This anthology contains the fourth post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. I decided to review the entire anthology!
Today: Katherine MacLean’s “Echo” (1970), 3.75/5 (Good). The entire anthology is available online here.
Previously: William Tenn’s “Down Among the Dead Men” (1954), 5/5 (Masterpiece). First appeared in the June 1954 issue of Galaxy Science Fiction, ed. H. L. Gold. You can read it online here.
Up Next: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959). First appeared in the October 1959 issue of The Magazine of Fantasy and Science Fiction, ed. Robert P. Mills. You can read the story online here.
Jim Steranko’s cover for the 1st edition
3/5 (Collated rating: Average)
Robert Hoskins “resurrected” Infinity Science Fiction magazine (1955-1958) as a five volume anthologies series between 1970-1973. The first volume, Infinity One (1970), contains sixteen original stories and one reprint from the original magazine–Arthur C. Clarke’s “The Star” (1955). SF Encyclopedia describes the anthology series as “a competent but not outstanding series.”
Eight of the seventeen stories fall into the “good” category. While none are masterpieces, Robert Silverberg, Arthur C. Clarke, Barry N. Malzberg co-writing with Kris Neville, Katherine MacLean, Gene Wolfe, and Poul Anderson Continue reading
Jack Faragasso’s cover for the 1975 edition
3.25/5 (collated rating: Vaguely Good)
Terry Carr’s original anthology Universe 4 (1974) contains a cross-section of early 70s science fiction–from oblique New Wave allegories to “hard SF” first contact stories with unusual aliens.
Despite clocking in last in the installments I’ve read so far– behind Universe 2 (1972), Universe 1 (1971), and Universe 10 (1980)—the best stories, R. A. Lafferty’s rumination on memory and nostalgia, Pamela Sargent’s bleak account of urban Continue reading
As always which books/covers intrigue you? Which have you read? Disliked? Enjoyed?
1. The Memoirs of Alcheringia, Wayland Drew (1984)
Darrell K. Sweet’s cover for the 1984 edition
From the back cover: “What began as just another Alcheringian raiding party—sanctioned by the chief and approved by the Gods—had gradually become a war to the death.
But noting was quite as it seemed to the primitives of Norriya, for forces they could hardly comprehend were influencing events from offstage. More than tribal honor Continue reading
(Dennis Anderson’s cover for the 1973 edition)
4/5 (Collated rating: Good)
For an anthology, bound to contain a filler story or two, this one is spectacular. Robert Silverberg’s New Dimensions 3 (1973) lives up to his claim to contain “stories that demonstrate vigorous and original ways [often experimental] of approaching the body of ideas, images, and concepts that is science fiction” yet do not sacrifice “emotional vitality, or clarity of insight.” Ursula K. Le Guin, with her rumination on utopias, and James T. Tipree, Jr.’s proto-cyberpunk tale of commercialism and performing gender, deliver some of their best work.
(John Schoenherr’s cover for the 1972 edition)
3.5/5 (collated rating: Good)
The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972) doesn’t feel like a “best of” collection. The majority of the contents are unspectacular space operas and hard SF in the Analog vein. Amongst the chaff, a few more inventive visions shined through—in particular, Joanna Russ’ mysteriously gauzy and stylized experiment replete with twins and dream machines; Michael G. Coney’s evocative overpopulation story about tourist robots; Christopher Priest’s “factual” recounting of human experimental subjects that isn’t factual at all; and Barry Malzberg’s brief almost flash piece about differing perspectives all tied together by the New York metro.
On the whole, I give it a solid recommendation although the best can be found in single-author collections.
“The Fourth Profession” (1971), novelette by Larry Niven, 3/5 (Average): Nominated for the 1972 Continue reading
Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.
Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.
…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).
Scans are from my collection.
1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)
(John Schoenherr’s cover for the 1972 edition) Continue reading
(Jack Gaughan’s cover for the 1970 edition)
3.75/5 (collated rating: Good)
Philip K. Dick. Roger Zelazny. Bob Shaw. Michael Moorcock. R. A. Lafferty. Seldom do I say that a “best of” anthology includes a large number of the best stories of the year. From PKD’s artificial memories to Bob Shaw’s slow glass, World’s Best Science Fiction: 1967 (1967) contains both fascinating technological marvels and serious character-centered storytelling. While not all the stories are successful, I highly recommend this collection for fans of 60s SF.
Note: I reviewed both Roger Zelazny stories elsewhere—I have linked and quoted my original reviews.
Brief Analysis/Plot Summary
“We Can Remember It for You Wholesale” (1966) Continue reading
1) William F. Nolan, best known for Logan’s Run (1967) (film adaptation 1976), was also a prolific short story author. As with my acquisition of Thomas N. Scortia’s collection The Best of Thomas N. Scortia (1981) a while back, I am hoping that a range of short stories might be the best way to approach an author new to me.
*wince*–> My edition has a miserable Chris Foss clone (Tony Roberts) cover!
2) As many R. A. Lafferty novels cost a pretty penny, I now buy them on sight if they are within my price range. I posted recently on Mati Klarwein’s fantastic covers–> here. My high resolution scan should convey the complexity and skill of the art!
3) Silverberg collections fall under the purchase compulsively category. I’ve read two or three from this particular volume already including the wonderful “How It Was When the Past Went Away” (1969).
4) A while back a reader recommended Bruce Sterling’s The Artificial Kid (1980). My wife saw a well-worn copy at a local Half Price Books and procured it for me. I read numerous Sterling works from the late 80s and 90s back when I consumed “newer” SF. I reviewed his first novel a few months ago—Involution Ocean (1977).
The cover is awful. The 1980s aesthetic pains me…
All images are scans from my own collection (click image to zoom).
As always, thoughts/comments are welcome.
1. Wonderworlds, William F. Nolan (1977 )
(Tony Roberts’ cover for the 1979 edition) Continue reading
(Paul Lehr’s cover for the 1969 edition)
4.25/5 (collated rating: Very Good)
A quest for SF magazines! Alien possession and its psychological damage! The Supreme Court tackles future crime! And many more unusual visions….
Orbit 4 (1968) dethrones Orbit 3 (1968) for the overall collated rating crown (as of now) in the anthology sequence. All of the anthology so far contain worthwhile stories and should be tracked down by fans of SF from this era—see my reviews of Orbit 1 (1966) and Orbit 8 (1970).
Highly recommended for the Wilhelm, Emshwiller, Lafferty, Sallis, and Silverberg stories. A must buy Continue reading