Fresh off reading Christopher Priest’s An Infinite Summer (1979) and his even more amazing novel The Affirmation (1981) (which I’ve been unable to review for a variety of reasons), I acquired yet another one of his challenging gems….
And M.J. Engh’s Arslan (1975), which appears to polarize audiences—for example, Ian Sales’ negative review of her novel [here]. One of the odder and lesser known Golancz SF Masterwork inclusions for sure…. I.e. normally my cup of tea. Seriously problematic seems to be Arslan‘s operating word.
And more Zelazny novels! I’m close to owning everything he wrote, other than the Amber sequence, up to the 1980s.
And there’s nothing wrong with more Lessing! (I wish MPorcius would stop writing such intriguing reviews of her work—haha. Here’s his review of Briefing for a Descent Into Hell).
As always, thoughts?
1. Arslan, M. J. Engh (1975)
(Vincent Di Fate’s cover for the 1975 edition)
From the back cover: “THE CONQUERER came riding into Kraftsville, Illinois one day, leading his armored column, and installed his crack troops in the schoolhouse. He was Arslan, and to make the town understand he intended to be obeyed absolutely, he killed a school teacher, then raped a young girl and boy as the soldiers cheered and the townspeople looked on. Of course, Kraftsville knuckled under—as all the world had already done…
ARSLAN was now the supreme power on earth, and he had an idealistic plan to save the world by destroying man.”
2. Doorways in the Sand, Roger Zelazny (1976)
(Ron Walotsky’s cover for the 1977 edition)
From the back cover: “Man is not alone in the cosmos… The aliens have given a precious relic to the people of Earth. Star-stone. The harmony of the galaxy is at stake when they discover the disappearance of their star-stone.
Likeable [sic] Fred Cassidy is an eternal undergraduate. All he thinks he knows about the star-stone is that it came to Earth in an interplanetary trade for the Mona Lisa and the British Crown jewels. Then Fred is accused of stealing the cosmic artifact, and he is pursued from Australia to Greenwich Village and beyond, by telepathic psychologists, extraterrestrial hoodlums, and galactic police in disguise; as he enters multiple realities, flipping in and out of alien perspectives, through doorways in the sand.”
3. Briefing for a Descent Into Hell, Doris Lessing (1971)
(Uncredited cover for the 1981 edition)
From the back cover: “A fascinating look inside the mind of a man who is supposedly “mad.” Professor Charles Watkins o Cambridge University is a patient at a mental hospital where the doctors try with increasing drugs to bring his mind under control. But Watkins has embarked on a tremendous psychological adventure where after spinning endlessly on a raft in the Atlantic, he lands on a tropical island inhabited by strange creates and strange customs. Later, he is carried off on a cosmic journey through space…”
4. The Glamour: A Novel, Christopher Priest (1984)
(Linda Fennimore’s cover for the 1985 edition)
From the inside flap: “You are about to enter a bizarre and unfamiliar world—the underworld of “the glamor.” It’s a place both seductive and sinister, where men and women possess enviable powers. A world of alternating states, a world that exists on the edge of reality, behind a veil of invisibility.
In the world they call the glamour, Richard and Susan meet and fall very much in love. For Richard, the victim of a terrorist bombing, fighting to piece together his shattered memory, it is a love both strange and new. But for Susan, a woman fighting for their future, it is a love that began long ago in Richard’s forgotten past. Now she must help him to remember the past they share—and the power they possess. It is a power that allows them to cloak themselves in a mysterious aura or glamour. People who possess it can fade in and out of sight. The glamour is a power they can use for good or for evil Yet for Richard and Susan, it is becoming a power they must escape, or be haunted by forever.
As sophisticated as it is provocative, THE GLAMOUR is a mesmerizing novel of psychological suspense that dares to prove the powers of the mind, ESP, and the ways in which people see—or fail to see—each other. Both a captivating love story and a haunting metaphor of modern life, it is an unforgettable reading experience.”