What pre-1985 science fiction are you reading this weekend?
After the success of the previous installment, I’ve decided to make this a bimonthly post (“column”) for my site (“fanzine”). As before, I’ve included a bit about the books in the photograph, birthdays from the last two weeks, and brief ruminations on what I’ve been reading and writing.
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2022 was the single best year in the history of my site for visits and unique viewers!
As I mention year after year, I find reading and writing for the site—and participating in all the SF discussions generated over the year—a necessary and greatly appreciated salve. Whether you are a lurker, occasional visitor, or a regular commenter, thank you for your continued support.
Continuing a trend from 2021, I read only a handful of novels this year. Instead, I devoted my obsessive attention to various science short story review initiatives (listed below), anthologies, and histories of the science fiction genre. Without further ado, here are my favorite novels and short stories I read in 2022 with bonus categories. Descriptions are derived from my linked reviews.
Check out last year’s rundown if you haven’t already for more spectacular reads. I have archived all my annual rundowns on my article index page if you wanted to peruse earlier years.
My Top 5 Science Fiction Novels of 2022 [TITLES LINK TO FULL REVIEWS]
1. Vonda N. McIntyre’s Dreamsnake (1978), 4.75/5 (Near Masterpiece): Won the 1979 Hugo, Locus, and Nebula Award for Best Novel. Snake journeys across the post-apocalyptic wastes of a future Earth with three serpents healing the sick and caring for the dying. She is a member of the healers, who adopt orphans and rescue the oppressed and train them how to use the serpents. Mist and Sand are genetically modified vipers of terrestrial origin. But Grass comes from another alien world. Snake uses Mist and Sand’s venom to create vaccines, treat diseases, and cure tumors. Grass, the rare dreamsnake, with its alien DNA is the most important of them all–it provides therapeutic pleasure and dreams that facilitate conquering one’s fear and healing in the ill. In Snake’s voyages, she encounters prejudice and violence. A joyous sense of sexual freedom permeates the proceedings. A powerful and different take on a post-apocalyptic worldscape in every possible way.
Continue readingWhich books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Strange Ports of Call, ed. August Derleth (1948)
From the back cover: “‘Begotten of Imagination, on the body of Technology, there springs forth the wild child Science Fiction.’ –Clifton Fadiman
The above is one of the many attempts that have been made to describe a department of fiction which, in spite of some sniping critics, continues to increase its followers. Recently Bertrand Russell observed that science fiction consists of ‘intelligent anticipation–much more intelligent than the expectations of statesmen.’
Continue readingToday I’ve reviewed the twenty-first story in my series on the science fictional media landscape of the future. Ray Bradbury conjures a strange new world without television.
Previously: Frederik Pohl’s “The Wizards of Pung’s Corners” (October 1958).
Up Next: Two stories by Damon Knight
“Thing of Beauty” (September 1958) and “You’re Another” (June 1955).
3.5/5 (Good)
Ray Bradbury’s “Almost the End of the World” first appeared in The Reporter (December 26, 1957). It later appeared in his short story collection The Day It Rained Forever (1959). If you have an Internet Archive account, you can read it online here.
In multiple earlier reviews in this series, I’ve laid out television’s transformative and speedy infiltration of the American consciousness and daily activities over the course of the 1950s. Multiple Bradbury stories critique this new world. The lovely and crystalline “The Pedestrian” (1951) imagined a future night city in which its denizens are transfixed by their TV scenes. The city, observed by the solitary one-time writer Leonard Mead, is as silent as “a wintry, windless Arizona country” (90). “Almost the End of the World” (1957) ruminates on the effects on American society if a cosmic event severs the viewer from the succor of the screen.
Continue readingWhich books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Heroes & Villains, Angela Carter (1969)
From the back cover: “The Barbarians had attacked the village, looting and burning. And when they left, Marianne, a daughter of the scientists, went with them. Now she followed Jewel, leader of the barbarians, and lived with him as his captured bride…”
Initial Thoughts: A few years ago I read, and was blown away, by Angela Carter’s The Infernal Desire Machines of Doctor Hoffman (1972). I placed it on my best reads of 2016 list but never managed to write a review. Inspired by the novel, I wrote an article derived from a fascinating 1979 interview on Angela Carter’s views on science fiction–including her inspirations and the state of the British SF scene, Michael Moorcock’s prodigious production and New Worlds editorship, and the unescapable influence of J. G. Ballard.
Continue readingWhich books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Ahead of Time, Henry Kuttner and C. L. Moore (1953)
From the inside page: “A brain in a box fights a criminal plot
A visitor from the future turns out to be peculiar even for his society
An eternal hillbilly family survives the centuries and gets into political trouble
A sick electronic calculator catches a psychosis from its operator
…these are some of the highly original and vividly written stories you will find in this selection of a master’s work.
Science fiction and fantasy grow constantly in popularity. Writing of this quality and imagination is the reason. Henry Kuttner demonstrates again in his book why more and more readers are becoming devotees of that intriguing fiction which is not content to stay in the world as we see it and know it, which takes us to the farthest reaches of space and time, to the farthest reaches of the human mind.”
Continue readingThe seventh, eighth, ninth, and tenth stories in my series on the science fictional media landscape of the future appear in the anthology Tomorrow’s TV, ed. Isaac Asimov, Martin Harry Greenberg, and Charles Waugh (1982).
Previously: Two short stories by Fritz Leiber.
“The Girl with the Hungry Eyes” (1949)
“A Bad Day for Sales” (July 1953).
Up Next: Ann Warren Griffith’s “Captive Audience” (August 1953).
3.25/5 (collated rating: Above Average)
Tomorrow’s TV (1982) gathers together five short stories published between 1951 and 1979 on future speculations and disturbing manifestations of the tube of the future. The extensive number of TV-related science fiction from these decades (especially the 50s and early 60s) should not come as a surprise. According to Gary R. Edgerton’s magisterial monograph The Columbia History of American Television (2007), no “technology before TV every integrated faster into American life” (xi). Isaac Asimov speculates on the nature of education and the role of the “teacher” if every kid goes to school on their TV. Ray Bradbury imagines a frosty world where everyone turns inward towards the hypnotic glow of their TV sets. Robert Bloch explores the intersection of programming as escape and its collision with the real world. Ray Nelson narrates a hyperviolent expose of the alien entities behind subliminal messaging. And Jack Haldeman II imagines what will happen when the human mind reaches a moment of information overload.
Continue readingThe second story in my series on the science fictional media landscape of the future!
Today: Ray Bradbury’s “The Pedestrian” (August 1951).
Previously: Lino Aldani’s “Good Night, Sophie” (March/April 1963).
Next up: Avram Davidson and Sidney Klein’s “The Teeth of Despair” (May 1961).
4/5 (Good)
You can read “The Pedestrian” in the February 1952 issue of The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher and J. Francis McComas here.
Scenes and fragments from Fahrenheit 451 (1953), The Martian Chronicles (1951), Dandelion Wine (1951), The Illustrated Man (1951), and I Sing the Body Electric! (1969) percolate through my memories like embers that refuse to flicker out. The oppressive Venusian rains in “All Summer in a Day” (1954) and the carcasses consumed by lions in “The Veldt” (1951) remain the most distinct. Beacons of cryptic violence and sadness that continue to guide my reading adventures. All were from my first years of reading SF. Some were from cassette audiobooks with my family on long travels into the west. Others read in distant pastures surrounded by the sounds of creeks and roving cows. Until today, he was firmly an author of my youth. Yes, I’d seen (and enjoyed) the 1966 François Truffaut adaptation of Fahrenheit 451 in college but I’d never returned to the texts…
Continue readingWhich books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. The Martian Chronicles, Ray Bradbury (1950)
From the back cover: “A MAGNIFICANCTLY ILLUSTRATED EDITION OF THE MARTIAN CHRONICLES WHICH MASTERFULLY ENHANCES THE CLASSIC WONDER AND TERROR BY THE WORLD-RENOWNED AUTHOR OF THE ILLUSTRATED MAN RAY BRADBURY.
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Science Fiction and Other Suspect Ruminations 