Tag Archives: Theodore Sturgeon

Updates: Recent Science Fiction Acquisitions No. CLXXXII (The Anthology Edition) (Best SF Stories from New Worlds 5, Orbit 6, Alpha 3, Best SF 1972)

Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.

Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.

…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).

Scans are from my collection.

1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)

(John Schoenherr’s cover for the 1972 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLXXXII (The Anthology Edition) (Best SF Stories from New Worlds 5, Orbit 6, Alpha 3, Best SF 1972)

Updates: Recent Science Fiction Acquisitions No. CLXXXI (Harrison + Sturgeon + Moorcock + Buzzati)

1) Early Elric stories from Michael Moorcock’s pen. Confession: I bought it in Scotland due to the disquieting cover rather than any love of heroic fantasy—albeit M. John Harrison’s The Pastel City (1971) was pretty darn good.

The fantastic cover is uncredited: thoughts regarding the artist?

2) I adored Dino Buzzati’s magical realist novel The Tartar Steppe (1940). And the movie adaptation The Desert of the Tartars, dir. Valerio Zurlini (1976) inspired by the aesthetics of Giorgio de Chirico —I even wrote a half-baked and cursory review of the movie many years ago. While browsing I discovered that Buzzati wrote what is considered the first serious Italian SF novel—Larger than Life (1960). I can’t wait to read it!

3) More Theodore Sturgeon short stories….

Relevant reviews: A Way Home (1956), The Cosmic Rape (1958) and Venus Plus X (1960).

4) A while back I watched, and struggled to enjoy, the 1975 film adaptation of William Harrison’s short story “Roller Ball Murder” (1973). Time to read the source material. Copy snagged in Edinburgh, Scotland.

As always, I look forward to your thoughts.

1. The Stealer of Souls, Michael Moorcock (1963)

(Uncredited cover for the 1968 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLXXXI (Harrison + Sturgeon + Moorcock + Buzzati)

Updates: Recent Science Fiction Acquisitions No. CLXXVIII (Carter + Boyd + Platonov + Anthology with Sturgeon, Bradbury, Budrys, et al.)

1) Can’t resist a beautiful Richard Powers cover even on a rather standard 60s anthology of short stories—includes Ray Bradbury, Fredric Brown, Theodore Sturgeon, Wyman Guin, Algis Budrys, etc.

Relevant reviews: Algis Budrys’ collection Budrys’ Inferno (1963) and Wyman Guin’s superb collection Living Way Out (variant title: Beyond Bedlam) (1967).

2) A SF novel by Angela Carter — enough said…

3) One of the great (and lesser read) Soviet dystopias! Can’t wait!

4) Another bargain bin find by John Boyd… with some incredibly hyperbolic cover blurbs on the back about his earlier (and lackluster) novel The Last Starship from Earth (1968).

As always, thoughts/comments are welcome!

1. Beyond, ed. Thomas A. Dardis (1963)

(Richard Powers’ cover for the 1963 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLXXVIII (Carter + Boyd + Platonov + Anthology with Sturgeon, Bradbury, Budrys, et al.)

Adventures in Science Fiction Cover Art: The 50s/60s Surrealistic Stylings of Art Sussman

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(Cover for the 1960 edition of Out of Silent Planet (1938), C. S. Lewis)

Art Sussman produced a remarkable corpus of SF and other pulp covers (mysteries, crime, etc). He could easily shift gears between Richard Powers-esque surrealism—although distinctly his own take—to covers that suited an Agatha Christie mystery (browse the range here). I would be wary comparing him to Powers until you skim through the latter’s late 50s early 60s art (definitely an enjoyable activity!). Although Powers is still far superior, both were part of the SF art movement increasingly experimented with surreal/metaphoric and experimental art (there are still spaceships lurking around the edges, and futuristic cities, and other pulpy moments).

There is a precision of vision with Sussman’s art—his cover for the 1960 edition of Out of Silent Planet (1938), C. S. Lewis places the astronauts in an outline of a vessel with strange hints at alien planets and experiences scattered gem-like in the distance. Sussman’s focus on the human form — often surrounded by surreal forms and humanlike membranes — showcases agony and despair. A great example (and my favorite of the bunch) pairs jagged black fields with a bloodied man, the 1960 Continue reading Adventures in Science Fiction Cover Art: The 50s/60s Surrealistic Stylings of Art Sussman

Updates: Recent Science Fiction Acquisitions No. CLVII (Sturgeon + Sheckley + Scortia + Mannes)

I can’t pass up a Sheckley collection!

Nor can I pass up a rather unknown “discovered manuscript” type 1960s feminist dystopia by Marya Mannes.  She wrote for Vogue and The New Yorker over her career….

Nor can I pass up a Sturgeon collection (perhaps I will appreciate his more radical SF short stories?)….

And finally, a best of collection by an author who might not be worth exploring, but, sometimes short stories give a better impression of an author’s capabilities than a novel-length work.

As always, thoughts/observations/comments are welcome!

1. They, Marya Mannes (1968)

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(Stanley Zuckerberg’s cover for the 1970 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLVII (Sturgeon + Sheckley + Scortia + Mannes)

Adventures in Science Fiction Art: Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini

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(Cover for the 1973 edition of The City in the Sea (1951), Wilson Tucker)

Mariella Anderlini, under the pseudonym Allison, produced a vast number of surreal and masterful SF covers (between 1969-1988) primarily for the Italian SF publisher Libra Editrice.  Apparently, she went under the pseudonym to avoid damaging her professional painting career.  She was the wife of Ugo Malaguti, editor and author, who founded Libra Editrice and edited Galassia.

As I celebrate the birthdays of a range of SF authors/illustrators/editors from multiple language traditions on twitter (@SFRuminations), I came across Allison’s work while researching her husband’s untranslated SF output.  However, only through the diligent research of a twitter follower, whose Italian is far better than mine, were we able to come across her real name.

A reader on twitter sent me two Italian articles for more details (they are scanty) about her life and SF art: “Libra Editrice: ascess e caduta di un impero”  and  “Nova SF.”

And her art is absolutely gorgeous…. Her work enters the pantheon of my favorite SF cover Continue reading Adventures in Science Fiction Art: Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini

Short Book Reviews: Theodore Sturgeon’s Venus Plus X (1960), Christopher Priest’s The Affirmation (1981), and Barry N. Malzberg’s Screen (1968)

Cycle: read a book, place it in the review pile, the immediacy of the novel fades slightly or the novel fights every moment of the review writing process (–> Priest’s masterpiece The Affirmation), never review it, feel bad that I never reviewed the novel, read less in order to catch up…

Result: less reading and more pouting.

Remedy: In order to catch up, here are short/less intensive reviews with links to in-depth analysis (if it exists).  Part I + II (books by Budrys, Strete, White, Bishop, etc).

1. Venus Plus X, Theodore Sturgeon (1960)

VNSPLSX1960

(Victor Kalin’s cover for the 1960 edition) Continue reading Short Book Reviews: Theodore Sturgeon’s Venus Plus X (1960), Christopher Priest’s The Affirmation (1981), and Barry N. Malzberg’s Screen (1968)