As always which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?
1. Other Worlds, Other Seas, ed. Darko Suvin (1970)
From the back cover: “Darko Suvin was born in Zagreb, Yugoslavia in 1930. An internationally known critic of literature and theater, he is the author of seven books of criticism including POSSIBLE WORLDS—An outline of Science-Fiction and Utopias.
The covers for Pocket Books and Popular Library tend not to scream “visual zeitgeist of the 70s” like the catalogs of DAW, Ace, and Del Rey/Ballantine Books (note 1). But amongst the former’s primarily forgettable stable of artists who are often uncredited (2), a few gems emerge–notably the work of Carlos Ochagavia (1913-2006) (3).
In J. G. Ballard’s The Wind From Nowhere (1962), cosmic radiation creates an immense natural disaster. Ever-increasing winds threaten to tear buildings out by their foundations and force the survivors into subterranean caverns. With the winds comes dust, a manifestation of erasure, that lacerates skin and engulfs all.
Welcome to a postmodern museum of disordered landscapes. J. G. Ballard paints a cratered England as a new Vietnam. Langdon Jones reduces the operation of the world to a series of sculptural machines. Hilary Bailey weaves a dystopic England changed beyond recognition in mere years. M. John Harrison’s characters interact with cardboard cutouts on an imaginary set. And Michael Moorcock’s Jerry Cornelius flits between India and Pakistan’s present and past.
“It’s the gestalt of the whole place, this whole fuckin’ city, rolled up in one man. Sometimes the world takes the shape of gods and those gods take the form of men. Sometimes. This time. That’s a whole city, that man” (18).
John Shirley’s City Come A-Walkin’ (1980), an early cyberpunk novel, succeeds as a surreal and earthy paean to diverse urban community and punk rebellion. A club owner and angst rocker join forces with a physical manifestation of San Francisco to fight the forces of technological change. While a brilliant evocation of aesthetic and emotion with sympathetic main Continue reading Book Review: City Come A-Walkin’, John Shirley (1980)→
“[He] maintained that it was in fact essential to conceal what could be concealed; indeed, an inspired lie could be preferred to a malignant truth” (24).
Sven Holm’s Termush (1967, trans. 1969) depicts, with stark minimalism, the psychological state of wealthy survivors holed up in a hotel shelter after an apocalyptic nuclear event. This brief work, a mere 110 pages, is not an adventure story. It is not an exercise in nightmarish brutality like The Road (2006) or an account of humanity’s turn towards evil as the gauze of “civilization” falls away like The Death of Grass(1956).
(Detail from Bob Haberfield’s cover for the 1973 edition)
4.25/5 (Very Good)
In the Star Trek: Voyager episode “One” (1998), Seven of Nine, unaffected by a nebula’s subatomic radiation, must care for the crew while they’re placed in stasis. Alone on the ship, Seven experiences the prolonged effects of isolation including disturbing dreams and hallucinations. Ever since I saw “One” as a child, I’ve become fascinated with the strategies that humans might use in space to cope with isolation and the rituals they might enact to preserve sanity. Michael Moorcock and Hilary Bailey’s The Black Corridor (1969) (see note below), explores Continue reading Book Review: The Black Corridor, Michael Moorcock and Hilary Bailey (1969)→