1. Ursula K. Le Guin’s novella, The Word for World is Forest, first appeared in Harlan Ellison’s Again, Dangerous Visions (1972) anthology before a stand-alone publication. I seem to remember reading it as a kid…. But…. the memories are vague.
2. Cordwainer Smith and I have never really seen eye to eye (I wanted to rhyme). I’m all for acquiring more of his collections just in case!
3. From Wikipedia: “H. G. Wells lauded [M. P. Shiel’s] The Purple Cloud as ‘brilliant’ and H. P. Lovecraft later praised the novel as exemplary weird fiction, ‘delivered with a skill and artistry falling little short of actual majesty.'”
The Richard Powers cover is one of his best of the 60s.
4. John Varley, another author whom I’ve yet to read despite owning numerous of his collections and novels…. Millennium (1983) seems, well, suspicious? Time travel, airplanes, dystopic futures, love affairs across time. We shall see!
…and it was turned into a film in 1989.
Note: the images are hi-res scans. Click to enlarge.
As always, comments and tangents are welcome!
1. The Word for World is Forest, Ursula K. Le Guin (anthology publication 1972) (MY REVIEW)
(Richard Powers’ cover for the 1976 edition) Continue reading
For my readers who do not have twitter I’ve decided to post every few weeks links to articles/reviews/and other resources that particularly interested me. Predominately vintage SF/F related, a few might dally in more diverse directions—German avant-garde art for example.
It’s always worth supporting fellow bloggers!
As always, I’d love to hear your thoughts on the books/articles.
(New Worlds, #197 January 1970, ed. Charles Platt)
1) A fascinating article: SF New Worlds and Savoy Books: Michael Butterworth via Andrew Darlington on his indispensable site Eight Miles Higher.
“Michael Butterworth was an integral part of the ‘New Worlds’ SF New Wave, just as he was perpetrator of the sensationally iconoclastic ‘Savoy Books’ revolution in Manchester, and his fiction is never less than challenging. Andrew Darlington charts his evolution as a literary activist…”
(Richard Powers’ cover for the 1963 edition)
3.5/5 (Collated rating: Good)
Algis Budrys has not fared particularly well on this site. Back in 2012 I read The Falling Torch (1959) and found it a functional military SF novel with some social commentary about the “inhumanity” of the Soviets. More recently I tackled his so-called “masterpiece” Michaelmas (serialized 1976) (short review) that despite all its pretensions to say something relevant about technology and media, slips into SF thriller mode, abandoning the most compelling elements of the narrative (it’s hard to write a convincing character study). At least Michaelmas makes the motions towards SF that moves behind the mechanical blueprints of a potential future mindset and tries to say something substantive about the psyche and society of the people who might live there. As you know, Continue reading
The Clarion Science Fiction Writers’ Workshop, started in 1968, continues to this day as one of the successful workshops for authors with instruction by the best the genre has to offer. The alumni list is massive including Vonda N. McIntyre, Octavia Butler, Ted Chiang, Lucius Shepard, Bruce Sterling, etc. For more on the workshop consult the SF Encyclopedia entry. Robin Scott Wilson, the original director, published three anthologies decked out with the distinctive art of Gene Szafran. I am now the proud owner of all three!
Stories by Ursula Le Guin, Kate Wilhelm, Octavia Butler, George Alec Effinger, Edward Bryant, among others and reflections by the greats of the day, Frederik Pohl, Joanna Russ, Harlan Ellison, etc.
And many many many less familiar authors whose stories I will be keen to explore.
And, last but not least, A Frederik Pohl collection with a stunning Richard Powers cover. He was in fine form in the early 60s.
As always, thoughts and comments are welcome.
1. The Abominable Earthman, Frederik Pohl (1963)
(Richard Powers cover for the 1963 edition) Continue reading
(John Schoenherr’s cover for the 1964 edition of Alien Worlds (1964), ed. Roger Elwood)
Michael Whelan’s cover for the 1979 Dutch edition of Greybeard (1964) by Brian W. Aldiss appeared in a collection of SF art Space Wars, Worlds & Weapons (1977). I remember encountering the collection at a used bookstore, perhaps in Philadelphia when I went to visit my grandparents… It terrified me for years. The bizarre metal construct looming over the destroyed world—and most of all, the strange tentacled hands…
…hence, today’s themed art post!
Tentacles and Other Strange Appendages.
I have a confession: I am warming to the art of Charles Moll—1974 edition of New Dimensions 3 ed. Continue reading