Book Review: Sargasso of Space, Andre Norton (1955)

(Ed Emshwiller’s cover for the 1964 edition)

4/5 (Good)

Andre Norton’s Sargasso of Space (1955), the first installment of her Solar Queen sequence of novels, delivers everything a 1950s juvenile science fiction adventure should.  Sargasso of Space is not only blessed with genuine tension, intriguing situations, heroic young adults, but also a multi-racial cast (an African-American apprentice engineer and two crew members of Asian descent).  This is my first of Andre Norton’s massive body of work I’ve read — Secret of the Lost Race, Star Born, Daybreak-2250 A. D., and Witch World are all on my shelf waiting to be devoured — and I will be looking to add more to my collection.  There’s something so appealing in the classic archetypal trope of the young hero–with the help of loyal friends–solving an intriguing (and dangerous) puzzle.

Brief Plot Summary

Our young/intrepid hero Dane Thornson is an apprentice Cargo-Master Continue reading

Adventures in Science Fiction Cover Art: Models, Dolls, Mannequins

(David Davies’ cover for the 1968 edition of The Syndic (1953), C. M. Kornbluth)

Occasionally I dabble in the incredibly esoteric and artistically painful.  Apparently in the 60s and the early 70s — heralded by the artist David Davies — there was momentary interest in sci-fi covers constructed from manipulated photographs of store window mannequins, dolls, wire contraptions vaguely suggesting spaceships, toy spacemen, wooden artist mannequins dressed in clothes/wigs, and copyright violating models of the Star Trek: The Original Series Enterprise NCC-1701.

Unfortunately, most of the covers I’ve discovered are uncredited — they might all be the work of David Davies.  Internet Speculative Fiction Database has seventeen of his covers listed but I suspect that he made many many more — I’ve gone ahead and credited a few Continue reading

Book Review: Beyond Apollo, Barry N. Malzberg (1972)

(Roger Hane’s cover for the 1972 edition)

5/5 (Masterpiece — but please consider the caveats below before procuring a copy)

(This review is a product of lengthy dialogues with my girlfriend, a graduate student in English, who devoured the work with great relish and enthusiasm.  Her remarkable eye peeled away levels I didn’t even know existed and heightened my appreciation for this underread classic.   I owe large portions of this review to her.)

Barry N. Malzberg’s Beyond Apollo (1972), the third of his novels I’ve read (Conversations, In the Enclosure, Guernica Night), is generally considered his best work (he won the inaugural John Campbell Award for best Novel).  In a genre infrequently blessed with literary experimentation — of course, there are a few exceptions, Ballard’s The Atrocity Exhibition (1970), Joanna Russ’ The Female Man (1975), Russ’ And Chaos Died (1970), and John Brunner’s Stand on Zanzibar (1968) among others — I’m always more predisposed to works which are structurally/stylistically inventive and thought-provoking.  Barry N. Malzberg’s Beyond Apollo more than fulfills  Continue reading

Adventures in Science Fiction Cover Art: Crashed Spaceships

(Gaylord Welker’s cover for the December 1952 issue of Astounding Science Fiction)

Gaylord Welker’s cover for the December 1952 issue of Astounding Science Fiction appeared in my best sci-fi cover post a while back.  Although I rarely recycle images, whenever I see his masterful cover I’m impressed with the sheer desolation and desperation of the scene.  Inspired by the image I set off to find more covers depicting crashed spaceships (alien or human on Earth, the moon, distant planets….).

Hannes Bok’s cover for Campbell’s The Moon is Hell (1951), Hubert Roger’s cover for the February 1939 issue of Astounding, Earle Bergey’s cover for the November 1952 issue of Fantastic Story, and Walker Brook’s cover for the 1953 edition of Simak’s First He Died (variant title: Time and Again) are thematically similar but less successful.  The others include one of my personal favorites (not one of the best by a long shot) — Earle Bergey’s cover the June 1952 issue of Startling Stories — where a man and a woman rescue two green tentacled Continue reading

Book Review: Wyst: Alastor 1716, Jack Vance (1978)

(Eric Ladd’s cover for the 1978 edition)

4.25/5 (Good)

Wyst: Alastor 1716 (1978), the second book of the Alastor Trilogy I’ve read, is more involving, satirical, and thought-provoking than Marune: Alastor 933 (1975).  Each book takes place in the same star cluster so there’s no need to read them in order.  As with every Vance book I’ve had the pleasure to read, the world is vibrant, detailed, and believable.  And also with every Vance book I’ve had the pleasure to read, an unoriginal political intrigue-driven plot is grafted with varying degrees of success onto the world.

A Description of Wyst

The Alastor trilogy takes place in the Alastor cluster, a dense collection of stars ruled by the Connatic (who makes a brief appearance in this novel) from his palace on Numenes. Wyst, Alastor 1716, is comprised of the urban center Uncibal in Arrabus where the egalist utopian society resides, large rural regions with small Continue reading

Adventures in Science Fiction Cover Art: Imprisoned in Glass Vials (of the metaphoric + medical + experimental variety)

(Uncredited cover for the 1969 edition of The Fortec Conspiracy (1968), Richard M. Garvin and Edmond G. Addeo)

Humans and aliens in glass vials of all shapes and sizes waiting to be measured, matured, tested, analyzed, exposed to a variety of chemicals and emulsions.  The artists often combine the iconic laboratory scene filled with the tools of the trade with sci-fi speculation on human experimentation (queue babies grown in containers in Brave New World).  The result, humans in tubes.  The effect is downright terrifying and one suspects, evokes a certain moribund fascination.  As with the famous introductory sequence in Brave New World, the reader is horrified by birth entirety regulated by machines.  Or, we are simultaneously titillated Continue reading

Book Review: Space Skimmer, David Gerrold (1972)

(Dean Ellis’ cover for the 1972 edition)

3/5 (Average)

I’ve found that the science fiction trope reconstructing a fallen empire/meandering in the wreckage of an empire one of the most seductive of the genre.  The idea of a disconnected landscape filled with the ruins of empire — giant edifice ever more consumed by vegetation, technology unable to be used, spaceships empty in space — is so transfixing that I pick up every example published before 1980 that I find.  Unfortunately, works like David Gerrold’s Space Skimmer (1972) and John Brunner’s collection Interstellar Empire  (1976) are evidence that seductive trope or not, the delivery is often less than delectable.

I must confess that I picked up the novel because of the cover blurb: “The ultimate spaceship in the hands of a barbarian…”  And the intriguing Dean Ellis cover…  Little did I know the blurb should read “the ultimate spaceship in the hands of a barbarian who spouts endless streams of bad poetry, an annoying little prince, Continue reading

Book Review: Time of the Great Freeze, Robert Silverberg (1964)

(Harry Schaare’s cover for the 1966 edition)

3/5 (Average)

Silverberg’s young adult (juvenile) science fiction novel Time of the Great Freeze (1964) is a by the numbers with few extra frills pulp adventure with a time-worn but still seductive premise: underground cities!  Unlike Heinlein’s best juvenile sci-fi works (Starman Jones, Citizen of the Galaxy, etc), Silverberg’s work fails to conjure the same wonder.  Silverberg’s portrayal of his youthful hero is dull even by 50s/60s juvenile standards — he fails to exude the biggest character trait of the genre, vibrant youthful vigor.  Yes he’s smart, does some judo moves, gets over friends’ deaths in a heartbeat, and is mentally tough but unfortunately is completely interchangeable with the other characters. Continue reading

Book Review: Ossian’s Ride, Fred Hoyle (1959)

SSNSRDSLDK1959.jpg

(Hoffman’s cover for the 1959 edition)

2.5/5 (Bad)

Fred Hoyle’s Ossian’s Ride (1959) is a disappointing sci-fi thriller which fails to live up to its intriguing premise: why is unusual technology flowing from unknown sources from far Western Ireland (a handy map is provided) beyond the Erin Curtain?  Get it, Ireland’s IRON CURTAIN…  This wobbly little thriller conjures but little thrill, the grand mystery is all too obvious/abrupt/giggle-inducing, and, most damaging, intended or not the political message is an endorsement of a police state as long as it encourages technological advancement.

The first edition cover proclaims Ossian’s Ride Continue reading