Book Review: Strange Relations, Philip José Farmer (1960)

(Blanchard’s cover for the 1960 edition)

4/5 (collated rating: Good)

Blanchard’s abstract vaginal cover for the 1960 first edition of Philip José Farmer’s Strange Relations (1960) hints, just obliquely enough to avoid being explicit, at the collection’s radical and groundbreaking contents.  Nothing else existed like this from the 50s!  Having exploded onto the scene with the “transgressive” (SF encyclopedia) novella “The Lovers” (1952) (later expanded to novel length), Strange Relations (1960) collects a further five short works from the mid-50s and later on similar themes — theology, sex, xenobiology, Freud, and social satire.

Each work revolves around a particular Freudian scenario, a Freudian fantasy.  One can imagine that authors such as Barry N. Malzberg Continue reading

Book Review: To Open the Sky, Robert Silverberg (1967)

(Richard Powers’ cover for the 1967 edition)

3.5/5 (Good)

“And there is light, before and beyond our vision, for which we give thanks.  And there is heat, for which we are humble.  And there is power, for which we count ourselves blessed.  Blessed be Balmer, who gave us wavelengths.  Blessed be Bohr, who brought us understanding.  Blessed be Lyman, who saw beyond sight.  Tell us now the stations of the spectrum […]” (3).

Robert Silverberg’s To Open the Sky (1967) is an enjoyable pulp future history with a somewhat “different” premise–religion will be the main force that facilitates mankind’s exploration of the stars.  In his intro of 1978 edition he discusses how the project came about.  In the early 60s Frederik Pohl became his editor and allowed him to published, for the first time, SF “for love rather than money” (II).  Up to this point Silverberg had never attempted, other than in the briefest sketch form,  to extrapolate an entire future history à la Olaf Stapleton or Isaac Asimov.  Silverberg’s vision is nowhere as complex Continue reading

Adventures in Science Fiction Cover Art: The Space Station, Part IV

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(Uncredited cover for the 1963 edition of The Changeling Worlds (1959), Kenneth Bulmer)

Part IV of my space station themed sequence (Part IPart IIPart III)–if you have not yet checked them out I recommend you do.

Vincent Di Fate is the master of space station art.  They are hyper realistic and detailed.  Although I definitely prefer his earlier surrealist work (for example, here) there is a certain appeal to more technical depictions of future space technology.  However, my favorite of the handful Di Fate pieces I cobbled together is his for the 1975 edition of The Other Side of Tomorrow (1973)—the screens are windows into the future, and a space station is featured prominently.  I sort of enjoy Bob Eggleton’s cover for the 1993 Italian edition of To Open the Sky (1967) as well—although I suspect the cover was published on an English language book earlier, Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXXV (Fowler + Bishop + Brunner + Blish)

Dallas Part V (and some older finds) (Part IV, Part III, Part II, Part I)!

Love Brunner, want his short stories, enough said….

Also, I have a love hate relationship with Blish (love his “hard” SF and dislike his juveniles of which he wrote a many and often in a “hard” SF series)—The Frozen Year (1957) supposedly is his attempt at a “realistic” SF novel.  I’ll just have to see…  I feel weirdly compelled to read it.

As for the Karen Joy Fowler collection—yes, she wrote in the 80s!—the book sorters at the Half Price Books failed to realized that it was a signed copy!  So for a mere dollar I now have only my second signed SF work after D. G. Compton’s Scudder’s Game (1988).  As people have probably realized, I completely eschew conventions and have little connection with fandom and thus do not go out of my way to procure signed editions…

Michael Bishp=one of my new favorite authors (after reading Beneath the Shattered Moons and A Funeral for the Eyes of Fire).  Hence, Catacomb Years (1979) is a welcome addition to my collection.

Thoughts?

1. No Future in It, John Brunner (1962)

(Uncredited cover for the 1965 edition) Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXXIII (Randall + Brunner + Shaw + Jones)

Dallas Half Price Book Store Part III (Part I, Part II)!

A short story collection by an author I have termed Mr. Perpetually Average But Readable, Bob Shaw.  I am interested in whether or not his visions are more concise/poignant in short story form.  I suspect a book like One Million Tomorrows (1971) would have been amazing in short form, especially the disturbing portions that take place in Africa (the UN forcefully administering immortality treatment on people who do not want them)….

A Nebula award nominated novel by Marta Randall, Islands (1976)—immortality themed, seems (at first glance) to be on the allegorical side = I have high hopes.

More Brunner! (Despite his warning, I was influenced by a review over at Speculiction…. here)  But then again, I am a Brunner completest…. And finally, a relatively unknown British SF novel, Implosion (1967) about a decreasing population.  Despite words of warning from reviews like Ian Sales’ (here) I couldn’t resist the Vincent Di Fate cover.

Thoughts?

1. Tomorrow Lies in Ambush, Bob Shaw (1973)

(Uncredited cover for the 1975 edition) Continue reading

Book Review: Fireship (variant title: Fireship / Mother and Child), Joan D. Vinge (1978)

(Stephen Hickman’s cover for the 1978 edition)

3.5/5 (collated rating: Good)

Like so many SF fans, my first exposure to Joan D. Vinge’s work was via her wonderful Hugo-winning novel The Snow Queen (1980).  Eventually I found a copy of her first published novel, The Outcasts of Heaven Belt (1978), which had an intriguing premise but a less than satisfactory delivery (poor characterizations, pacing, etc).  The collection Fireship (1978) is comprised of two novellas: the Hugo- and Nebula-nominated “Fireship” (1978) and one of her earlier works, “Mother and Child” (1975).

The title story is the lesser of the two despite its (dare I say dubious) award nominations.  It’s a light-hearted and unchallenging proto-cyperpunk Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXXI (Vinge + Gerrold + Zelazny + White)

Part 1 of many: Half Price Books in Dallas, TX (the second best bookstore, after Dawn Treader Books in Ann Arbor, MI for SF I have ever come across).  Gift card courtesy of fiancé’s mother = LOTS OF SCIENCE FICTION.  There could not be a better gift….

Everyone reads Robert Zelazny’s This Immortal (1966) and Lord of Light (1967), but who has read Isle of the Dead (1969)?  Thematically it seems similar to Lord of Light…  I have high hopes.  James White’s SF is always above average — and a fund cover from Dean Ellis makes that an auto-buy.  Although I disliked David Gerrold’s Space Skimmer (1972) my father swears Yesterday’s Children (1972) is somewhat readable.

I enjoyed Joan D. Vinge’s The Summer Queen (1980), tolerated her first novel The Outcasts of Heaven Belt (1978), so I suspect her two novella collection Fireship (1978) will be worthwhile…

Thoughts?

1. Isle of the Dead, Robert Zelazny (1969)

(Leo and Dianne Dillon’s cover for the 1969 edition) Continue reading

Updates: Recent Science Fiction Acquisitions N. LXXX (Bishop + Herbert + Malzberg + Offutt)

Stopped briefly in St. Louis to peruse a used book store and came across these…  Another work by one of my new favorite SF authors, Michael Bishop.  Short stories by Frank Herbert, and an intriguing post-apocalyptical vision by Andrew J. Offutt (with a fantastic Powers cover).

Unfortunately, Malzberg’s lesser novel Tactics of Conquest (1974) — according to later admission expanded from a short story in only four days! — tempted me, but it was only one dollar…

Thoughts?

1. Stolen Faces, Michael Bishop (1977)

(Steve Hickman’s cover for the 1978 edition) Continue reading

Adventures in Science Fiction Cover Art: Fractured Bodies (unraveling, decaying, [de]constructing)

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(Paul Lehr’s cover for the 1979 edition of Crompton Divided (variant title: The Alchemical Marriage of Alistair Crompton) (1978), Robert Sheckley)

Paul Lehr’s cover for the 1979 edition of Robert Sheckley’s Crompton Divided (1978) was the inspiration for this post.  I found the cover many years ago while looking through Lehr’s entire (mostly brilliant catalogue) and was intrigued.  The man, comprised of puzzle-like pieces that slowly morph into the swirls of his clothes, stares at us with hybridized eyes — a planet, a pupil — while one missing puzzle piece allows the viewer a glimpse of a barren landscape.  His brain, entirely a puzzle, is complete, but are his senses crumbling?

 Dean Ellis’ cover for the 1971 edition of Larry Niven’s collection All the Myriad Ways (1971) is even more fantastic — the puzzle pieces (bones, faces, limbs) dangle in the air Continue reading