Short SF Book Reviews: Michaelmas, Algis Budrys (1976), The Machine in Shaft Ten, M. John Harrison (1975), and Catacomb Years, Michael Bishop (1979)

[The second of four review catch up posts.  The first — > here]

1. Catacomb Years, Michael Bishop (1979)

(Ron Walotsky’s cover for the 1979 edition)

5/5 (collated rating: Masterpiece)

Michael Bishop’s Catacomb Years (1979) takes the form of a complex and multi-layered future history of a single city, the Urban Nucleus of Atlanta, Georgia—entombed/reborn under a vast dome where even the sky is obscured.  Over the course of seven short SF works linked by recurring characters (and character references), theme, and chronology Bishop weaves one of the more spectacular future history canvases.  This is a future history of a profoundly human scope focusing on transformative junctures in the life of the city from the point of view of a range of the inhabitants—from the old to the young, from technicians to recluses obsessed with bonsai, from teachers to human caregivers of the alien visitors…  And most intriguing is Bishop’s willingness to Continue reading

Short SF Book Reviews: If All Else Fails…., Craig Strete (1980), My Petition for More Space, John Hersey (1974), and All Judgement Fled, James White (serialized 1967)

[Preliminary Note: This year saw a massive drop off in the number of reviews I’ve managed to put together due to professional pressures etc.  I wish I had been able to write fuller reviews–especially as much of the SF I read is lesser known and deserves a wider audience.  In some cases, I waited too long to write and thus loss the necessary momentum.  I have ten or so more waiting in the wings–hopefully they will allow me “to catch up” so to speak.]

1. If All Else Fails…, Craig Strete (1980)

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(Margo Herr’s cover for the 1980 edition)

4.75/5 (collated rating: Very Good)

Craig Strete, one of the few Native American SF authors, picked up three Nebula Award nominations for short SF over the 70s and early 80s (“The Bleeding Man” in 1976, “Time Deer” in 1976, and “A Sunday Visit With Great-Grandfather” in 1981 although it was withdrawn).  The first two are in If All Else Fails… (1980).   They are both far from the best of the collection.

Favorites: “All My Statues Have Stone Wings” (1980), “To See the City Sitting on Its Buildings” (1975), and “A Horse of a Different Technicolor” (1975).

The pages reek with despair at the loss of Native American culture ….  The narrator of the “All My Statues” is reminded of his “grandfather who died humming all the songs he had kept silent because there was no one left to sing them” (11).  In “To See the City” the dead try to escape the concrete prisons of the cities that desecrate the holy places: “Buried animal and ground Continue reading

Updates: Recent Science Fiction Acquisitions No. CXXXVIII (Matheson + Tenn + Priest)

Adored An Infinite Summer (1979), had to procure more Priest…

I want to give Matheson another chance—although some of the stories in Third From the Sun (1955) were worth reading…

William Tenn, great short story author—needed more! I had previously read both Of Men and Monsters (1968) and his collection The Human Angle (1956).

Thoughts?

1. The Shores of Space, Richard Matheson (1957)

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(Uncredited cover for the 1957 edition)

From the back cover: “Shocking— Startling — Incredible.  13 strange and unusual stories set against the background of new worlds and fantastic futures— Continue reading

Book Review: Interface, Mark Adlard (1971)

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(Paul Alexander’s cover for the 1977 edition)

3.25/5 (Vaguely Good)

“Stahlex! Stahlex!

I want it thick!

I want it quick!

I want something that’ll do the trick!

Use Stahlex! Use Stahlex!

A benevo-o-olent monopo-o-oly” (160).

Mark Adlard’s SF output consisted primarily of the Tcity trilogy: Interface (1971), Volteface (1972), and Multiface (1975).  The domed (and doomed) city is a powerful scenario to explore a cornucopia of future social issues such as conformity, Continue reading

Updates: Recent Science Fiction Acquisitions No. CXXXVI (Sheckley + Wilhelm + Pesek + Shaara)

Despite my incredible busyness my reading of SF has not slowed that heavily as I find it a relaxing activity before bed.  There is a chance (time permitting) that I will post (two paragraph?) mini-reviews of such gems as Disch’s Camp Concentration (1968) + Lafferty’s intriguing Past Master (1968) + Mann’s  Wulfsyarn (1990) et alii in the coming weeks in order to get caught up (I haven’t been in more than a year)…

That said, I am still working through my recent acquisition posts for a stack of books that have slowly come in over the last few months.  More psychological SF via Wilhelm, a Mars novel originally in German, a collection of 50s – 80s short SF by an unsung master (according to some), and Sheckley at his most bizarre…

Three of the following novels came via Carl at Stainless Steel Droppings on his book store trip…  Grateful as always for his book hunting skills on his travels and willingness to send me a large box (and paypal bill! — haha).

Thoughts?

1. The Earth is Near, Ludek Pesek (1970, English trans. 1973)

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(Uncredited cover for the 1974 edition) Continue reading

Updates: Recent Science Fiction Acquisitions No. CXXXV (Delany + Wyndham + Budrys + McIntyre)

*preliminary note:  I am on something of a semi-hiatus—PhD writing and the like.  However, I have a Malzberg review of Scop (1976) nearly complete and might do a rundown of the SF I’ve been unable to review over the past few months in a more informal format (one paragraph reviews or something of that ilk)—Phillip Mann’s Wulfsyan (1990), M. John Harrison’s The Machine in Shaft Ten (1975), etc.

In my recent travels, I stopped in Nashville, Tennessee and picked up three of the four novels for under a dollar each.  McIntyre’s novel is the sole Hugo Award Winner for best Novel between the years 1953 to 1990 I’ve not read.  I should remedy that immediately as I’ve enjoyed her other work—for example, the novella “Screwtop” (1976).

Budrys’ novel actually sounds like I’d enjoy it despite my dislike of some of his work (and views)…. It certainly is my type of SF story concept-wise.  The last Delany novel missing from my collection and everyone loves Wyndham and immortality SF, right?

Thoughts?

1. Dreamsnake, Vonda N. McIntyre (1978)

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(Stephen Alexander’s cover for the 1978 edition of Dreamsnake) Continue reading

Updates: Recent Science Fiction Acquisitions No. CXXXIV (Mann + Moorcock + Farmer + Adlard)

I bought and am in the process of reading a novel from the 90s… Look below to find out which one! (SHOCKING).

Also, more in line with my common (recent) reading patterns, a lesser known but supposedly brilliant 70s novel, Interface (1971) by Mark Adelard.  According to SF Encyclopedia: “The series is set in a city of the Near Future.[…] With a rich but sometimes sour irony, and a real if distanced sympathy for the problems and frustrations of both management and workers, Adlard plays a set of variations, often comic, on Automation, hierarchical systems, the Media Landscape, revolution, the difficulties of coping with Leisure, class distinction according to Intelligence, fantasies of Sex and the stultifying pressures of conformity.”  The banal back cover description indicates a rather lesser novel than Clute’s praise…

More Philip José Farmer—early work, early work only!

And, well, I’ve never Moorcock’s SF/F but, perhaps my first collection of his short fiction will indicate what people claim he is capable of.

All but the last novel came via Carl at Stainless Steel Droppings on his book store trip…. Thanks again!

Thoughts?

1. Interface, Mark Adlard (1971) (MY REVIEW)

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(Paul Alexander’s cover for the 1977 edition) Continue reading

Book Review: Garbage World, Charles Platt (serialized 1966)


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(Keith Roberts’ cover for New Worlds SF, October 1966, ed. Michael Moorcock)

2/5 (Bad)

In 1980, 3,000 copies of Charles Platt’s SF novel The Gas (1968)—in which, the “eponymous gas, accidentally released over England, works as an irresistible aphrodisiac […]” and, according to John Clute at SF encyclopedia, contains “sex material” in “transgressively pornographic terms”—were seized by UK’s Director of Public Prosecutions in effect preventing a UK distribution [article].

Platt’s first novel, Garbage World (serialized 1966), feels like The Gas‘s SF juvenile little brother i.e. without the transgressive porn but all the intent to shock a 14 year old boy, although it’s never more than “the warmth of the mud mingled with the warmth of their lovemaking” (95).  So, what is this tidbit of effluvia all about?  First, the silliest part of the novel—the often scatalogical chapter titles: “Garbage Party” (21), “The Hole” ( 57), “The Yellow Rain” (81), “The Defecated Village” (100), “The Great Purgative Continue reading

Book Review: Walk to the End of the World, Suzy McKee Charnas (1974)

5/5 (Masterpiece)

“The men heard, and they rejoiced to find an enemy they could conquer at last.  One night, as planned, they pulled all the women from sleep, herded them together, and harangued them, saying, remember, you caused the Wasting” (3).

Suzy McKee Charnas’ Walk to the End of the World (1974) is the first of four novels in The Holdfast Chronicles sequence (1974-1999) that charts the slow forces of change in a post-apocalyptical future where women (“fems”) are chattel.  Kate Macdonald, in her wonderful review of Ammonite (1993) characterized Nicola Griffith’s novel as “instantly […] feminist: not stealth, or muted, or sub-conscious.”  Walk to the End of the World falls squarely, and powerfully into this category.  Told with intensity and vigor, Charnas brands the reader with her vision, a searing and festering landscape where white men have either exterminated the remaining “unmen” (the “Dirties”) or subjugated them (the “fems”) after a manmade cataclysm.  Complex societal institutions maintain control in a mostly illiterate world via appeals to collective memory, intensive drug facilitated indoctrination, and the deconstruction of the family unit in favor of exclusively homosocial relationships.

Continue reading