(uncredited cover for the 1975 edition of Growing Up in Tier 3000 (1975), Felix C. Gotschalk)
“After a seven days’ march through woodland, the traveler directed towards Baucis cannot see the city and yet he has arrived. The slender stilts that rise from the grown at a great distance from one another and are lost above the clouds that support the city […] There are three hypotheses about the inhabitants of Baucis: that they hate the earth; that they respect it to much they avoid all contact; that they love it as it was before they existed and with spyglasses and telescopes aimed downward they never tire of examining it, leaf by leaf, stone by stone, ant by ant, contemplating with fascination their own absence” — Italo Calvino (Invisible Cities, 1972, pg. 77)
I’ve always been fascinated by imaginary and historical cities: the utopian (Tommaso Campanella’s 1602 work The City of the Sun), the allegorical (Calvino’s Invisible Cities), the multi-layered (Rome), the planned (16th century Palmanova), the decaying (Jeff VanderMeer’s Ambergris), the multi-tiered (Tolkein’s Minas Tirith)… Continue reading






(Cover for the 1966 edition of The Players of Null-A (1966), A. E. van Vogt)
