur C. Clarke, Barry N. Malzberg co-writing with Kris Neville, Katherine MacLean, Gene Wolfe, and Poul Anderson Continue reading →
Terry Carr’s original anthology Universe 4 (1974) contains a cross-section of early 70s science fiction–from oblique New Wave allegories to “hard SF” first contact stories with unusual aliens.
Despite clocking in last in the installments I’ve read so far– behind Universe 2(1972), Universe 1 (1971), and Universe 10(1980)—the best stories, R. A. Lafferty’s rumination on memory and nostalgia, Pamela Sargent’s bleak account of urban Continue reading →
For an anthology, bound to contain a filler story or two, this one is spectacular. Robert Silverberg’s New Dimensions 3 (1973) lives up to his claim to contain “stories that demonstrate vigorous and original ways [often experimental] of approaching the body of ideas, images, and concepts that is science fiction” yet do not sacrifice “emotional vitality, or clarity of insight.” Ursula K. Le Guin, with her rumination on utopias, and James T. Tipree, Jr.’s proto-cyberpunk tale of commercialism and performing gender, deliver some of their best work.
The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972) doesn’t feel like a “best of” collection. The majority of the contents are unspectacular space operas and hard SF in the Analog vein. Amongst the chaff, a few more inventive visions shined through—in particular, Joanna Russ’ mysteriously gauzy and stylized experiment replete with twins and dream machines; Michael G. Coney’s evocative overpopulation story about tourist robots; Christopher Priest’s “factual” recounting of human experimental subjects that isn’t factual at all; and Barry Malzberg’s brief almost flash piece about differing perspectives all tied together by the New York metro.
On the whole, I give it a solid recommendation although the best can be found in single-author collections.
“The Fourth Profession” (1971), novelette by Larry Niven, 3/5 (Average): Nominated for the 1972 Continue reading →
Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.
Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.
…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).
Scans are from my collection.
1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)
Philip K. Dick. Roger Zelazny. Bob Shaw. Michael Moorcock. R. A. Lafferty. Seldom do I say that a “best of” anthology includes a large number of the best stories of the year. From PKD’s artificial memories to Bob Shaw’s slow glass, World’s Best Science Fiction: 1967 (1967) contains both fascinating technological marvels and serious character-centered storytelling. While not all the stories are successful, I highly recommend this collection for fans of 60s SF.
Note: I reviewed both Roger Zelazny stories elsewhere—I have linked and quoted my original reviews.